This week I wanted to dredge up something from the past and talk about a comic that is effectively dead. Launched in June 2010, rightly featured in October 2010 and last updated with an actual page of content in August 2012. But still one of my favourite comics on the ...

Zinc comix is all about Japanese death poems called Jisei. Each poem consists of 3 pages: one page for each line of the poem, and all the syllables on each page add up to 17, the the haiku form of the jisei. Each poem is listed with a number and ...

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Romances don't always have to be the main focus of a story, infact you can have richer, more interesting romances if they occur in support of a bigger plot issue. It can lend them and the story more weight if they're in a secondary position. Characters can ...

The other day I read a very interesting post by our very own Vickie of Used Books where she was talking about Romance. And what caught my eye the most was her description of the driving force behind romance stories as “relationship-driven conflict”- a very succinct way to put it ...

This time out I wanted to talk about superhero comics again and turn the spotlight onto the one that was responsible for me discovering Drunkduck in the first place…Dasien.

Over the years the comic has become slightly entwined with my own comic, but always they have remained the own ...

I'm a bit obsessed with “before” versions of characters. Where they start. The damaged dude or dudette who shows up at the beginning of a story REALLY needing a change in their lives, and usually not knowing it.

Even when the plot kicks off, these folks often don't ...

A young orphan. A mysterious man in a cloak. A gorilla that can sing Italian Opera. A cute little green dinosaur. Welcome to the planet Barter, a planet that is supposedly a Black Market planet. Chapter One starts off with a young girl talking to a ghost in a junkyard ...

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Dialogue is one of the most important elements for storytelling in most webcomics (there are exceptions). But dialogue is often hard for beginners, writing out imaginary conversations to push stories forward, show characterisation, or expositions are skills that don't come naturally! Banes has given us a helpful newspost ...

Having decided that shock value is needed in your comic and you must scare, disgust or generally traumatize your audience in some way in order to get the emotional reaction to serve your theme and your subject matter, how do you decide when and where to draw the line? (note ...

I'm indulging in what could be a problematic experiment. Bear with me…
In the history of this amazing webcomics hosting community there was a dark and interesting place in time and space, we called it “the Top Drawer”. Think about New York in the 1970s: dangerous, sexy, sleazy, unsafe ...