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Based on Banes' newspost about the latest Dave Chappelle comedy special, this Quackcast talks about the way audience reception to it has been somewhat divided based on ...

There is a very important relationship between humor and horror.

Bill Hader credits sixteen-year-old, Finn Wolfhard, for his meeting with the casting director in the latest installment of the Killer Clown franchise featuring Pennywise, It: Chapter Two. If that was not enough, he has joked in several interviews how he ...

Game of (Sticks and) Stones

I heard about the new Dave Chappelle special, Sticks and Stones, and couldn't wait to finish the long work day to get home and watch it.

A lot of it was hysterical and I was laughing loudly, sounding like some kind of sick donkey ...

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How about having it so anyone in your story can die?
Let me explain: It's fake. NOT just anyone can die OK? Your main character will ...

The original story of the Dark Crystal was released in 1982 by the Jim Henson company. It was a viewing staple for many children who are now adults with a dark, yet hopeful storyline. It was a story about balance with the mystic Urus contrasted against the devious Skesis. There ...

In a story when any character is plausibly eligible to die, the stakes are high. We worry for everyone, even main characters than in other stories wouldn't be on the chopping board at all. It's a great premise to have for your story setup, because it makes the ...

Unreliable

Last week we talked a little pov basics.

This time, how about we talk the fascinating device called the Unreliable Narrator. For anyone who doesn't know, this type of narration (usually first person in prose, but not necessarily) tells the story in question…but is not necessarily giving ...

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Cooperation Vs Competition. For decades the mantra was competition is good: it produces progress and makes things better… Well that's actually false. Competition is what you ...

The lifeblood of your comic is the characters in it. They offer a way for the audience to be invested in the world and contextualise any conflicts that will inevitably occur. So it is important that the characters don’t come across as flat. A flat character is one dimensional ...

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Today we compare and contrast two ways of making characters: starting with a pure archetype and building it with tropes, or creating a character organically through circumstance ...