Hello, ducks!

Been a while since I did one of these off-top of-my-head kind of pieces. Thought I talk about something that has been on my mind for quite some time. What exactly is deep and profound? A lot of artists throughout history have strived to make their art deep ...

In the early parts of the story, it helps the quality of the thing and the experience of the audience to layer in the details that will come into play later.

These are little character and world details that will come into play later - the sword that falls off the ...

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In this Quackcast we chat about set-ups. pay-offs, and rip-offs. To make your climaxes and endings more satisfying you have pay-offs for audience expectations: set them up ...

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Art by Ozoneocean

What makes the “meat” of a story? What makes you fall in love with it, keep coming back for more watches or reads or whatever? I contend it has nothing to do with conflict or culminations or climaxes, those are merely generic structural plottings that are ...

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Pitface joins Ozone and Banes again for the second and last part of the climax cast! It's the climax of the climax casts!! We discuss what people think about climaxes in stories, their own and those they watch or read. It's hard to write up to climaxes ...

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What's best? One big climax, multiple small ones, early, or delayed? How much should you work UP to a climax? What about anticlmactic events, how important are they?
Climaxes are really important in stories. Often you work up to them over the course of a whole series, but ...

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Pic by Ozoneocean

This time we're talking about conflict in webcomic writing, and any writing in general really. Conflict is one of the main drivers of a story, so you pretty much have to have it in there somewhere! But how do you approach it? Do you set ...