Episode 680 - Intelligence in Fiction
Mar 25, 2024
Today we're talking about the depiction of “intelligence” in fiction! There are a lot of ways this shows up: the genius detective who can understand any clue and uncover any lie, the amazing doctor who can understand any disease, the computer nerd who can do ANYTHING with computers, the genius savant with Asperger's, the crafty serial killer with plans within plans…
Topics and Show Notes
Mostly though these depictions are absolutely fictitious, simply based on tropes, like the action-man James Bond/Jason Bourne type “spy” trope which doesn't exist in reality and yet that's how we always think of spies. They're generally exaggerated to the point of silliness. The depiction of an “intelligent” person in fiction often involves wearing glasses; dropping quotes (usually Shakespeare); an obvious odd quirk that makes them not fit in well with others- being nerdy, dressing badly, talking weirdly, shyness, meanness; and they're almost always a polymath, in that they know about EVERYTHING, not just the field they specialise in.
Recently I've been binging the series Bones. It's about a group of scientists who perform special forensic tasks for the FBI. They're all super geniuses, especially the main character “Bones”, Temperance Brennan, who all the other charters frequently acknowledge as super brilliant. The dumbest person in their team is Angela, the artist, who's main role is to do sketches and reconstructions of the dead and provide an intuitive counterpoint to the cold scientists. Ironically she'd have to be by far the most intelligent person in their group and one of the most intelligent people in the world because while the others have very narrow specialties she's a genius at computer programming, mechanical engineering, code breaking, and and makes intuitive leaps that are impossible for normal people. It's a very silly show in its depiction of and understanding of intelligence, with the “smartest person” (Bones) actually being the dumbest in the group while the dumbest one (Angela) is the smartest.
Two of the main bulwarks of intelligence in fiction are Sherlock Holmes and serial killers, which are actually related. Sherlock is from a late 19th century stereotype of an intellectual superman. He's aware of the smallest detail, has a clinical, analytical mind, he drops quotes, he's classically educated, he has “no time for fools”, doesn't relate well to others, and is prone to obsession. His relationship to the modern depiction of the fictional serial killer is his rivalry with the character Moriarty, on which serial killers tend to be based- not on the character but the battle of wits. In reality serial killers and psychopaths are never very intelligent, the trope seems to be based on Ted Bundy and Jeffrey Dalmer having reasonably high IQs but neither ever came up with fiendish plans or devised clever clues or plots, their crimes are simply gross, evil. and absolutely selfish, but in no way clever. This has resulted in the fictional serial killers typically matching the intelligence of detectives in an evil, dark reflection.
The trouble with depicting intelligence in fiction is usually that the writers don't know very much about it so they trick us by having other characters react to their genius character as if they're amazing, or showing the genius by having the character perform some massively exaggerated act like solving an incredibly hard puzzle, or creating one, dropping random quotes, or just telling us that the character is smart.
Some of my favourite intelligent characters are Abby from NCIS, Egon from Ghostbusters, Nero Wolfe from the Nero Wolf Mysteries, Daria, Sherlock Holmes, the Villain behind glasses from Log Horizon, John Crichton from Farscape, Doctor Who, and Mr Spock from Star Trek.
What are your faves? The characters from Big Bang Theory? House? Lisa Simpson?
This week Gunwallace has given us a theme inspired by Gamma Blue Smoldering of Creel - Heavy rocking fire. This is a hammer forging red hot steel on an anvil, rhythmically pounding it into shape, slamming into it with thunderous blows,drawing out the metal into a brutal sword of pure rock!
Topics and shownotes
Links
Featured comic:
Cafe Strange - https://www.theduckwebcomics.com/news/2024/mar/19/featured-comic-cafe-strange/
Featured music:
Gamma Blue Smoldering of Creel - https://www.theduckwebcomics.com /Gamma_Blue_Smoldering_of_Creel/ - by Odebear, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 670 - Wise use of influence
Jan 15, 2024
This Quackcast is about using influence wisely! I had a DD comic creator come to me, apparently a bit distressed at some of the things we'd said in our last Quackcast about drawing adult comics- they had decided to delete their entire webcomic. I checked on google and it turns out they deleted it everywhere, not just DD, even down to their twitter! I've since talked to them some more and got more of the story and made sure they were ok but it was pretty alarming at the time nevertheless.
Episode 669 - sexelant
Jan 8, 2024
The number of the Quackcast is 669 so that means it's time for sexy stuff again! But despite the topic this isn't an adult cast and we keep things to a respectful tone.
Episode 664 - Parody and satire
Dec 4, 2023
We're talking about parody and its evil twin satire. There are good parodies and bad ones but we feel the better parodies are the indirect ones that make fun of and exaggerate the theme or the vibe of something rather that simply doing a direct copy but with jokes; For example, Austin Powers and Kingsmen are indirect parodies of spy films, Blazing saddles is an indirect parody of Westerns, The Princess Bride and Shrek are indirect parodies of fairy tales, Galaxy Quest and the Orville (first season) are indirect parodies of TV SciFi shows etc.
Episode 661 - Steaks... stakes
Nov 13, 2023
Stakes are a part of a story. What does a character want? What means the most to the character? What are they after, what do they care about? Stakes can be really subjective like that and they can also be objective and more universal like death, debt, a threat to a home, nation, planet or even the universe. The most important thing though is that you can communicate the value of those stakes to the audience! It doesn't actually matter WHAT the stakes are as long as the audience understands that they're important.
Episode 659 - Happy Halloween 2023
Oct 30, 2023
Happy Halloween! The time of spookiness and ghosts. Spooks messed up the cast so the sound quality is really bad I'm afraid, I tried to do what I could to fix it though. This week Banes, I, and Tantz are chatting about Halloween and related subjects like scary movies and things. I personally only like comedy horror, or whacky horror films where things are taken too far so I don't identify with the characters and feel bad because of it. I find I identify with characters in film far too much (if it's realistic), the genre doesn't matter, it can be comedy, horror, murder mystery, romance whatever, so that means if the tone is too tragic and depressing it usually makes me feel extremely down. For that reason a lot of horror doesn't appeal to me unless I can distance myself from the characters somehow. So comedy helps, or if it's super-over-the-top and whacky like The Nun.
Episode 658 - Marvelous musicals
Oct 23, 2023
We're chatting about the subject of musicals for this particular Quackcast. You might think this has nothing to do with webcomics but webcomic musicals popup from time to time, like The Black Parade on DD by Ashlee S.
Episode 654 - tropes vs character growth
Sep 25, 2023
Today we're chatting about characters who're mainly based on tropes VS those that grow. You see this difference quite clearly in a lot of British comedy VS American comedy where characters are set up in certain ways, e.g. the nerd, the sassy one, the mature one etc- in British stuff they tend to revert to type, which is their most important trait, while in American stuff they tend to change and grow based on interactions and experiences. There are MANY exceptions though and one way isn't inherently better than the other.
