Episode 378 - Your best work, Comicsgate, Mark Wade, Tantz comic spotlight, Twitter

Jun 11, 2018

We have community contributions for this Quackcast! Many DDers told us about their best work and we read that out and chat about in on the Quackcast. We talking about promoting comics through DD's Twitter account. The DD awards have begun, get in on them and get nominated! Tantz Aerine wants to promote comics so send stuff to her.The we had a really long and interesting chat about Comisgate and Mark Wade and then Pitface had a meltdown :D This week Gunwallace has given us the theme to Completely unrelated. Slide into coooooool. This is crystal white acrylic decor, this is a level above, this is music for the sophisticated. Feel your stresses melt way as you float off with the smooth jazz. Pure pleasure.

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Topics and Show Notes

Topics and shownotes

Featured comic:
dreamcomicbookDOTcom - http://www.theduckwebcomics.com/news/2018/jun/05/featured-comic-dreamcomicbookdotcom/

Links:
Comicsgate - http://www.theduckwebcomics.com/news/2018/jun/08/on-being-militant/
DD Twitter - http://twitter.com/#!/drunkduck
DD Awards FYC - http://www.theduckwebcomics.com/Drunk_Duck_Awards_2018/5570037/
Your best work thread - http://www.theduckwebcomics.com/forum/topic/177929/
Your best work Quackcast - http://www.theduckwebcomics.com/news/2018/jun/02/quackcast-377-your-best-work/
Banes' best work thread - http://www.theduckwebcomics.com/news/2018/jun/06/talk-about-your-best-work/

People's work
Ironscarf - http://www.theduckwebcomics.com/Awfully_Decent_Fellows/
Jerrie - http://www.theduckwebcomics.com/Tales_of_The_Heartless/
Avart - http://www.theduckwebcomics.com/The_Gloom/
Bravo - http://www.theduckwebcomics.com/Tales_of_SIG/
Usedbooks - http://www.theduckwebcomics.com/Used_Books/5404818/
Emevsa - https://www.facebook.com/emevsacomics/photos/a.1141599479306215.1073741828.1139380502861446/1294219277377567/?type=3&theater
Lightfoot - http://www.theduckwebcomics.com/Pulse_Comics/
Kim Luster- http://www.theduckwebcomics.com/The_Godstrain/5505278/
RoberRVeith- http://www.theduckwebcomics.com/Dragons_in_Civilized_Lands/5531641/
RoberRVeith- https://robertrveith.deviantart.com/art/Transit-FinalCover-407616704
Albino Ginger- http://www.theduckwebcomics.com/Holy_Bible_the_Albino_Ginger_version/

Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine/
kawaiidaigakusei - http://www.theduckwebcomics.com/user/kawaiidaigakusei/
Pitface - http://www.theduckwebcomics.com/user/PIT_FACE/
Banes - http://www.theduckwebcomics.com/user/banes
Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean

Featured music:
Completely Unrelated - http://www.theduckwebcomics.com/Completely_Unrelated/, by Delicioustrifle, rated M.

Episode 373 - Stupid millennials, greedy baby-boomers and lazy Gen Xers!

May 7, 2018

4 likes, 5 comments

Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!


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