Episode 682 - Exposition!
Apr 8, 2024
Tantz came up with this week's topic: Exposition! It's because she's well on her way into starting her latest comic, Verdant, and working out ways to introduce the story, the world, characters, culture, magic systems, religion etc without doing a massive text dump, which people generally don't like too much. So how do you exposit in a good way?
Topics and Show Notes
One popular way is through a dialogue; characters give overly verbose and entirely unnecessary explanations about how things work during ordinary conversations, telling people things that they would already know from childhood, just so the reader can be informed in a “natural” way, which isn't natural and it actually really terrible, eg: “Hello my friend David Prowse who I have known since high school but have had a big falling out with since you slept with my wife. Could you hand me the energy cell please? Of course you know that all machines now are powered by energy cells which are miniaturised nuclear fusion reactors, so that we have unlimited, cheap power always.”
Another way is to have a character in a classroom, being taught particular concepts like history or politics so they and the reader “learn” together. This can be terrible but it can also be pretty good if you handle it right. Even text dumps can work ok if they're done correctly, but that's rare.
The best way to do exposition is to introduce the audience to only the concepts they need to know for now, in a basic way, with plenty of context in ways that are fully and easily relatable. Like showing a small, slow stakes scene that introduces key concepts and shows the character's reaction to them. If most of the stuff is easily relatable then the audience will focus more on the few isolated weird new things you introduce and they can learn about them from seeing how the characters react to them and how they fit into the context of the world, that way you don't need to explain them. A great example of this is the new comic by Marcorossi, Bunyan Mk7, it's a perfect example of quick, minimal exposition through story.
From here we started talking about how in anime often an entire first season of 13 episodes is devoted to this sort of expository introduction, which I find extremely pleasant because the focus of that kind of storytelling is not “conflict” but instead “progress”, which is something not well understood in modern storytelling anymore. The interest the audience gets from the story isn't that a character wants something or needs to fight to get it or resolve an issue, instead it's the linear consumption of knowledge that builds to the goal of finding out more about something. You specifically don't care about resolving anything, rather the learning is fun for its own sake. “Progress” can also be anything that builds towards a goal. I find people still like to rationalise this as “conflict” but you need to stretch the definition too much that it makes the concept useless and no longer logically understandable.
How do you do exposition? With a text dump? Via dialogue? A classroom? An introductory prologue? Or do you just throw the audience in the deep end and expect them to sink or swim? That said, the more familiar and relatable the story offering is, the less work on the exposition you have to do.
This week Gunwallace has given us a theme inspired by Cafe Strange - A melancholic jazz revere on times past and times yet to come. Off-time percussion, a gently plucked double bass, evocative piano and an electric violin play a tune of loneliness and possibility.
Topics and shownotes
Links
Exposition examples in comics:
Verdant, by Tantz_Aerine - https://www.theduckwebcomics.com/Verdant/
Bunyan Mk7, by marcorossi - https://www.theduckwebcomics.com/Bunyan_Mk7
Featured comic:
Prisoner of Paint - https://www.theduckwebcomics.com/news/2024/apr/02/featured-comic-prisoner-of-paint/
Featured music:
Cafe Strange - https://www.theduckwebcomics.com/Cafe_Strange/ - by Synwells, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 679 - Correlation doesn't equal causation
Mar 18, 2024
The phrase “Correlation doesn't equal causation” is something associated with science and statistics but it really applies to EVERYTHING and that's important to understand. But was does it mean? If a bunch of things happened at the same time, those things aren't necessarily related or causal. An example Tantz gives is that statistics show in the summer there are more drownings and that people eat more ice cream. That means that those two things are correlated. We know they aren't causal though: ice ream doesn't drown people and people drowning don't cause people to eat more ice cream… the third hidden variable is that it's summer: it's the rise in temperature that causes people to want more ice cream and to swim more, which increases the chances of drowning.
Episode 677 - You can't spell "Fail" without "AI"
Mar 4, 2024
I remembered that a promised Quackcast was AI: slavery for artists and creators. This is an important subject to cover especially from this angle.
Episode 673 - By their deeds you shall know them
Feb 5, 2024
Here we're fulfilling the promise of Quackcast 671 and examining what the art can tell us about the artist! Can certain themes, an art style, choice of imagery, jokes, humour, character opinions, colour choices or anything else tell us anything about the artist?
Episode 665 - Eyes
Dec 10, 2023
This week our talk is an art one: eyes! We talk about how to draw them, adding meaning and expression, the way different cultures use them, different styles for doing eyes, reflection, shadow, focus and a million other things!
Episode 664 - Parody and satire
Dec 4, 2023
We're talking about parody and its evil twin satire. There are good parodies and bad ones but we feel the better parodies are the indirect ones that make fun of and exaggerate the theme or the vibe of something rather that simply doing a direct copy but with jokes; For example, Austin Powers and Kingsmen are indirect parodies of spy films, Blazing saddles is an indirect parody of Westerns, The Princess Bride and Shrek are indirect parodies of fairy tales, Galaxy Quest and the Orville (first season) are indirect parodies of TV SciFi shows etc.
Episode 661 - Steaks... stakes
Nov 13, 2023
Stakes are a part of a story. What does a character want? What means the most to the character? What are they after, what do they care about? Stakes can be really subjective like that and they can also be objective and more universal like death, debt, a threat to a home, nation, planet or even the universe. The most important thing though is that you can communicate the value of those stakes to the audience! It doesn't actually matter WHAT the stakes are as long as the audience understands that they're important.
Episode 657 - The art of the tease
Oct 16, 2023
The art of the tease is what we're talking about here. It's something Banes and I work with on Bottomless Waitress and it's what you see in a lot of raunchy comedies, you also see it in other applications too, like in a slasher thriller where it's teased that a character will become a victim but they never do. My fave application though is the traditional sex comedy where there's never anything explicit even though that is the thing you're always led to expect is just around the corner. The art is to keep people hanging on with the internal expectation of seeing something, while never actually delivering on it and yet not pissing them off.
