Failure is the stepping stone to success. That’s what I teach my students and my clients, and it is true, right up there with “whatever doesn’t kill you makes you stronger”: If you learn why you failed, you won’t fail again the same way- and that brings you closer to success, to realizing your goal.
The same goes for characters in a story- but the drama that ensues when that happens stands far better chances of engaging and affecting the audience than it does in the daily grind of reality for us.
As one would imagine, it again comes down to how you write it, how much you allow the character to show vulnerability and how much you force the character to evolve in order to overcome the failure. This holds for all kinds of storytelling of course, from novels to comics to films.
In my opinion, when protagonists fail is when the story really takes flight, becomes real because everyone fails and if the protagonist does not, then the story doesn’t maintain realism enough for the audience to remain interested.
Of course, even if a character fails many times, if the story doesn’t take the time to show how the failure is worked out in some manner, again the realism will take a dent. How could one go about it?
For me, what works in stories is to compare and contrast: characters start off on some sort of pedestal. It doesn’t have to be the pedestal of the righteous or the infallible- it is just the state in which they begin (or in which we find them) where they are at their “original state”: their original comfort zone, the way they have become comfortable with living. So just as the unwavering lawyer is on the pedestal of white knighthood, so is the thief on one for successful robberies, the conman on one for heists, the student on one for ‘scraping through’ school without getting noticed, and so on and so forth.
Failure should come and shove them off there. What they normally do no longer works: the lawyer loses a case because he didn’t play dirty; the thief gets caught; the conman gets conned; the student can’t stay unnoticed anymore.
By losing their pedestal, they become vulnerable. We add to that vulnerability by showing their emotions, their struggle and their longing for returning to the pedestal they lost. We force them to interact with the world from a vantage point they hate.
That begets drama.
Drama begets engagement with the audience.
Engagement begets successful characters.
And that is your story’s stepping stone to success. Or one of them.
What do you think? How often do you let your characters fail? What did that do for your story?
Tantz_Aerine at 12:00AM, Feb. 25, 2017
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