We're all aware of the classic tennet for writers and creators of all stories- write what you know in order for the story to be good.

We've explored before what it means to write what you know, and where this rule should be adhered to: at the core behaviors, the actions and reactions of your characters and your personal experiences of how the world works, among other things.

But what about when you just have to write what you don't know?

If you're not medically trained does it mean you are forbidden from writing a doctor, or a hospital? What if you must write about soldiers? Or about people in civilizations that existed long before you were ever born?

Or must you first become an archaeologist, a linguist, a philosopher before you can write characters that dabble or are experts in such fields, and many more?

Of course you mustn't.

Being a polymath certainly helps design and conceive of a story in a manner that will later need fewer revisions as you research and learn more about the places, settings and knowledge your characters will be expected to handle. But it is in no way a requirement.

In fact, you don't even need to get it totally right.

The popular and award winning series House MD starring Hugh Laurie as the titular misanthropic genius diagnostician certainly did not. While a staggering amount of research has clearly been made for each of the syndroms, diseases and infections that House deals with, the protocols of safety, testing, administration of treatment and patient care are consistently absolutely wrong. And not only that- House's deductive reasoning is often unrealistic, with what is framed as “brilliant insight” in reality being either a ridiculously lucky guess or clairvoyance. Even the steps he takes in eliminating hypotheses grossly misrepresents how actual doctors do it.

How, then, did the showrunners manage to keep suspension of disbelief, and to give House the glamor of a medical genius?

It's a relatively simple trick: a percentage of the content presented is consistently accurate, while the percentage of the incorrect content is consistently consistent.

While the hospital methods, protocols, and administration would be impossible to exist in the real world or sink immediately under the weight of all the law suits, the M.O. presented is always consistently the same. They have to go through the same loops, they follow the same structure and approach and they come up against the same hurdles. So this consistency gives the sense of credibility and reliability to the audience, and thus disbelief is suspended even if the audience is aware what they're watching is wrong.

Coupled with accurate information, actions and reactions (in this case, the medical conditions and treatments) the overall impression the audience gets is one of legitimacy.

Of course, it would be better writing if they had also presented the hospital protocols and diagnostician protocols correctly, but the fact that they didn't didn't detract from the entertainment value of the show.

Writing what you don't know is generally a balancing act.

You can't be a doctor and you can't be a CEO or a secretary. But what you can do is learn about their patterns of behavior, the vocabulary they customarily use and the things they tend to. Applying those aspects correctly will in turn give you leeway for improvisation on things that aren't as easily researchable.

Whatever elements you add that might not be true to reality, you have to keep consistent as if they were, in order to keep your premise and narrative robust.

However, depending on the tone and genre of your story, there still is a limit to what you can ‘sell’: small details or even big deviations (which, however, would only look big to actual experts of what field you're dabbling with and not laypersons) must not cross the lines of the believability of your story. A 19th century doctor might be able to use an exotic ray beam scalpel in a steampunk story, but it will stand out as a sore thumb in a realistically historical victorian story even if everything else in it is accurate.

Don’t forget you can now advertise on DrunkDuck for just $2 in whichever ad spot you like! The money goes straight into running the site. Want to know more? Click this link here! Or, if you want to help us keep the lights on you can sponsor us on Patreon. Every bit helps us!

Special thanks to our patrons!!







Justnopoint - Banes - Rmccool - Abt Nihil - Phoenixignis - Gunwallace - Cresc - Pauleberhardt - Scruff - Dragonaur - Emma Clare - Dylandrawsdraws - Functioncreep - Eustacheus - Dillycomics - Barrycorbett - Sinjinsoku - Smkinoshita - Jerrie - Chickfighter - Andreas_Helixfinger
Tantz Aerine - Cdmalcolm1 - Epic Saveroom - Spacewitch - Alpharie - Genejoke - ArityWOlf - Davey Do - Spark of Interest - Gullas - Spark of Interest - Damehelsing - Roma - Nikolaimcfist - Nanocritters - Scott D - Bluecuts34 - j1ceasar - Kamourian King - Tinchel - Phillipdp - Teh Andeh - Peipei