I just finished a rewatch of The Mandalorian series and one of the things I thought about was the vicious profiteering and scramble for money (or ‘credits’, or valuable metals or what have you) that indicates what kind of economy is at work in that show.

Granted, so far we ...

An outline for a story, whether it be a one-shot or a serialised epic, needs a strong foundation. The building blocks that will become your comic must be able to stand firm on the themes, concepts, story beats and character moments explored in your outline. “I need an outline?” you ...

“I can hear you. Who are you? What are you doing under the balcony?” Andrew leans over and directs his attention toward the mysterious stranger he had just heard rustling and urinating in the bushes outside his home moments earlier. “Hello..”, the stranger replies back, “I, uh…I was just ...

Usually when building a character, we go for their general personality in terms of traits, the routine/general behavior they would display, the routine/general things that would interest them and so on.

If you are writing a slice of life story, or a sitcom style series, or anything that ...

So we've talked often about how letting a character die in a story is something that should be used very frugally, because once death occurs, it should be permanent. In most settings, death shouldn't be something that is reversible. If not, it will lose its impact, and the ...

A subplot is a co-current narrative that runs alongside the main plot, often providing context, character development or further world building. They can be used to build further tension, explore other perspectives or themes.

The theme is what the overall story means. A subplot allows you to lend more emotional ...

what's in the box?

Ah, December!

We're in the final month of the year, and Christmas is in sight. If you celebrated Christmas, or any other gift-oriented holiday, you probably remember the anticipation before the big day, and the excitement over what would be waiting for you.

It ...

When constructing your world, be it in fantasy or within a realistic/historical/existing place, the names you pick are very important.

They are important for suspension of disbelief and immersion: how consistent the names are, how congruent with what reality the audience reasonably comes to expect within the framework ...

I’ve been revisiting a fantasy novel that I had fallen in love with as a teenager, The Axis Trilogy. As I was reading it I remembered what the author had said about the character Faraday and her intentions for her fate. She commented in an interview, “She was never ...

When building tension, it's imperative to have high stakes within your story. It doesn't matter what kind of story it is. It could be a story about huge risks, like the end of the world or even the universe, or it could be a story about a girl ...