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This Quackcast is about one of the cool things about being an adult: growing out of childhood prejudices and expanding your tastes to try new things. There ...

There are a handful of cinematic “group shots” that showcase an ensemble of characters in a memorable way.

The Avengers in their first movie have one where they're finally all together, back to back in a circle to face the invading alien army.

There's the Usual Suspects in ...

Reverse-Engineering Conflict in a Story
part one

Conflict is the basic material of a scene, and of a story. I've talked a lot over the years about structure and genre, and how all that stuff can work.

Another way to create a new story, and new characters, is to ...

In the early parts of the story, it helps the quality of the thing and the experience of the audience to layer in the details that will come into play later.

These are little character and world details that will come into play later - the sword that falls off the ...

An effective way to land the climax of your comic arc is to build it up using foreshadowing. Foreshadowing is when a creator lays down small nods or clues throughout their story that an event is going to happen or a character is going to act a certain way. When ...

Creating believable and engaging dialogue is key when creating a story. It’s not only used to convey important plot information, but also emotions, motivations and rapport amongst the cast.

Dialog can be an effective way to convey information or raise conflict that maintains the momentum of the comic. The ...

A core principle of the works of horror mangaka Junji Ito, is the mundane and everyday only backwards. This concept is perfect for short stories as there is no need, or time, to explore lengthy explanations for the uncanny. Events are as they appear which renders them all the more ...

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Listen on Stitcher ​​- https://www.stitcher.com/podcast/drunkduck-quackcast
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Today on this glorious date we chat about that part in stories where everything turns to crap for the protagonists, just before the run up to the ...

A breaking point for a character is when they hit their lowest point in the story. It’s purpose is to upset the reader, either making them angry and/or devastated the main character or they’ll be angry/devastated at the main character. Every story, in every genre has ...

Sitting back on a Friday evening, remote control in hand, I decided to watch one of the latest Pixar Animated short films. To me a short film is the perfect length of time (six to nine minutes) to tell a story with an exposition, rising action, climax, and resolution. They ...