Sooo… I love some good urban fantasy. I think I've always had, even before I knew what I liked was called that. The idea that a world full of magic exists behind a thin veil of concealment, the idea that wizards or elves or fairies could walk among us ...

Area 5 Point 1 is a comic featuring two bright green creatures (not of this world) that reside in a restricted area to participate in their daily antics. Xim Pultan (one of the green creatures) and its friend may have arrived on the planet around the Roswell Incident. Watch how ...

A core principle of the works of horror mangaka Junji Ito, is the mundane and everyday only backwards. This concept is perfect for short stories as there is no need, or time, to explore lengthy explanations for the uncanny. Events are as they appear which renders them all the more ...

Sexuality is very fluid and for the most part, there has been a societal shift towards a more “sex-positive” society. I digress because, as always, there is always a part of society that prefers to remain conservative. As a human female, basing my observations of other humans, it has dawned ...

Hello everyone, I'm your new article writer here on DD, Amy! And while we are on the topic OF introductions, what finer time would there be to discuss that very thing than in this very inaugural article? No better time, says I!

Introductions are hard. It's the first ...

Have you noticed that it’s very rarely that in a webcomic (or any narrative work) there’s a category of tasks or activities that people do very often in real life, but extremely rarely in stories?

Watching TV, being on the computer (when NOT being a hacker or doing ...

Having decided that shock value is needed in your comic and you must scare, disgust or generally traumatize your audience in some way in order to get the emotional reaction to serve your theme and your subject matter, how do you decide when and where to draw the line? (note ...

There are several ways to make a series interesting. I've been working on a new one for the past few months and endeavoring to make it something people will be compelled to read (or watch, if it ends up being animated).

To hook people in, you know? How does ...

Last week I looked at a theory of the “comedy premise” that has to do with crossing the mundane with the unusual.

Here's that post:

http://www.theduckwebcomics.com/news/2017/apr/12/comedy-part-one-the-premise/

This week: Creating Comedic Characters!

Using the same principle as the “premise” creation, we can ...

In any work of art where storytelling is concerned, dialogue (should) play a central part. The relatability of the characters hinges on how they behave, and a lot of that behavior is verbal, especially in movies, theatre and comics (but also books. And everything else.)

So how do we create ...