So the weather is very important. We all know that from our real life routine alone.

There is often a tendency, however, not to use it when it comes to the visual narrative that webcomics are. More often than not, the weather is basically perpetually clear. Daylight or moonlight are ...

Time travel is a narrative trap. It's quicksand.

It's very alluring to use, being able to put a person from one historical era into another and watch as shenanigans ensue, but very quickly, a writer (and often the audience too) discovers that it quickly unravels, and the story ...

So by now, anyone who is on Twitter (and possibly other social media I dare not touch) is aware of this whole kerfuffle over the newest Disney live action remake, which happens to be The Little Mermaid. It has been announced that Ariel will be played by an actress who ...

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Just Banes and I for this one! Today we have 3 topics:
1. Being positive and how that really helps us in online communication and social networking ...

There is a general idea that cliches, when they surface in the narrative of a story, be it movie, tv or webcomics or anything else, is a sign of bad writing.

There is of course a good basis for this presumption, because usually a cliche is a plot device, or ...

Happy June 1st everyone!

I have been youtube-crawling today around the cinema pop-culture side. And as I was watching assorted comments and commentary on a whole lot of YA (i.e. Young Adult) and children's books and TV/film/animation series, from Harry Potter to The Last Airbender to ...

Guilt is a powerful tool in the creative process.

No, I'm not talking about the guilt you feel because you haven't updated in six months which pushes you to sit down and finish that darn page (though that helps too, we've all been there).

Guilt is very ...

This is a topic that Ozoneocean suggested to me and I have to say I'm quite intrigued to tackle it and start a conversation perhaps around the concept as a plot device but also as an issue of the relationship of the creators and the audiences.

Betrayal can be ...

When creating a story you begin leading the reader down a path. You know where you’re going, or at least can pretend to know, but the reader does not. But, with some well laid out clues and foreshadowing, they can begin to piece the map together. Now here comes ...

What's in the Box?

An iconic part of the movie Pulp Fiction is the McGuffin that Jules and Vincent deliver to their boss, Marcallus Wallace. It's a briefcase that, when you open it, glows on the face of the person looking at it and absolutely astonishes them. Is ...