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This week in the Quackcast we were going to talk about fear in general. What are we afraid of? Why do we like or ...

After the End …and the Duck is on Patreon!



All stories must come to an end somewhere - whether it's a “just another day” ending, an “everybody dies” denouement, or the always wonderful “it was all a dream”. Or maybe it's just the end of this adventure, with another ...

Once the honeymoon sheen of releasing your new project wears you can easily find yourself burnt out by the concept of having to muster the energy to continue working on it. Sometimes you might have written yourself into a corner or maybe you feel like you are not liking the ...

Trauma is such a delicious thing in writing- it gives characters their backstories, their motivation, their special slant in a narrative wrok, from novels to webcomics.

However, it's usually considered in the context of how it has made a character ‘damaged goods’. Why they are grim, why they're ...

Throughout literature and modern media, many faults and drives for leads, damsels and villians have often been motivated by a tragic backstory so much so, that to employ one for your story may appear trite or cliche. There is, however, a way to use a tragic backstory effectively and can ...

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We nicked the idea for this Quackcast from a newspost by Emma Clare. What we chat about is the unintentional process of giving your characters you own traits or even traits of people you know without realising it: Every time you draw an expression for your character you're ...

One of the toughest tropes in any kind of narrative work, from novels to comics to movies is the Sacrificial Lion - but not for what might be an obvious reason: having to axe a top tier character. It's because the trope is something that will affect and carry through ...

Lotos and Cybil, both young women in their early twenties, leave the tavern they both work late one evening when they encounter the May Queen, a dryad that lives in the woods. At first, it was a good idea that the two ladies stayed close together after they left work ...

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What makes bad guy intimidating? Tantz Aerine made a great newspost about the question, carefully outlining various key bad-guy properties like confidence, composure, efficiency, and amorality. Banes, Pitface, Tantz and I stomp ALL over that, traipsing about like drunken, muddy rugby players, as we blather on about our opinions ...

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In this Quackcast we discuss the artistic coding used to represent males and females in comic art in a simple, minimal way. Pitface joins us, along with Banes and Tantz Aerine!
Much like an expert physicist is able to simplify enormously complex equations into something seemingly simple like E ...