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What makes bad guy intimidating? Tantz Aerine made a great newspost about the question, carefully outlining various key bad-guy properties like confidence, composure, efficiency, and amorality. Banes, Pitface, Tantz and I stomp ALL over that, traipsing about like drunken, muddy rugby players, as we blather on about our opinions ...

Last week, we looked at killing off characters. So it seems only fitting to follow it up by talking about introducing new characters into your story! This is your quick cheat sheet to helping ease your readers into getting to know the new players in your world.

Try to introduce ...

In a fantastical fantasy land lives a young little scribe, a purple skinned dark elf by the name of Kitov Sige. He knows nothing of the world outside the big city, he has a good job but he longs for real experience and adventure. He likes what he reads in ...

There comes a time in any webcomic creator’s career where they have to be mean to their characters. And there is nothing meaner than letting the proverbial Sword of Damocles fall on a beloved (or equally unloved) character and watching their head roll to the chorus a shrill cries ...

There are lots of fantastic things about making webcomics. Many nice things it has over traditional printing and publishing.

The speed of publishing and presenting your work to the world, the lack of a barrier to entry so anybody with an internet connection can make and publish comics…

…and if ...

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In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the ...

So there's a lot of talk and discussion on how to approach the creation of your webcomic (or novel, or short story) regarding planning out your plot, the degrees of planning out, and the option of flying by the seat of your pants.

I have done both, both in ...

The other day, I was discussing my creative process to a poor, unsuspecting soul, who, to their credit, seemed content to put up with a bit of a ramble. They had mentioned that they enjoyed the facial expressions of the characters in our comics, (I did mention they were super ...

Every hero goes up against a villain. Every protagonist against an antagonist. This is the main clash that drives your story, any story, forward be it slice of life or epic drama.

One of the elements that can make this driving force compelling, that will make the clash interesting and ...

We all talk about the sheer necessity to create characters that don't appear cardboard, that are fleshed out, that generally feel like real flesh-and-blood, living, breathing people (regardless of your character's species or nature) with personalities that ring true to the audience.

There are several elements that contribute ...