It goes without saying that this past year has been a clusterfunk and a half. However despite all the upheaval, societal change, devastation and the final encroachment of light at the end of this exhaustingly long tunnel there has been much time to do the art things. As the months ...

(What an udder failure.)

Do you like puns?

I love puns.

I once entered a pun contest and I wrote ten different puns, but at the end, none of them won.

That is correct. No pun, in ten, did.

In complete honesty, puns are one of my weaknesses. I love ...

A breaking point for a character is when they hit their lowest point in the story. It’s purpose is to upset the reader, either making them angry and/or devastated the main character or they’ll be angry/devastated at the main character. Every story, in every genre has ...

When you're creating the look of your fictional world what can really help you in the design of the look and feel of it is coming up with a “Design Language”.
What I mean by this is the theme of the overall look of things and the reasons for ...

San Diego Comic Con comes to town in a few days to begin a new Hotelacolypse, or when hotels run out of space in downtown San Diego. The line ups are going to range from new film and series announcements with the casts of Game of Thrones, IT 2, and ...

There are going to be times in your life where you will be rejected or subjected to defeat; whether that be professionally, personally or existentially. During these moments it is very easy to fall into a funk that feels impossible to drag yourself out of. So here are some tips ...

Seriously Funny

I didn't have a chance last week to talk about the passing of Bob Einstein, aka Super Dave Osborne, aka Marty Funkhauser.

Hilarious as Larry David's sometimes-nemesis and sometimes-friend, Marty Funkhauser, I remember him from many years ago on an old show called “Bizarre”.

The host ...

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In this Quackcast we talk about where the line is for YOU in your work about what subjects and imagery are too far for you. What is too horrible, too controversial, too extreme for you to approach? Is it blood and gore, something controversial and political, swearing, religious, sexual ...

Love spells have been a part of literature for a long, long time. A Midsummer Night's Dream comes to mind, by that William Shakespeare fella, where a love triangle/quadrangle is made more complex when the wrong target is affected. The correction has only one dude under the spell ...

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What is the best approach to make a scary story? To directly show the monster, the horror and the gore, or to hold off on that and let the audience fill in the blanks and guide them to imagine something far more awful and real than you could conceive ...