Episode 673 - By their deeds you shall know them
Feb 5, 2024
Here we're fulfilling the promise of Quackcast 671 and examining what the art can tell us about the artist! Can certain themes, an art style, choice of imagery, jokes, humour, character opinions, colour choices or anything else tell us anything about the artist?
Topics and Show Notes
This can be pretty subjective though a lot of stupid and dishonest critics pretend it isn't and tell us great long stories about how this director is “deeply misogynist” because of certain repeated themes - I once watched a youtuber focussing this criticism on Tim Burton with content that was 100% subjective motivated reasoning entirely dressed up as objective fact. It was very silly. It helps if you know a bit more about the artist, their opinions and life when using the art to examine them so you don't go too far off the rails like that youtuber. It still doesn't give you a reliable result but it's better and if you do it well it can at least be entertaining and make sense.
In our Patreon vid we tackle our old fave Star Wars and see what that can tell us about George Lucas. A very cool way to begin! And I think we managed to come up with some interesting insights. For the Quackcast first we jokingly examine each other's work in a critical way… then we move on to our absent Quackcast Alumnus Pitface and examine her using her first main comic on DD, Putrid Meat. This was a fascinating examination!
If you're still unsure about this sort of thing, take the example of pulp writer Robert E Howard.
What does his work tell us about him? We mainly know him as the writer of Conan, muscle bound barbarian and poster child for the old Sword and Sorcery genre. But he was also the creator of many similar stories about other characters from different times and places, some funny and some serious but almost all male, big, strong, clever, crafty, physically fit, and intuitive. Knowing what we do of Howard, a young man from a small Texas town who was incredibly well read but also large and muscular it's easy to say his characters usually represented an idealised version of himself. They shared his small town distrust of the big city types (representatives of decadent civilisation in his stories), as well as his own pretensions to “racial superiority” which was very much off the time and area (Texas in the 1920s and 1930s), but more tailored to himself and NOT the silly Nazi “Aryan” version. His characters initially reflect his own thoughtless misogyny and sexual inexperience, almost verging on homosexuality, but that rapidly changes in his later writing, even notions of racial superiority melting away as his own experience of the world broadened and a relationship with a woman in his life changed his ideas about femininity. This culminates in his last story “Red Nails” which features an evolution and almost a reversal of a lot of his earlier themes, with a female protagonist hero while Conan is relegated to a side character.
Reading his stories in the order they were written as well as knowing a little about that man's biography seems to give you a fascinating insight into his thinking and reasoning! THIS sort of thing is where examining the artist through their art shines, even though it is still largely subjective.
What does your art tell us about you?
This week Gunwallace has given us a theme inspired by Maynard and Grimm - Grim and hauntingly introspective. This theme takes you down some dark and mysterious paths, into gloom and hidden places. Be careful, it’s very, very dangerous!
Topics and shownotes
Links
Putrid Meat - https://www.theduckwebcomics.com/PUTRID_MEAT/
Featured comic:
I Am Not The Protagonist - https://www.theduckwebcomics.com/news/2024/jan/30/featured-comic-i-am-not-the-protagonist/
Featured music:
Maynard and Grimm - https://www.theduckwebcomics.com/Maynard_and_Grimm/ - by Phinmagic, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 637 - Rumours
May 28, 2023
Rumours can be damaging stories deliberately spread to harm people, they can grow organically of their own accord. Salacious rumours replace truth and stick around in history, like the silly stories of Catherine the Great and horses, Nero fiddling while Rome burned, Marie Antoinette saying “let them eat cake”, or the famously wealthy Roman general Crassus dying by having molten gold poured on his head. All rumours and silly stories but they become stronger than real history. Then there's the notorious story of poor Fatty Arbuckle and how he supposedly killed a woman during a sexual act due to his ‘enormous bulk“. A complete and utter fabrication but it destroyed his career and is still believed today.
Episode 634 - Boomer-myth
May 8, 2023
Generational tensions are a cultural constant. It's popular to pick on the young and say they're lazy, irresponsible, stupid, changing things in silly ways etc, but it's also just as popular too defend them and debunk myths associated with younger people, we don't have that with older people and I find that a bit sad and disturbing. This cast tackles the myths associated with “boomers”.
Episode 618 - The grass is always Greener
Jan 15, 2023
The Saying goes that The Grass is Always Greener on the Other Side of the Fence. Envy and jealously are destructive, negative feelings that either lead to bad outcomes or just make you feel pretty crappy. It especially affects creators! We get down about our artwork, our writing, the popularity of someone else's comic etc and we wish WE were as good as them and wonder why we aren't… maybe we're just not as good? If we could only just have their talent, their luck, their skill then WE'D be awesome too. it's just not fair…
Episode 612 - Comfort food for the brain
Dec 5, 2022
There are times when you need to give your brain a bit of a break, that's when comfort shows come in handy! Movies and TV shows you can watch again and again- you can appreciate them every time and they don't get old. The tension never gets too much for you because you already know what's going to happen. You can just relax and enjoy the familiar story, revelling in the company of characters you know and visiting their world once more. They're great for creating to as well because you don't have to worry about missing anything important.
Episode 608 - Lovers and other things
Nov 7, 2022
There are all kinds of relationships and they're great fodder for stories. The most typical is when two characters are getting INTO a relationship- all that will they/wont they stuff. But characters could also be ending a relationship, or maybe ending one in order to get into another, they could even be in a stable, long term relationship, although those aren't quite as common in media. My favourites are the ones where sex and attraction isn't a factor: relationships between family members, co-workers, friends etc. For some reason when it's platonic I find that a lot more compelling than sexual tension, especially when there would normally be the potential for sex- i.e. two unrelated compatible people with the same sexual and gender preference.
Episode 597 - Revelations!
Aug 21, 2022
Today we're talking about a technique in storytelling that we're calling the “revelation”. Inspired by Banes doing an article on the weird trope in movies of having a character discover newspaper stories about the villain that suddenly reveal the true stakes of the story and kick things into high gear. There are other types of revelation in stories though and they're used in different ways.
Episode 583 - Why is it bad?
May 16, 2022
Spoiler- we don't actually talk much about Yu-Gi-Oh! But I feel it's a good example of a pretty bad a so-bad-it's-good story, but bad nevertheless. The idea we're talking about here is that it's useful to look at bad stories and stick with them because they can really help you write better. They're a lot more useful than good stories because you'd rather just enjoy those and it's a bit harder to examine them for technical details, but with “bad” stories the faults stand out strongly. Instead of simply dismissing a bad story or making fun of it, it's more useful and valuable to try and “fix” it: try and work out why it seems bad and think about what would be needed to make it better, then think about how that applies to your own work. Maybe you're actually making many of the same mistakes?
