Episode 437 - Old Warhorse

Jul 29, 2019

Today we cover the interesting trope of the “old warrior”. This was based upon a newspost Banes came up with last week. He was thinking of Captain Picard in the latest Star Trek series and he also brought up Luke Skywalker from the latest Star Wars movie. The “Old Warrior” makes a really cool protagonist, in this Quackcast we try and discover why that is…

Topics and Show Notes

Well we came up with a few insights!

-First up, the “old warrior” is often a side character in the secondary role of a mentor, i.e. someone there to hand things over to the next generation. Personally I think that's the most boring way to use them, they work FAR better as a main character rather than support for one.

-Second, the “old warrior” has mostly been traditionally male but doesn't have to be, there are some great female ones like Ripley in the Aliens series, Laurie from the latest Halloween movie, and Sarah Conner from Terminator 2 and the latest version of that series.

-Thirdly, the “old warrior” doesn't HAVE to actually be old at all, all they need to quality is to be experienced, to be a veteran of the type of situation they're facing, and to “know death”, they can be a child soldier and still qualify.

-And that brings us to number four: “knowing death”. This is interesting! Your usual protagonist generally seems to think they're immortal, but your “old warrior” doesn't. They've seen death, probably a few too many times and managed to escape unscathed so far, but they know it's always drawing closer with every step they take and diving into this new mission just might be the end of them… every new adventure could be their very last. This adds an unusual frisson and spice to their story.

This week Gunwallace has given us the theme to Sunstrike and Bluemist, an origin story: Plotting, sneaking, stealthily creeping, sidling along in the shadows. Action, danger covert missions, and secrets! This jaunty tune is the perfect spy theme.


Topics and shownotes

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Featured comic:
The Great Khan - https://www.theduckwebcomics.com/news/2019/jul/23/featured-comic-the-great-khan/

Featured music:
Sunstrike and Bluemist - https://www.theduckwebcomics.com/Sunstrike_and_Bluemist_An_Origin_Story/, by ShaRose49, rated T.

LINKS

Banes' Old Warrior newspost - https://www.theduckwebcomics.com/news/2019/jul/21/the-old-warrior/

Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/

Episode 436 - Master of none?

Jul 22, 2019

4 likes, 0 comments

To become truly successful at one thing you need to focus on that alone. Is it worth it? There are MANY calls on our time with all the side things we like to do, ESPECIALLY webcomics. One of the few ways to become a really successful superstar at any one thing is to start dropping all the other things that call on your time and devote all your energy to that one thing! Then you can push past all limitations and devote the effort and time needed to properly succeed.

Episode 432 - How to get more readers

Jun 24, 2019

2 likes, 2 comments

Just Banes and I for this one! Today we have 3 topics: 1. Being positive and how that really helps us in online communication and social networking, as well as giving a boost to those we talk to- very important in comic communities. 2. How to get more eyes looking at your work. We always need to build our audiences! 3. Updates for drunk duck to modernise the site… We're going to have to raise a lot of money for this! How is the best way?

Episode 430 - Good beginnings!

Jun 10, 2019

3 likes, 0 comments

At the beginning of a story how do you grab and KEEP your readers? This comes from the Friday newspost by Emma Clare. Her advice was pretty brilliant. From my own perspective it's generally characters that grab me first before anything else. Great art and a fantastic cover can hook your eyes, but without a great story or interesting characters there's zero to keep you there.

Episode 429 - Bad ends, not bad fans

Jun 2, 2019

3 likes, 6 comments

This Quackcast was inspired by the fan reaction to Game of Thrones, a series that I haven't watched but Tantz and Banes have! Specifically it's about poorly written endings and gas-lighting fans rather than admitting to faults.

Episode 426 - Sidekicking

May 13, 2019

3 likes, 0 comments

Inspired by Emma Clare's Friday newspost about supporting characters, today we're discussing sidekicks! Sidekicks are a useful character type that are used in so many different ways. They can be a specialised type of supporting character that are also a main character or they can be the main protagonist in some cases. In comics sidekicks came in during the early days as a way of giving juvenile readers their own insert character who they could identify with… Bucky Barnes, Jimmy Olsen, Robin etc. They had other functions like giving the hero someone to save, providing commentary, reaction and exposition. Later when that kind of sidekick fell out of favour they became superheroes in their own right.

Episode 425 - Pay-off or rip-off?

May 6, 2019

3 likes, 0 comments

In this Quackcast we chat about set-ups. pay-offs, and rip-offs. To make your climaxes and endings more satisfying you have pay-offs for audience expectations: set them up in the story and pay them off at the end. If you fail to pay-off then you get a rip-off, it's pretty simple. Your audience will be really disappointed. That's not to say disappointing and unsatisfying ends to stories are wrong, not at all! Often those are fully intended. We're just talking about satisfying audiences, not “good” endings.

Episode 424 - Selling your creative dish

Apr 29, 2019

3 likes, 4 comments

On one side we have creators of content and on the other we have the consumers. The consumers number in their billions and they're voraciously hungry for constant stimulation! Pretty much all creators are consumers too… So why don't they want the beautifully made, clever, spicy, artisanal dish you're selling? Why do they prefer the nice, bland, familiar mass-market high in fat, sugar and salt fast-food of the mainstream instead?


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