Oct 5, 2015
Last week Tantz Aerine and Pitface told us about how they came up with a visual look for their comic worlds. THIS week members of the community weigh in and give us THEIR perspective on their perspective… views of their comic environments. We have very interesting views from al of them! Oh, I apologise for the saucy repartee between Banes and I at the start of the Quackcast. We're very bad people. Gunwallace's theme this week was for Trevor Mueller's Award Winning Albert The Alien! With lyrics by Gunwallace and spoken by an Alien, not Albert.
Topics and Show Notes
Topics and shownotes
Classic Convulsions - http://www.theduckwebcomics.com/Classic_Convulsions/
Draw your world thread - http://www.theduckwebcomics.com/forum/topic/177361/
/>‘Chekhov’s Gun' - http://tvtropes.org/pmwiki/pmwiki.php/Main/ChekhovsGun
Genejoke - http://www.theduckwebcomics.com/user/Genejoke/
/>KimLuster - http://www.theduckwebcomics.com/user/KimLuster/
/>bravo1102 - http://www.theduckwebcomics.com/user/bravo1102/
/>usedbooks - http://www.theduckwebcomics.com/user/usedbooks/
/>tupapayon - http://www.theduckwebcomics.com/user/tupapayon/
/>fallopiancrusader - http://www.theduckwebcomics.com/user/fallopiancrusader/
/>PIT_FACE - http://www.theduckwebcomics.com/user/PIT_FACE/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
/>Banes - http://www.theduckwebcomics.com/user/Banes/
/>Kawaiidaigakusei - http://www.theduckwebcomics.com/kawaiidaigakusei/
The theme song by Gunwallace this week was for:
Albert The Alien - http://albertthealien.com/ by Trevor Mueller, rated E.
Aug 31, 2015
What's best? One big climax, multiple small ones, early, or delayed? How much should you work UP to a climax? What about anticlmactic events, how important are they? Climaxes are really important in stories. Often you work up to them over the course of a whole series, but each episode or chapter can have them, maybe even every single page. I find writing “up” to climaxes a bit stressful because you have a lot of preasure and expectation there. And when it's over and you've actually achieved it, it can be a bit depressing: where do you go to from there? You can feel a little lost, at least I do. TALKING ABOUT WRITING HERE. My preference is for multiple climaxes. Do you always need climaxes in stories? I don't think you do personally… there are times when things work fine without one, but it does help better with endings. Sometimes climaxes can be TOO big. Way too much of a story can be invested in a climax, it subsumes everything, everything has to tie in with that specific story flow and that can be REALLY had to pull off. If it's not done right it can be massively disappointing. Anticlimactic. Pitface Joins Banes and Ozone to chat about climaxes in stories and read out the contributions from our climactic contributors. Gunwallace gave us a gorgeous theme for Just Another Day!
Apr 6, 2015
After several interesting discussions about Mary Sues, we'd like to talk about characters a little more. We asked people to let us know their thoughts on what makes a well written character VS a poorly written one. People talked about their favourite and least favourite characters in fiction and why they dug or don't dig them… as well as their own characters and how they put them together! Banes and I blather on a lot so this will be a multi-parter as we talk about what makes good characters. And as usual there's the great theme by Gunwallace! This time a classical number for the Adult comic Tina's Story.
Mar 9, 2015
Around about Valentine's day, HippieVan's mind turned to thoughts of love... and she conceived of a great newspost idea that was very popular with people! Love triangles are very good for generating drama in your writing without having to worry too much about forcing that through external events. And because they're primarily driven by you characters as well as affecting them it's a great way to build on your characterisation through the drama. In HippieVan's words we outline a few notable love triangles in fiction, both classic, and contemporary, then we include the contributions the DDers who were good enough to add their two cents to the subject.
Feb 9, 2015
This week Banes and I were inspired to talk about body shape in the depiction of figures in comics, inspired by some famous images from photographer Howard Schatz's 2002 book, Athlete. In it there are photos of many athletes who're at the peak of their sports and yet their bodyshapes are vastly different, subverting the idea of an "ideal" bodyshape or what it means to be a top athlete or even fit. too often bodyshapes in comics follow a very narrow range, not getting much past what we think of as the current popculture ideal. We all know that idealised model shape is a problem and yet we all still perpetuate it, most of the time you can only tell most "realistic" characters apart by their hairstyle or costume, especially in superhero comics. And that invents a second problem: the myth of the "normal" shaped body as opposed to the ideal- there IS no such thing as normal, and even the ideal is always changing throughout the ages. There's even a lot more to body shape than the famous categories: Mesomorph, Ectomorph, and Endomorph, or Skinny, Pear, Athletic, Hourglass and Apple. We also have a beif mention of how stylised characters (Sponge Bob, Calvin and Hobbes etc) are exaggerations of these shapes and differences.
Nov 24, 2014
This week the topic of our Quackcast was inspired buy my Friday newspost where I talked about how we relate to adaptions of created properties (fave comics or books turned into movies etc), and some of the challenges involved in creating adaptions. i.e. Hollywood will often try to create a sure fire hit by adapting an already successful property (like Lord Of The Rings) into a movie. That property has massive fame and name recognition plus a lot of fan love and popularity. The challenge is to try and create a vision that appeals to the fans while also translating the books into films in such a way that it will easily appeal to the wider population outside of those fans and it can be a tricky process. In this Drunk Duck community webcomic podcast Banes and I discuss some of the pitfalls, cases when it's been done right, wrong, and extra-special!
Oct 26, 2014
For the Halloweencast Banes and I will be journeyed beyond the veil, down into the depths of webcomic HELL… There, we encountered the LOST and the DAMMED: the tormented souls of abandoned webcomics that were ended before their time. Deep underneath the black, soaring Gothic spires of DD HQ lie the labyrinthine catacombs, dry, dusty crypts, and ossuaries where the bones of old abandoned webcomics go to rest and moulder away, their lonely souls pining for the time when they could see the day and frolic in the sun, with viewers to keep them company. Watched over by the great demon Death Porn and harried by mischievous spriter sprites, the poor souls languish in their solitary torments, hoping to one day be reborn anew! For the Halloweencast, Banes and I asked for contributors to name some of their old lost faves so we could pay our respects to these tragic cases, give them a voice once more, and hopefully return them for a few brief moments to the sun again by sending some more viewers their way.
Sep 22, 2014
In this episode, Banes and Genejoke are the sole and only hosts! They work diligently to review a couple of Drunk Duck comics: Utterly Rucked aaaaaaaaaand Pinky TA! (oh yeah, we went there!) "Ocean Ozone does enjoy drawing the ass!". Banes and Genejoke give us hilarious and in-depth overviews of both Gunwallace's Rugby themed whodunnit and Ozoneocean's TA themed action adventure story, along with a bonus Texan style satirical roasting of Pinky TA just for laughs. Kawaii delivers a slick, professional review of the featured comic Hello Albertosaurus, and Gunwallce give us a spot on '80s videogame musical theme for the comic The Chronicles of Bucky O'Neill by Demongrinder.