Episode 365 - Fashion forum fantastic

Mar 12, 2018

Today we interview Princess January, supported by her ever dependable VinoMas! Princess January kicked off the interview in full patriotic fashion as she melded perfectly in commander in chief, wearing looks inspired by George Washington, John Adams, and Thomas Jefferson, and looked very fashionable doing it. The reason for US President Collection was of course to promote the DD fashion forum and the Pageant comic. You should all submit some designs to it. There's noting more fun than dressing your characters in fancy duds and getting waves of appreciation from all their admirers for the sartorial clothing choices! So what are you waiting for? Join the pageant today. Join it! Aren't you proud of how amazing your character's clothing is? Or just pop on over and admire the designs and creativity! This week Gunwallace has given us the theme to Card Commander: American marching band military snare drums blast you into the the beginning of this track, closely followed by a complex interweaving of sound as it builds higher and higher towards the ultimate conclusion!

Episode 362 - Triumph der Ente

Feb 19, 2018

7 likes, 7 comments

In this Quackcast we chat about all the different options for hosting your webcomic. At the moment it seems the fashionable new young kiddies on the block are Webtoons and Tapastic, but they're certainly NOT the only choices for webcomic hosts out there and certainly not the best choices. I think we make a good case here for why Drunk Duck is a better choice in many ways, but we also bring up other host sites like twitter, comic fury, comic Genesis (used to be Keenspace), Tumblr, Deviant Art, Smack Jeeves, Fur Affinity, self hosting on a Word Press site etc. In the early days of the millennium there were just two hosts for your comic: Drunk Duck and Keenspace. Drunk Duck was a better choice for most since it was a lot easier to customise and it had a friendlier, smaller community. Keenspace had a two tier system: the picked comics with all the best stuff were in their “keenspot” site while the rabble were stuck with the slower hosting and slower updates. The main thing they had going was a gigantic member base. But they even changed the site's name from “keenspace” to “comic genesis” to further separate KeenSpot from the rabble, which left a sour taste in the mouth. By contrast Drunk Duck was always dedicated to being fully egalitarian. One of our main strengths is that we accept all without stigma: manga, furry, adult comic, sprites, American style, superhero, slice of life comedy, photocomics, professional published comics or stick figure amateur work and we welcome them all the same with the same level of enthusiasm. The big young Webtoons and Tapastic have some of the same issues Keenspace used to have: a big community where you will be lost in the crowd. And no site has as solid and safe programming and hosting as Drunk Duck does. Plus we're community run so you're same from corporate oversight and interference in the content you're allowed to post. You can read more about comic hosting sites in Emma Clare's news posts linked bellow. This week Gunwallace has given us the theme to Odd Days. Sometimes you just have one of those days… or many of them in a row! Odd days. The sound here has a positive, optimistic theme overlayed with a harsh zigzag of electric guitar. This tune does well to illustrate the twisted euni, the off-balance and askew takes on everyday life and situations dealt with in this slice of life, humorous comic.

Episode 347 - Psychopomps and Death Personified

Nov 6, 2017

4 likes, 4 comments

A psychopomp is a physical manifestation of death. These are of course impossible in reality since death is a process, not a force or anything that can be personified, but culturally death has very different meanings and resonances! Most cultures have a psychopomp in one form of another, like Valkyries and Charon the boatman to name two, and there are even more in literature and movies. In this Quackcast we go back to Kawaii's great Halloween newspost where she asked people about their fave psychopomps and we talk about a few of our own. ^_^ This week Gunwallce has given us the theme to The Constellation Chronicle - In the cold, blackness of space, suddenly a twinkle appears, bright light shoots out, supercharged particles race on their path into the void at the speed of light, travelling through glowing, spidery filaments as thick as a sun that make up the frozen explosion of a giant nebula, bending their course towards the radioactive chaos of an event horizon, to take a deep dive into eternity, towards the mysterious singularity within.

Episode 337 - Interview with AmeliaP of Kings Club

Aug 28, 2017

5 likes, 7 comments

This week we interview the artist and creator of the comic Kings Club, AmeliaP! Her comic was featured and Gunwallace also gave it a theme tune that was featured in Quackcast 335. AmeliaP is a talented professional comic creator and game designer. We couldn't interview her directly because she's not confident enough in her spoken English, so what we've done instead is read out a written interview that I did with her especially for this Quackcast. Amelia has some surprising and valuable insights for comic creators. You can read the full text of her interview bellow. Gunwallace's theme for the week was for Abejitas - This tune bounces in like a wild thing, spinning and buzzing crazily, full of black striped yellow techno sweet honey madness and rapid wingbeats of energy, this will sting you into full awareness!

Episode 325 - walk the line

May 29, 2017

3 likes, 1 comment

In this Quackcast we cover the Importance of good linework in comics and different line techniques such as Herge's Ligne claire, the traditional thick line for characters and thin for everything else as exemplified in the work of Mucha, variable line widths as in Manga, solid blacks like in American comics, and complex lines like Durer or Hyena Hell. I really seriously thought I could get an entire Quackcast out of the concept and techniques of linework, but honestly I was struggling… Okay, so linework constitutes the skeleton that most comics are built on, with the notable exception of painted comics, photo comics, 3D and vector comic among others… But for most comics line is a pretty essential element. There are a lot of different techniques involved in the use of lines. Herge popularised “ligne claire”, which means that all lines have the same thickness and that there's no line shading. A popular style that I was taut was to have thick lines around characters and overlapping elements, with thin lines for internals and backgrounds. This is popular in a lot of manga, US comics and famously the work of Alphonse Mucha. Part of my technique on Pinky TA involves making my lines grey, so that when I set the line layer to “multiply”, the lines take on some of the background colours beneath them and don't show up as darkly as traditional black lines. The work of Hyena Hell on the Hub is interesting for her use of very complex internal shading line to build up texture and shapes, this can also be seen in the works of Albrecht Durer. Manga is notable for its extensive use of very stylised shading, crisp lines and the use of variable line widths for outlines, while American comics make heavy use of solid blacks for areas of shadow, basically extending the width of the line as far and as solidly as it can go. How do YOU approach your linework? The music for this week by Gunwallace is for The Wallachian Library. It's a dark, black future sounds, neon glows, pulses of energy and ideas, vectors and virtual circuits.Sorry, no link to this comic, the user deleted it from the site.

Episode 275 - Layouts, what to do and what not

Jun 13, 2016

4 likes, 4 comments

The topic this week was ALL Banes' idea! We talk about page layout: techniques to make a good, readable layout, and stuff to avoid. We have Tantz Aerine (greetings), Banes, and myself, Ozoneocean, chatting about how best to do page layouts, at least from our own limited perspectives. None of us are pros in this regard, but we've been doing comics for many years now and we've all developed some pretty decent ideas about how best to do it, in our own ways. Banes is mostly influenced by American style comics, which have more interesting layouts. Tantz and I were manly influenced by European comics, which tend to have a more conservative by very constantly readable style of “box” layout. On Pinky TA and Bottomless Waitress the majority of my pages are in a fairly standard box format, but every now and again I experiment with crazy shapes, overlapping panels, no panels at all, and even “infinite canvas” pages that work with the scroll function. Speaking of which we briefly mention Scott McCloud and the comic Heart of Keol, which uses vertically scrolling large pages. The music this week by Gunwallace was Wastelanders Anonymous, an epic classic rock tune with a lovely repeating upward base rhythm, soaring guitars and authoritative keyboard.

Episode 167 - Anatomy of a Villain

May 19, 2014

5 likes, 7 comments

Today we talk about villians! Kawaiidaigakusei made a newspost about villains that generated quite a bit of interest so Banes and I had her on to chat about them and read out some of the things our community members had to say. Kawaii can introduce the topic in her own words: I used to take the side of the cheerful, positive, and heroic protagonist in films and comics when I was much younger. As I got older, I wised up to the idea that being a protagonist is relative to biases of the storyteller. Now I rewatch those same films with a renewed perspective of what constitutes “good” and “bad”. Lately, I have been finding that more and more, I am a fan of villains. I believe the reason we are seasoned to differentiate heroes and villains at a young age is to train our super-ego about rules and societal expectations. It teaches every Goffus that they should aspire to be more like Gallant. But living a hero's lifestyle by-the-book can be as boring as vanilla. For the record, I love vanilla, it is GOOD, but it does not make it any less boring. Emulating the characteristics of a supervillain feeds our id. It just feels good to break the rules. Give villains a chance. Afterall, without a villain, there would be no need for a hero.

Episode 93 - American Tantz Aerine and Greek Pit Face

Sep 3, 2012

4 likes, 1 comment

Banes and I chat with Tantz Aerine and Pitface, two talented and beautiful web-comicing women who are authors of their own great individual works (Without Moonlight and Putrid Meat to name a few) as well as their amazing collaborative WW2 Greek resistance war comic Brave Resistance, featuring dastardly Nazis, a brave native American pilot, and the heroic Greek resistance fighters. We chat about collaborative working styles that involve people working together halfway around the world - Tantz in Greece and Pit in the States - as well as all aspects of the story of Brave Resistance and up coming plot points.


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