Episode 593 - Risky Business

Jul 25, 2022

The risks of online creative success We live in a wonderful time where you're able to turn your creative passion into a job that can support you just by using freely available online services like YouTube, Spotify, Instagram, Patreon, Ebay, Paypal, Etsy, Webtoons etc. You can start with nothing more than your computer or phone and end up with a thriving business based on your passion project. It's not easy, achieving enough success where you can quit your day job still tends to take a lot of work, but once you get there it can be amazing. However, that's not the end of the story unfortunately.

Topics and Show Notes

The services that you use do not have too much compassion or care for their creators. They are not subjected to the same regulations or legal responsibilities as traditional businesses. They are not neutral services that you can use to build a business around and always have the same expectation of stability.

To use an analogy- it's like a business park office complex offers tenants free space and basic services if they set up their businesses there. So of course you leave your previous rented office spaces because it's pointless managing two locations. In return for the use of the space and services you help bring in multiple new customers who want to see you, but they're able to also redirect them to their other tenants and show their advertising to them as well. That system seems to work great for both of you, till they decide they want to redirect all of your regular customers to their other tenants because they don't like what you do for their image anymore; or they decide to shut down your offices which erases all the money, time and effort you've put in to making your business a success…

If that happened in the real world, you could very easily have a legal case against them. But there is zero recourse like that in the digital world. Instead they pretend that they're just providing free tools and nothing more, and so they have zero responsibility for the real world investment of money, time, and energy that people put into their work to build their audiences- Audiences which are the real capital and what Google, Facebook, Instagram, Etsy, Spotify and all the rest REALLY need the hard work of the creatives for. These “free” services use the effort of the creatives as a free resource to build and maintain a larger user base that they exploit in various ways; data-mining them, trading personal-information, up-selling subscription services, and selling their time to advertisers.
So they DO have a lot of ethical responsibility to their creative user-base, but not a legal one because the law hasn't caught up yet unfortunately.

There have been many thousands of instances of creators being shafted because the service they used suddenly screwed them over. Patreon, YouTube, Instagram, Spotify, Tumblr, Paypal, Facebook to name a few have all carelessly harmed creators/users in various ways.

So, you can become a huge success, but you can also have that success robbed from you by the very system that you used to start yourself off. How do you combat this? You could try lobbying politicians to bring accountability to these large companies that control the internet, but more realistically there are sensible precautions you should take: Don't quit your day job- always have a real source of real world income; Don't put all your eggs in one basket- use multiple services and sites and accounts for your work if you can; Try and own your own domain name so you can point users to a new service if your old one betrays you. I'm sure there are other ways too.

Lastly, we can sort of put The Duck Webcomics in this category too since we offer a free service to creators and we benefit form the audiences those creators bring in. However, we haven't changed our rules for over a decade, the service were provide is fully stable, our entire motivation is about maintaining a good neutral place for creators to host their comics, we don't make any profit on the site, and we don't mine our site audiences in any way at all: no data-mining, no selling of information to marketers, no up-selling of subscriptions or other services. But even so you shouldn't just put all your eggs in our basket either because no site is 100% reliable in perpetuity.


This week Gunwallace has given us a theme to Cribal Series - Raw, wiry electric guitar weaves in and out in an exotic tangle, threading around this tune to create a barbaric themed melange from a distant time and place.

Topics and shownotes

Links

Featured comic:
Black Parade - https://www.theduckwebcomics.com/news/2022/jul/19/featured-comic-the-black-parade/

Featured music:
Cribal Series - https://www.theduckwebcomics.com/Cribal_Series/ - by Trebuxet, rated M.


Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/

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Episode 559 - DD Fashion Spotlight

Nov 29, 2021

4 likes, 0 comments

Today we're chatting about the NEW news feature that we're doing every Friday: The DD Fashion Spotlight. This is a new way to promote comics without all the restrictions of the featured comic system. To be eligible for a normal Wednesday feature a comic has to have at least 15 pages, be currently updating, not in the top ten, have good writing and artwork, not be adult rated, and not have been featured before. That cuts down the playing field quite a lot but it's what we have to do to make it worth a feature.

Episode 552 - Tropes we like

Oct 11, 2021

2 likes, 0 comments

Last time we covered tropes we hated! This time we're talking about clichés we actually like. It's quite a bit trickier because clichés are clichés for a reason (overuse) so it's not easy to like them, except in some cases… For me it's Isekai. That's a Japanese word for “another world”. This is a very old genre, it's basically a story where a person from our normal world goes to a magical world, we see this in ancient fairy stories, Wizard of Oz, Alice in Wonderland, the Lion the Witch and the Wardrobe and many others. until the mid 20th century it was the default way of writing any fantasy story. It has always been around, the Japanese were just the first to come up with a popular name for it.

Episode 547 - Franchise fail

Sep 2, 2021

4 likes, 2 comments

There seemed to be a lull for a while after the 1990s and the massive sequel craze of the 80s, but nowadays we're back in full swing again with sequels, reboots and reinvisioning of film and TV franchises. Banes noticed a distinct pattern of behaviour that occurred around bad or failed franchises: The makers would chose to go against what existing fans liked about the property in the fist place, usually in order to appeal to new fans. When both new fans and old ones dislike what they do, they attack the fans and blame the fans for failure of their version. Then they'll search and find a new franchise to mess up. It's rare that people own up to or admit to failures anymore, it's usually always the fault of the fans for being too “toxic”.

Episode 545 - tipping point to become a fan?

Aug 22, 2021

3 likes, 0 comments

We're all fans of something, but when does that happen? When do we transition from just following and liking something into being full on fans and is there even a difference? I think there definitely IS a difference. I became a fan of Star Wars after watching the first film but I'm not a fan of The Witcher even after watching the entire show. Henry Cavill as Geralt is super amazing but the show itself is just blah to me. I've seen about 200 or so episodes of One Piece but I don't think of myself as a fan. I became a fan of Ghost in the Shell after seeing a poster from the Manga. I became a fan of Farscape after watching reruns of the series over and over.

Episode 537 - Historicity

Jun 28, 2021

4 likes, 0 comments

We have a chat about historicity in this Quackcast. What IS historicity? It's historical authenticity basically but a nicer way of saying it! It's pretty important for a lot of reasons to make the best effort you can with historical authenticity- it increases immersion of the audience, gives you a better understanding of the story and the world you're looking at (because things will make sense), and leads you to better understanding of your own history and where we came from. BUT, that doesn't mean you always have to be strict. As long as you as a creator properly understand historical context then you've got a lot more leeway to play without creating something stupid. Playing fast and loose with history is ok as long as you know what you're doing, not just being a moron and faking it (hey, many of us are guilty of that). Historical fantasy, myth, classics, fiction, biography etc are all different classes of story where it's more or less forgiveable to mess around.

Episode 527 - Evil superheroes unneeded

Apr 19, 2021

4 likes, 1 comment

Evil superheroes are a stupid fad, that's my contention. My opinion. They've been around for a long time but now they're so popular it's becoming a bit of a fad and might turn into its own genre. I suppose Marvel and others have saturated the superhero market so to stay relevant other companies are doing “twists” on that traditional genre, hence the evil superheroes.

Episode 498 - Your culture is MINE now!

Sep 28, 2020

4 likes, 5 comments

This week we're talking about cultural appropriation, cultural adaption and adoption, also stereotypes and all sorts of related stuff. It was inspired by a newspost from Tantz discussing the recent live action Mulan movie by Disney. Cultural appropriation is when you take an aspect that is sacred or important to one culture and own it yourself: decontextualising it, stripping it off it's meaning, making a cartoon version of it, commodifying it, commercialising or cheapening it in some other way.


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