Episode 346 - Existential horror
Oct 30, 2017
It caaaammmmme from outerspace… An unimaginably gigantic multi-tentacled green horror, Banes'thulu'Ary'lth! We only caught a glimpse of his heaving, slimy, scaled bulk but our minds couldn't fully comprehend what we saw and we were all driven insane! In this Halloween Quackcast we discuss Bane's newspost subject of Thursday: Existential cosmic horror! We also Made a Halloween Quackcast VIDEO - https://youtu.be/TvIGQqCbRAk, so check that out and see Tantz dressed as a beautiful black widow, me as a black clad gravedigger, Banes as a hellhound and Pitface as the invisible ghostgirl! We talk about the stories of HP Lovecraft, biblical horror in Revelations, The Path by James Riot, the stories and the writing of Guy de Maupassant. This week Gunwallce has given us the theme to The Sunless Children: Flute, violins, and kettle drum stitching together a complex tapestry of melody, weaving a fantastical visual saga though music alone, leading us down an exciting and dark path… till the climax in a clash of bright silver cymbals!
Topics and Show Notes
Topics and shownotes
Featured comic:
Do You Like Fear - http://www.theduckwebcomics.com/news/2017/oct/24/featured-comic-do-you-like-fear/
Halloween Quackcast VIDEO - https://youtu.be/TvIGQqCbRAk
Banes's newspost on cosmic horror - http://www.theduckwebcomics.com/news/2017/oct/25/cosmic-horror/
FullMoon Stories - http://www.theduckwebcomics.com/Fullmoon_Stories/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
PitFace - http://www.theduckwebcomics.com/user/PIT_FACE/
Banes - http://www.theduckwebcomics.com/user/Banes/
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean
kawaiidaigakusei - http://www.theduckwebcomics.com/user/kawaiidaigakusei
Featured music:
The Sunless Children - http://www.theduckwebcomics.com/The_Sunless_Children/, by Memoria caelestie M.
Episode 271 - Pitface’s tales of ribaldry
May 15, 2016
What makes the “meat” of a story? What makes you fall in love with it, keep coming back for more watches or reads or whatever? I contend it has nothing to do with conflict or culminations or climaxes, those are merely generic structural plottings that are pretty much the same format no matter what story you read- you know they're coming and you know what form they'll take and once they're over it's not really that significant anymore; “re-playability” is low, they're just too tied in with the story structure to have much life away from it in your mind. What keeps me coming back to a story and fall in love with it are the Characters, exploring the world in which they exist, and the development that occurs during the story. Gunwallace provides us a theme to CTV Revamped, the new version of Charby the Vampirate! Good and creepy techno for Charbs!
Episode 253 - narrative order and the flashback
Jan 11, 2016
Doing stories that start with the climax, then flash back, tell what happened to get there: the old narrative style of switching the first few chapters around to make a more interesting story. Sometimes it works GREAT because it throws you right into the middle of things and you have to work your way back to that point… It works very nicely in The Hangover for example! Often it's used very badly- in anime particularly, where they use it for foreshadowing and a tease to try and get you interested in the rest of the story- but anime story structure is so formulaic that all it really does is give you a cheap spoiler. Other times it doesn't work well is when the writer isn't very good so the viewer loses their way in the plot… If the writer is GOOD though you end up with Pulp Fiction. You'll love Gunwallace's theme here- a super funky jazz track for the comic Nothing Important Happened Today. Enjoy!
Episode 235 - Climax of the Climaxes
Sep 7, 2015
Pitface joins Ozone and Banes again for the second and last part of the climax cast! It's the climax of the climax casts!! We discuss what people think about climaxes in stories, their own and those they watch or read. It's hard to write up to climaxes and even harded to write down from them but they're a good way to pull in and then reward your audience. Different types of stories have to use different types of climaxes, i.e. long series may need to have one every chapter and then one at the end of the arc. You have to adjust to the needs of your story. We read great contributions from some very clever DDers in cool voices :) Gunwallace gave us a gorgeous theme for Just Busty Solar the hilarious adult comedy strip~
Episode 234 - Climactic Climaxes!
Aug 31, 2015
What's best? One big climax, multiple small ones, early, or delayed? How much should you work UP to a climax? What about anticlmactic events, how important are they? Climaxes are really important in stories. Often you work up to them over the course of a whole series, but each episode or chapter can have them, maybe even every single page. I find writing “up” to climaxes a bit stressful because you have a lot of preasure and expectation there. And when it's over and you've actually achieved it, it can be a bit depressing: where do you go to from there? You can feel a little lost, at least I do. TALKING ABOUT WRITING HERE. My preference is for multiple climaxes. Do you always need climaxes in stories? I don't think you do personally… there are times when things work fine without one, but it does help better with endings. Sometimes climaxes can be TOO big. Way too much of a story can be invested in a climax, it subsumes everything, everything has to tie in with that specific story flow and that can be REALLY had to pull off. If it's not done right it can be massively disappointing. Anticlimactic. Pitface Joins Banes and Ozone to chat about climaxes in stories and read out the contributions from our climactic contributors. Gunwallace gave us a gorgeous theme for Just Another Day!
Episode 228 - Conflicting conflicts conflict
Jul 19, 2015
This time we're talking about conflict in webcomic writing, and any writing in general really. Conflict is one of the main drivers of a story, so you pretty much have to have it in there somewhere! But how do you approach it? Do you set it up really carefully or just put a bunch of volatile characters together and see what happens? I think for a lot of us we don't think too much about the science of our conflicts, rather we approach it artistically and develop things by feel and instinct because conflict is such an intrinsic trait. But understanding how you use it can be very useful when you're writing satisfying resolutions and climaxes. A good understanding of the types of conflict in your story is also pretty essential when you're writing a good comedy (it's a great source of humour!), and also when you're explaining or selling your work to the public: It's all very well to chat about your clever setting and your funky characters, but conflict is the reason they're IN a story to begin with and that's really what will get people wanting to read out it. I hope you enjoy Gunwallace's great porn style music type theme for Tales of Two Tiny Titty bars!
