Episode 397 - Horror Comics

Oct 22, 2018

Fear: What are we afraid of? Why do we like or do not like media that may reflect these fears or lead us to new ones? How do such comics inspire fear or similar reactions within us. DO we like horror because we like fear to an extent? This Quackcast is about horror comics, how they work and why we like them. We chat about many of the horror comics on DD.

Topics and Show Notes

We all dressed up in costume for the Quackcast for a video especially for our Patreons! Donate and you'll be able to see the vids here, we'll have a free short into vid up for you - https://www.patreon.com/DrunkDuck

This week Gunwallace has given us the theme to Kirsha Brackets: A warm rush of frenetic activity! Modern, bright, shiny, new, fun, action, happening, moving, going, bouncing, bubbling, hopping, motivation!

Here's a preview of the Videos you will get if you support us on Patreon - https://youtu.be/ruRv5xdqChU

Topics and shownotes

Featured comic:
Hacking Human - https://www.theduckwebcomics.com/news/2018/oct/16/featured-comic-hacking-human/

Links:
Horror comics thread - https://www.theduckwebcomics.com/forum/topic/178008/

Horror comics on DD:
Full Moon Stories - https://www.theduckwebcomics.com/Fullmoon_Stories/
The Gloom - https://www.theduckwebcomics.com/The_Gloom/
Demon Eater - https://www.theduckwebcomics.com/Demon_Eater/
XTIN - https://www.theduckwebcomics.com/XTIN/
Charby the Vampire - https://www.theduckwebcomics.com/Charby_the_Vampirate/
The Weird Adventures of Armless Amy - https://www.theduckwebcomics.com/The_weird_adventures_of_Armless_Amy/

Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/banes
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean

Featured music:
Kirsha Brackets - https://www.theduckwebcomics.com/Kirsha_Brackets/, by DrawingGenius, rated T.

Episode 394 - Nostalgia, creative fuel?

Oct 1, 2018

3 likes, 3 comments

Nostalgia! - Where does it fit in the creative process? People are the product of their influences. For a lot of us the strongest influences happen when we're growing up and learning about the world and all the things IN it for the first time. As you get older the things you experience don't make as much impact, simply because your brain has already had most of its “first times” and it's already learned enough about the world to be fully functional and independent.

Episode 390 - Imprinting on your characters

Aug 15, 2018

2 likes, 0 comments

We nicked the idea for this Quackcast from a newspost by Emma Clare. What we chat about is the unintentional process of giving your characters you own traits or even traits of people you know without realising it: Every time you draw an expression for your character you're not really creating a generic expression but basing it on yourself… when you character is being quizzical or irritated for example people may recognise that as you. It could be in other things too: their taste, the way they dress, what they like to eat, their furniture. things that annoy them, their hobbies etc. It's interesting how tied they are to us.

Episode 388 - Coding for Men and women

Aug 15, 2018

2 likes, 0 comments

In this Quackcast we discuss the artistic coding used to represent males and females in comic art in a simple, minimal way. Pitface joins us, along with Banes and Tantz Aerine! Much like an expert physicist is able to simplify enormously complex equations into something seemingly simple like E=MC2 a good comic artist simplifies the essence of what they're drawing into something that's immediately recognisable without a lot of complexity. We're mainly talking here in terms of drawing men and women. It sounds like the most basic, silly thing, but even pros with years of experience have trouble with it. Some of the art for the new She-Ra cartoon is a great example of that.

Episode 385 - Drawing the line

Jul 23, 2018

3 likes, 8 comments

In this Quackcast we talk about where the line is for YOU in your work about what subjects and imagery are too far for you. What is too horrible, too controversial, too extreme for you to approach? Is it blood and gore, something controversial and political, swearing, religious, sexual? Maybe you have other borders… perhaps something is too cute, sickly sweet and saccharine?

Episode 376 - Comic Tutorials

May 28, 2018

3 likes, 0 comments

kawaiidaigakusei makes a return to the Quackcast! Together with the crew we chat about some of our favourite comic making tutorials on DD. Yes, there IS a tutorials section on the site and people have created some amazing and clever tutes on how to both write and draw better when making your comics. There are some cool instructions on how to make better pages, write scripts, do rain effects, all sorts of shortcuts and clever tit-bits of info to have you creating like a pro. This week Gunwallace has given us the theme to Potato and Kraut. Feel the gigantic weight this music layers onto your shoulders. A synthesised torrent of gravity, followed by the heavy, deep notes of a piano dropping on top of you like frozen slabs. The torrent slowly eases, brings light and relief, then fades away.

Episode 373 - Stupid millennials, greedy baby-boomers and lazy Gen Xers!

May 7, 2018

4 likes, 5 comments

Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!

Episode 359 - The Covershow

Jan 29, 2018

6 likes, 0 comments

Covers are a very important part of books and comics! They entice us to pick them up and read them, they encourage us to BUY them. But how much are they really needed for webcomics? You hardly ever look at the front cover and what you really want in a webcomic is the meat of it, not the packaging, they're not waiting on racks outside a shop… and yet we still make them anyway, not just for the front cover but also chapter covers as well! This was the idea behind a thread Pitface came up with in the DD forums and we thought it was an interesting topic. Personally I love drawing covers, they give me a chance to break out of the comic format and be all arty and play with title text. How about you? What's your position on webcomic covers? This week Gunwallce has given us the theme to Kawaiidolia: A dreamy journey into a world of green shade, damp, fresh air, and dapple golden sunlight. This is a pretty track , full of beauty.


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