Episode 499 - Life's worth?!
Oct 5, 2020
What is the worth of human life in your stories? This isn't something people often consider, we just tend to have a fairly accurate guess based on our experience of the real world, but sometimes stories get it really wrong and that can harm suspension of disbelief.
Topics and Show Notes
A few prime examples are gritty SciFi stories, westerns, war stories, and hospital dramas.
The first three dramatically undervalue human life so it doesn't make logical sense within the world it depicts: In deep space human life would be extremely valuable because it's a rare and practically non-renewable resource. The only way that changes is when you run out of survival resources (air, water, food) or it's a life or death situation, a casual attitude to life though doesn't make sense. In the old west it was the same situation for other reasons, murderers would be tracked down for thousands of miles and across many decades, the only exception was native Americans who shamefully weren't considered people for all intents and purposes, even slaves had more value. In war stories, especially historical ones, typically soldiers have no real survival instinct or self worth, they're happy to always fight to the last and run headfirst to their deaths, which is silly since battles were usually won when one side broke and ran after only a few deaths. Full scale slaughter only happened rarely and that was usually when the fleeing side was caught or captured.
Finally, hospital dramas tend to overestimate the value of life, where all stops are pulled out to save people who society doesn't value and can't afford to pay for the expensive and experimental treatments (with hundreds of thousands dollars worth of care given to them), or people too sick or old are given care they'd never recover from.
There are a lot of complex factors that influence the value of life in a story actually (emotional attachment, status, class, caste, gender, religion, politics, scope etc), but it's important not to get it too badly wrong or your story won't work as well.
This week Gunwallace has given us the theme to Era of Iridore - Come through the sweeping tapestry curtains of copper and silicone, into the vast techno hall, past lords and ladies bedecked in flashing LEDs of many colours, knights fencing with glowing plasma blades, jesters toying with antigrav balls, and watch the minstrels play their laser harps and electric lutes!
Topics and shownotes
Links
Life's worth thread - https://www.theduckwebcomics.com/forum/topic/178520
Featured comic:
Raising Cain - https://www.theduckwebcomics.com/news/2020/sep/29/featured-comic-raising-cain/
Featured music:
Era of Iridore - https://www.theduckwebcomics.com/Era_of_Iridore/, by Deno 85, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
Remember to join us for Quackcast 500 on Saturday!!!
- https://www.theduckwebcomics.com/news/2020/oct/04/quackcast-500-show-your-love-for-the-d/
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Episode 428 - Expectations of Male and female audiences
May 27, 2019
What are the different expectations for female and male audiences? This almost entirely a culture based thing, it changes depending on where and WHEN you are from as well as your age and experience… but some obvious things are determined by our physiology: sex sells, but there are slight differences based on gender. I wasn't interested in the “why” (genetic predeterminisim or evolutionary psychology), just the “what”.
Episode 286 - Offence, walking on eggshells
Aug 29, 2016
Do you worry about offending specific people with your writing? Where's your line between honest expression and regard for other people's feelings? This was Bane's brilliant idea for a Quackcast. We touch a little on the idea of a “culture of offence”, where it seems that people look for things to be offended by, perhaps on behalf of others, but also about things that really CAN cause offence and how to avoid that. On one hand you have people complaining that everything is too “PC” these days, but on the other it's really not OK to be a dick to people just because you like to cling to the old days when it was fine to put down people on the basis of ethnicity, skin-colour, gender, or sexuality… But we can also cause offence accidentally, unintentionally, unknowingly… Should you compromise your vision to appease people, or should you forge ahead regardless? Keep in mind that some things that are fine for SOME audiences are offensive to others, so rather than fight with your audience or appease them perhaps it's better to try and actively direct your work at the CORRECT audience it's intended for? - speaking in terms of sex scenes, politics, etc. Listen to the theme Gunwallace concocted for us THIS time! Geminni: Get down to the bad sounds of this classic funk rock tune! Danceable!
Episode 254 - Sexism in your OWN work?k
Jan 18, 2016
OMFG you sexist PIG! Heh… today we talk about trying to recognise sexism in your OWN work, what to do about it, and WHY. It turns out it can be very hard to do, and if you DO acknowledged it the instinct is to rationalise it away, justify it, or just try and brazen it out in some kind of old fashioned, largely embarrassing, display. I frequently do all three. How do we spot it? Well the Bechdel test isn't that useful, that's better for looking at broad trends not giving specific works a pass/fail - sexy outfits is one thing, if females are dressed minimally or in tight gear in CONTRAST to the males or vice versa - females ONLY having old stereotype roles (maiden/mother/whore archetypes, secretary, nurse, victim, maid etc), though this is context sensitive, i.e. it's more forgiveable if you're doing a historical story or something stylised like a fairytale or a noire story - Gender balance is another thing, it's context sensitive because certain stories will naturally have more of one gender (WW2 submarine crew, Girl's school, a prison story etc), and you don't have to have an exact balance anyway but it's definitely something to THINK about because there is no reason most stories should feature a majority of male characters and a minority of females. WHY should you think about it? Why should you care? Well the audience for almost ALL types of stories, be they action adventure, romance, Scifi, fantasy, historical, even porn, is getting close to 50/50 between men and women these days (maybe it always was?), it really doesn't make sense to alienate or belittle half your audience just because you like to cling to older ways of doing stuff. Gunwallace's theme this week reminds me of a cross between the Knightrider theme and Gunship- it's VERY retro-future. It's the theme to DDSR, a comic with cool custom “sprites”, AKA pixel-art.
Episode 139 - Telling Gender From Comic Styles
Oct 28, 2013
For Quackcast 139 Banes and I were joined by Kawaiidaigakusei, who had an amazingly interesting subject to talk about: “Telling Someone's Sex By the Way They Draw". Kawaiidaigakusei says:This has been a subject matter that is of great interest to me since college, and I am sure a lot of people who draw webcomics can relate. The early periods of Western Art have been mostly dominated by men. Female artists were rare during the Baroque Period with the exception of a key figure, Artemisia Gentileschi, whose dark interpretation of Judith Beheading Holofernes can be read with psychoanalytic overtones of a woman asserting her dominance over a man by decapitation. The twentieth century welcomed an influx of women artists during the Feminist art movement that began in the late 1960s. In the present day, with the introduction of webcomics and the Internet, women and men now have a level playing field to showcase their art to the public. Now the question remains–Is it possible to tell a person's sex by the way they draw?
Episode 65 - Men and Women in Tights
Feb 20, 2012
Banes and Ozoneocean round off the topic of superheroes, beating that wonderhorse to death well and truly. There's a lot of reminiscing here about ancient superhero pop-culture and along the way we discuss silver age and golden age comics, supervillains, second stringer superheros and why the remain that way, the gender and culture appeal of some characters, evolution of superheroes towards realism and grit, then webcomic superheroes, especially those on DD, and then finish up with why we like superheroes. Sidekick Captain-Ozone continues to echo disturbingly from the void while the real hero, Ultra-Banes, continues to bring the humour. We decide that it all comes back to Superman and Batman, who are the ultimate prototypes for the two main types of superheros: super, good, and perfect Vs normal, flawed, and human.
Episode 50 - Enhanced, Exposed and Erect, Adult Webcomics
Nov 8, 2011
A broad yet tasteful, classy and highly discrete discussion about the wonderful and disturbing world of lewd, lascivious adult webcomics.
