Episode 401 - Stan Lee, a stupid comedian, and the new prudes
Nov 19, 2018
This is Quackcast 401! Error, error! Pitface and Tantz were absent so Banes and myself were left to go quietly off the rails and expostulate all sorts of radical, half formed, badly articulated thoughts. This is an interesting one! We cover the death of the great Stan Lee, titan of the comics and superhero world. Then we sidestream into talking about comedians trying to be political commentators (re: Bill Maher)… I must apologise for my Ad Hominems. And lastly our focus is on a “new puritanism” in some aspects of pop-culture. It all ties together, if a little awkwardly.
Topics and Show Notes
Stan Lee was instrumental in creating a unified fantasy universe populated by a pantheon of godlike superheroes with very human thoughts and failings. Not only that but he helped elevate comics as a medium to the mainstream. No longer are comics seen as something just for children. Cartoons, fantasy, Scifi, and comics have been rightfully elevated to the mainstream where they belong as valid forms of artistic expression. People no longer have to apologise for or feel ashamed of liking them either. You're free to consume or create the media of your choice and Stan Lee was a massive part of that.
This is why the remarks by Mr Maher about Stan Lee are problematic and ill-judged. He said that the veneration shown for a creator of comics, which are “only meant for children”, shows how the US has been dumbed down and why someone like Donald Trump could have been elected.
I'd contend that the reason for “Trump” and people's idea of politics being dumbed down is that we now get most of our political commentary through comedians. They have helped turn complex subjects into simplistic black and white caricatures because that's how comedy works. It's great for breaking down ideas and giving you a simple primer to understand them, but when comedians and partisan talking heads are your main sources then things are going very, very wrong. Bill Maher IS the problem, not people liking comics. If anything, Stan Lee worked to do the opposite; his characters weren't simple 2D cut-outs (like Maher's version of political figures), they were complicated and human. These were A-political characters who strived to do what was right outside of mere party affiliations.
Then we transition into my idea of the “new puritans”.
There's a slow tide of people coming out against sexuality in art. It comes from both the left and right so there's no real political platform. I feel it's very much related to the same point of view that Bill Maher has about comics: this is media for children and we must protect them from anything grown up. When in reality all we end up doing is insulting and infantilising adults when we attack sexuality in media, whether in games, cartoons, books, comics or movies.
This is no more clearly shown than in the word these people use most often: “Sexualise”
They claim that characters are “sexualised”. You cannot sexualise an adult or teen. By biological, physical definition we are ALL sexual past puberty. That doesn't mean we have or even want sex, it means we have sexual traits and that's all it means. You can “sexualise” a non-sexual thing like a toaster or a car but it's impossible to do that to a teen or adult. Sexual traits in adult characters are healthy and normal. I contend that the need to remove them is a perversion.
This is NOT to say that sexual traits in characters should be over-emphasised. What these people really mean when they focus on sexuality is “EROTICISM”, and that is a very important distinction. It has little to do with sexuality though so it's NOT a mistake that should be overlooked. There is a time and place for eroticism and we should never foist erotic depictions where they don't belong or onto audiences that should not be exposed to them. But we should also guard against hyper-vigilance or start attacking any depiction that shows sexual traits.
Ask yourself: Is the character sexual? If yes, then is the depiction erotic? Then is eroticism appropriate for the context of the work, its audience and where it is sold? Those are the questions to ask, not weather or not a male has a bulge or a girl has prominent breasts.
This week Gunwallace has given us the theme to Quixote Coyote… Let’s get a little chaotic with this quixotic jazz jam for Quixote Coyote! Let the organs fill your body (no, not those sorts of organs), let the drums be your heartbeat, and the trumpet will chase the electric, eclectic thoughts in your brain.
Topics and shownotes
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Featured comic:
Belle Starr - https://www.theduckwebcomics.com/news/2018/nov/12/featured-comic-belle-starr/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - https://www.theduckwebcomics.com/user/banes
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Featured music:
Quixote Coyote - - https://www.theduckwebcomics.com/Quixote_Coyote/, by cjoe1377, rated E.
Episode 400 - Pros&cons of webcomic creation!
Nov 12, 2018
In this Quackcast DD members tell us about their history with us as well as the pros and cons of webcomicing. This is the 400th episode of the Quackcast! That means we've been doing these for over 8 years now. That's quite a milestone for a podcast. We have JustNoPoint over to help us out, he's a Patron at the $20 “Royal” level so he gets a few perks. JustNoPoint has been with us since 2006 with his comic The Devon Legacy. He managed the awards for many years and was crucial to us getting the site back online when we had our hard crash in August of 2013 that destroyed the site so thoroughly that it had to be rebuilt, a job which took us all TWO months!
Episode 398 - The sum of all Fears
Oct 29, 2018
This week in the Quackcast we were going to talk about fear in general. What are we afraid of? Why do we like or do not like media that may reflect these fears or lead us to new ones? How do such things inspire fear or similar reactions within us. DO we like horror because we like fear to an extent? It's that Halloween time of year once again so it's time to focus on such things. We had Emma Clare on board as well! Oh it was going to be so amazing and fun! Little did we know…
Episode 395 - Fighting ladies
Oct 8, 2018
Fighting ladies, female bad-ass characters… There are a lot more of them around now, but once upon a time they were pretty thin on the ground. I love a good badarse lady, my own comic character Pinky TA exemplifies that character type. There's something about a tough lady who can kick butt with the best of them that's especially compelling. They evolved from something a little more exploitative, ladies fighting in bikinis basically, then we had ladies that were just the female version of a male character (Batwoman, Supergirl etc), which is something we're starting to see a little more of unfortunately, but on the good side of things we ARE actually getting fighting ladies who're their OWN women: Original characters. In this Quackcast we talk about some of our faves and some of the earlier incarnations of the character type, from Robert E Howard's Red Sonya and Valeria, to Catherine L Moore's Jirel of Joiry, to Wonder woman, then later characters like Red Sonja (from the comics), She-Hulk, Sarah Conner, Ripley, Buffy, Xena, Aeon Flux… What are some of YOUR faves? Mine are Tank Girl, Lara Croft, Motoko Kusanagi, Garnet and many more :) This week Gunwallace has given us the theme to Dolphin Bros: Jump, jump, jump up and down to this mad dolphin party scene. It’s all over the place but all it wants you to do is MOVE!
Episode 394 - Nostalgia, creative fuel?
Oct 1, 2018
Nostalgia! - Where does it fit in the creative process? People are the product of their influences. For a lot of us the strongest influences happen when we're growing up and learning about the world and all the things IN it for the first time. As you get older the things you experience don't make as much impact, simply because your brain has already had most of its “first times” and it's already learned enough about the world to be fully functional and independent.
Episode 391 - personality mix group dynamics
Aug 19, 2018
This Quackcast was based on an idea from Banes. We chat about designing a group of characters with complementary temperaments. In Banes' own words: “I like the idea of the line between a logical, left brained person and a creative, right brained person, crossed with a spectrum of a more active, extroverted, action taking temperament and a more nurturing, introverted type.
Episode 390 - Imprinting on your characters
Aug 15, 2018
We nicked the idea for this Quackcast from a newspost by Emma Clare. What we chat about is the unintentional process of giving your characters you own traits or even traits of people you know without realising it: Every time you draw an expression for your character you're not really creating a generic expression but basing it on yourself… when you character is being quizzical or irritated for example people may recognise that as you. It could be in other things too: their taste, the way they dress, what they like to eat, their furniture. things that annoy them, their hobbies etc. It's interesting how tied they are to us.
Episode 387 - History and Pastiche
Aug 7, 2018
In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the 1920s in an alternative version of history, with Pinky coming from the fictional “Crimean Empire”. Tantz has to keep times, places, and details close to real history while with Pinky TA I can pick and choose the things from history I like the best and create my own idealised pastiche. The advantage of Tantz's approach is that everything is there, nothing has to be invented, just researched and reproduced, whereas my approach involves a lot of creation which slows things down and makes it harder. On the upside Pinky TA is much more flexible, I can easily fit whatever I want into the story, whereas Tantz's comics are bound by the rules of the history she's presenting.
