Episode 307 - The jerks
Jan 23, 2017
Jerky, jerk, jerks! Let's talk about this type of character… This topic is based on Banes' newspost from Thursday, he based it on characters like Reggie from the Archie comics. Jerks can be pretty good characters in their own right. They can be villains, heroes, antagonists or protagonists, they can even be unintentional jerks like Scrappy do from Scooby Do, Alf from Alf, or Jar Jar Binks from that horrible movie he was in. My favourite jerks are Flashman from the Flashman novels by George MacDonald (you should read them!), Blackadder (particularly the second season), and Zaphod Beeblebrox who I'm cosplaying in the cover pic. Who are your fave and least fave jerks? Gunwallace's musical theme was for The Epic of Blitzov. It's Riff based hard rock, driving beat, heavy, distorted guitars layered over and over with a thunderous yet lyrical lead floating over the top. Orange and black sound.
Topics and Show Notes
Topics and shownotes
Featured comic:
Unfruity and Nonchalant - http://www.theduckwebcomics.com/news/2017/jan/17/featured-comic-unfruity-and-nonchalant/
Links
Based on Banes' newspost - http://www.theduckwebcomics.com/news/2017/jan/18/the-hated-part-one/
Things mentioned:
Misfits
Breaking bad
Flashman from books by George MacDonald
Biff from back to the future
Suits
Breaking Bad
Zaphod Beeblebrox in hitchhiker's guide to the galaxy
Billable Hours - http://www.imdb.com/title/tt0488813/
It's always sunny in Philadelphia
Venture brothers
Cartman from Southpark
Villains you love VS heroes you hate
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Kawaiidaigakusei - http://www.theduckwebcomics.com/user/kawaiidaigakusei/
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - http://www.theduckwebcomics.com/user/Banes/
Pitface - http://www.theduckwebcomics.com/user/PIT_FACE/
Featured music:
The Epic of Blitzov - http://www.theduckwebcomics.com/The_Epic_of_Blitzov/, by PitFace, rated T.
Episode 305 - Chekhov's phaser
Jan 9, 2017
Chekhov's gun is the principal (as I understand it), that if you have some item, fact or piece of information introduced into your story that you draw specific attention to, then you'd better use it some how later on in your story. The simplest example is a gun: if it appears as a prop lying around in your story AND you draw attention to it, then by the end of the tale it should have gone off. This is because you've set up the parameters for your story in the mind of your audience and they develop certain expectations, if you confound those then they'll be disappointed and think that your story was poor. Having a “gun” on stage isn't so important here, it's the fact that you drew attention to it somehow. It doesn't have to “go off” either, as long as it plays a role in the story somehow. You can trick the audience very easily with these sorts of devices, making them think one item or piece of information will be vitally important, only to make it important in a way they wouldn't expect or to use it to hide the fact that some other thing was important instead. So that's our topic of conversation today! All based off of Tantz's newspost on Saturday. Gunwallace's musical theme was for Grow Up. It's repetitive, relaxing, punk reggae instrumental, with fuzz guitar. A lazy evening on a warm summer beach.
Episode 302 - the agendacast
Dec 19, 2016
Today we talk about works of pop-culture that have an obvious political agenda, so obvious that t not only gets in the way of the entertainment but also dictates to the audience without letting them have a chance to come to their own conclusions: forcing you to see things only one way. Even when we agree with the agenda being presented it can still strike a sour chord, often more-so since they're preaching to the choir and usually just throwing a badly simplified version of the philosophy at you, which can feel insulting. So that's what we chat about. Those views can come from ANY political persuasion, the right the left, communism, fascism, socialism, libertarianism whatever. No one has a monopoly on ideologues. We became overtly political towards the end… Sorry for that. HAHAHA. Do we practise what we preach? HELLS NO! I have to apologise again for the terrible sound quality of my voice recording. I thought I'd fixed the settings from last week, but I was wrong. I HAVE now though. Gunwallace's musical theme was for Grunk - cocktail bar samba played on a church organ. The music of heaven! Cheesy heaven. You can imagine fat angels in hawaiian shirts swanning about drunkenly and spilling their margaritas.
Episode 301 - Let it snow!
Dec 12, 2016
Banes and Pitface live in a parallel world to me where this time of year involves water falling from the sky in the form of fluffy white crystals. When it hits the ground it piles up on top of itself into huge white piles! Freaky, I know, but they tell me this actually happens. For me December is a time for heatwaves and the beach. So Banes and Pit enlighten me and all you out there on the beauty of snow. The idea for this Quackcast was based on a newspost by Banes. He talked about the use of snow in comic stories as a plot device. We talk a bit about that here, along with all the different visual aspects of it and how you can use it in imagery. I apologise for the sound quality here, something strange happened with my microphone settings. Gunwallace's musical theme was for Man Bun: Heavy, bass driven funk rock, with dark chocolatey, bluesy lyrics. Classic, cool, and hot!
Episode 295 - Sexcast, sex in non adult comics
Oct 10, 2016
This is the Awkardcast! Another take on the sexcast idea but this time we're looking at sex and sexual situations in strictly NON-adult comics. Sex performs a very different role in non-adult comics… You have a much wider audience with comics at the rating, but there are things you can not show, so of course you use sex for other reasons than the way you do in an adult rated comic. In an adult comic you can show all details of the entire act, all the genitalia in all their glistening, gory, gooey, hairy splendour, going in and out and around here and there and all over the place! Oh my! In Mature comics and bellow though, you simply can't, though you CAN have some non-sexual full frontal nudity in Mature comics and you can show bottoms in Teen rated comics. The ratings are similar to what you have with film ratings. In adult comics, like adult film, sex acts are more of the focus, they can still have a story but the sex acts are supposed to be enjoyed in their own right. In non-adult comics the sex has other purposes- subtle titillation is a part of it, comedy, teasing the viewer, furthering the plot, a culmination of a relationship or the establishment of one, etc- there's generally always another purpose to it, unlike adult comics where there sometimes is but doesn't need to be. And unlike adult film there's not much purpose to softcore non-adult rated porn in comics. That type of censored porn is done in film in order to get a wider audience on media that will otherwise not show porn, but on the net porn it's super easy to come by so there's not much reason to do softcore. There are a lot of challenges entailed in depicting non-adult rated porn! Certain positions don't work in well with the limits on nudity (we talk about this in the cast), but there are tricks you can use; symbolism (popping champagne corks, trains going into tunnels etc), strategic positioning of sheets, clever camera angles, fading out before the act and fading in again after, characters with mussed hair and uneven clothing, using dialogue to refer to what they just did, “off-screen” shenanigans, or shenanigans in the dark etc, it can be a lot of fun! Have a listen to how Tantz, I and Banes tackle the idea. The music by Gunwallace for his week was Firefly cross! A very mystical sound, with traditional, middle eastern style music mixed with dark techno fuzz, this one is intriguing!
Episode 290 - Characters coming alive
Sep 26, 2016
The idea fr this Quackcast was inspired by a Korean TV series that Tantz Aerine recommended called “W” (http://myasiantv.se/drama/w/). The show is about a manga artist who does a super popular webcomic. He wants to quit doing it and has decided to end by killing off his main character, but his main character seems to have ideas of his own about that… Tantz and I thought about how that could apply to us real webcomicers. That's a fantasy situation, but if it could happen, which of your characters would do that? Which one is independent enough from you that they would want to take on a life of their own and fight you? Incorporated in this are the idea of characters “breaking the fourth wall” and the fictional characters becoming so well realised and independent from the author (so to speak), that they seem to influence the direction of a story against the intentions off the writer. People will often talk about characters seemingly writing the story themselves or taking things in directions the writer never wanted to go. So that's what we chat about! You really should check out “W”, it's a great series! This week Gunwallace has given us the theme to HardLuckComics. It's full of energy and vive, driving. This is working music! This is the intro to the drive time program on the radio! This is “the news”!
Episode 288 - Evoking too much Emotion
Sep 12, 2016
Drunkduck's beloved HippieVan was influenced by last week's Quackcast on Evoking emotion to come up with a newspost about NOT invoking emotion when you don't mean to: keeping things funny, even IF heavy stuff happens to be going on, which can be tricky. I thought that was pretty interesting so we decided to talk about that on THIS week's Quackcast. We've also got some clever community contributions on the original theme of evoking emotion. So it's a pretty full Quackcast all up. We also have Pitface and Tantz Aerine joining us again! Yaaaaay! Gunwallace's theme this week is for The weird adventures of Armless Amy, it's touching and evocative, as if it’s setting up to reveal a horrible mystery to us.
Episode 285 - Ride the wave of the Anti-heroes
Aug 22, 2016
Comedy anti-heroes are a great deal of fun. My faves are characters like Tankgirl and Flashman; they can be selfish, greedy, violent, lustful, out for their own needs first but they still manage to do the “right” thing and vanquish the bad guy along the way regardless, or a character like George Costanza from Seinfeld who's jealous, pathetic, cowardly and greedy but we still love him anyway because identify with him and root for him against the unloving forces of the universe. To be a GOOD comedy anti-hero you have to keep the audience on their side though and that can be a tricky balancing act, you have to surf a number of factors (especially in a long running project), since to actually BE an anti-hero they need to have things about them that an audience would normally despise, these need to be counteracted by things like sympathy and pathos, traits we strongly identify with, intelligence, luck, charm, humour, sexiness, coolness, allowing them to win sometimes, or even redeeming some of their anti-hero behaviours occasionally. Get that balance wrong and they can so easily completely lose audience favour and sour the rest of the story/show/film. Pitface, Tantz, and Banes weigh in on this with me. And there are more opinions in the forum thread from which this evolved. Gunwallace's musical theme this week was for Pestilent. It's thoughtful, haunting, reminds me a little of a classic horror film soundtrack. Pretty scary!
