Episode 263 - WHY do a webcomic?
Mar 21, 2016
Why do you do the kind of webcomic you do? Why? Why? WRRRRRRRRHHHHYYYYY? This was the question asked by Genejoke, one of our favourite DDers. This jolly gent asked a whole possy of posers related to that subject and I thought that it provoked some interesting responses, and so it became fodder ad a half for Quackcast 263. Banes, myself, Pitface and Tantz Aerine all approach the questions ourselves and then hand the floor over to our DD contributors, so to speak. I find that it's really important to be able to come up with answers to questions like these, and even more interesting is just how those answers change depending on when you ask them. I find that these days I have a MUCH better idea of why I do my comics and why I make the creative choices that I do.
Topics and Show Notes
Links:
Based on this thread idea by Genejoke - http://www.theduckwebcomics.com/forum/topic/177450/
Track list:
Genejoke - http://www.theduckwebcomics.com/user/Genejoke/
usedbooks - http://www.theduckwebcomics.com/user/usedbooks/
bravo1102 - http://www.theduckwebcomics.com/user/bravo1102/
maskdt - http://www.theduckwebcomics.com/user/maskdt/
Bruno Harm - http://www.theduckwebcomics.com/user/Bruno%20Harm/
Ironscarf - http://www.theduckwebcomics.com/user/Ironscarf/
ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean/
KimLuster - http://www.theduckwebcomics.com/user/KimLuster/
toondoctor - http://www.theduckwebcomics.com/user/toondoctor/
Banes - http://www.theduckwebcomics.com/user/Banes/
Kota - http://www.theduckwebcomics.com/user/Kota/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - http://www.theduckwebcomics.com/user/Banes/
Kawaiidaigakusei - http://www.theduckwebcomics.com/user/kawaiidaigakusei/
Pitface - http://www.theduckwebcomics.com/user/PIT_FACE/
Tantz Aerine - http://www.theduckwebcomics.com/Without_Moonlight/
Featured music:
The pirate Balthasar - http://www.theduckwebcomics.com/The_Pirate_Balthasar/, by Dedasaur, rated T.
- See more at: http://www.theduckwebcomics.com/news/2016/mar/21/quackcast-263-why-do-a-webcomic/
Episode 262 - DUCK Radio 3
Mar 14, 2016
WELCOME to the final part of the Radio D.U.C.K. trilogy! This is where we put all the rest of Gunwallace's amazing songs AND a special treat for you as well listeners: Jimmy's Folly. Our radio DJs have gone just a little crazy this time… the brutish, hard rocking Jimmy Storm, demonic Anastasia Ravendale, and dried up old Rhet Blanket battle it out over the on air turf in the strangest way possible… BRINGING THE THUNDER! Gunwallace's amazing comic themes meanwhile are just as juicy as ever.
Episode 261 - D.U.C.K. Radio2
Mar 7, 2016
Radio D.U.C.K. has come again for part number TWO! Bringing you ALL of Gunwallace's lovely tunes, one after another. This time we get to meet Evangelist for DD Reverend Carlton Crackers, SciFi Hour with Kurt and Steve, Woman 1 and Woman 2, a return of DJ and Rhett Blanket, and introducing BILLY-BOB Banes and JETHRO Ozoneocean! All these fantastic personalities are the mind children of scriptwriter and musician Gunwallace, and played by Gunwallace, Banes, Ozoneocean, and Pitface. Enjoy the music and remember the name of Gunwallace!
Episode 259 - Drawing Crowd Scenes
Feb 22, 2016
Crowd scenes of any sort can be horrible to draw. There are many, many reasons for this, one of them is that it's quite boring to invent a whole lot of new character models just for the purpose of making a group scene. My own way of combating that problem was to do cameos of other characters that I stole from my fellow Quackcasters, Banes, Pitface and Tantz. There are many other tricks and clever ways of managing crows though which you can hear bout in the Quackcast or see us talk about in the Quackcast video. Gunwallace's theme for Phineus Magician for Hire is VERY Sword and Sorcery! It reminded me a little of the famous music to the first (and best), Conan film, and brought to mind the writing of Fritz Leiber.
Episode 257 - Accents in Comics
Feb 8, 2016
Using accents and different languages in comics can be a challenge, or at least a challenge to represent. Some people will actually have their text IN a different language or even a made up language in the case of aliens, and they'll have translations in a footnote. Some will use pointed brackets to represent the different language, some will use different fonts, and some won't bother showing that there is a different language being spoken at all. We spoke to Tantz Aerine and Pitface about this because that's something they both have to tackle in Brave Resistance and Tantz's solo comic Without Moonlight because it's very central to the plot: Tantz uses different colours for the languages. Pitface phonetically represents different accents in her comic Putrid Meat quite expertly. However, there can be challenges to phonetic representation when you get it wrong, most frequently in the case of Irish and Scottish accents! This was inspired by a newspost by Hippievan! Listen ad enjoy Gunwallace's audio interpretation of Aidana. VERY Pink Floyd!
Episode 255 - Drunk Duck Improvement Drive
Jan 25, 2016
We're trying to fix up Drunk Duck, adding the the comic statistics back in, fixing forums, adding notifications to PQs and MORE, but we need money to do it. In this Quackcast, Ozoneocean, Banes, and Pitface talk about the improvements we want to have on DD, and what YOU can do to help us out. Please consider donating to our Indiegogo fund-raising drive to help us pay our programmer: https://www.indiegogo.com/projects/drunk-duck-webcomics-improvement-drive/x/4410947#/ There are a LOT of cool perks you can have including your own Quackcast interview all about YOU, original art from The creator of Modest Medusa, Charby the Vampirate and others, a 126 page Modest Medusa comic for only $10 and much more! If you can't spare any change, please consider spreading the word to your readers. Remember, these fixes are for everyone, by donating to DD you're helping yourself. :D
Episode 254 - Sexism in your OWN work?k
Jan 18, 2016
OMFG you sexist PIG! Heh… today we talk about trying to recognise sexism in your OWN work, what to do about it, and WHY. It turns out it can be very hard to do, and if you DO acknowledged it the instinct is to rationalise it away, justify it, or just try and brazen it out in some kind of old fashioned, largely embarrassing, display. I frequently do all three. How do we spot it? Well the Bechdel test isn't that useful, that's better for looking at broad trends not giving specific works a pass/fail - sexy outfits is one thing, if females are dressed minimally or in tight gear in CONTRAST to the males or vice versa - females ONLY having old stereotype roles (maiden/mother/whore archetypes, secretary, nurse, victim, maid etc), though this is context sensitive, i.e. it's more forgiveable if you're doing a historical story or something stylised like a fairytale or a noire story - Gender balance is another thing, it's context sensitive because certain stories will naturally have more of one gender (WW2 submarine crew, Girl's school, a prison story etc), and you don't have to have an exact balance anyway but it's definitely something to THINK about because there is no reason most stories should feature a majority of male characters and a minority of females. WHY should you think about it? Why should you care? Well the audience for almost ALL types of stories, be they action adventure, romance, Scifi, fantasy, historical, even porn, is getting close to 50/50 between men and women these days (maybe it always was?), it really doesn't make sense to alienate or belittle half your audience just because you like to cling to older ways of doing stuff. Gunwallace's theme this week reminds me of a cross between the Knightrider theme and Gunship- it's VERY retro-future. It's the theme to DDSR, a comic with cool custom “sprites”, AKA pixel-art.
Episode 253 - narrative order and the flashback
Jan 11, 2016
Doing stories that start with the climax, then flash back, tell what happened to get there: the old narrative style of switching the first few chapters around to make a more interesting story. Sometimes it works GREAT because it throws you right into the middle of things and you have to work your way back to that point… It works very nicely in The Hangover for example! Often it's used very badly- in anime particularly, where they use it for foreshadowing and a tease to try and get you interested in the rest of the story- but anime story structure is so formulaic that all it really does is give you a cheap spoiler. Other times it doesn't work well is when the writer isn't very good so the viewer loses their way in the plot… If the writer is GOOD though you end up with Pulp Fiction. You'll love Gunwallace's theme here- a super funky jazz track for the comic Nothing Important Happened Today. Enjoy!
