Episode 298 - When death comes
Nov 21, 2016
This Quackcast was based on Tantz Aerine's newspost from two Saturday's ago: Death in comics. We lightly expand t to death in all pop culture in the Quackcast. It's an interesting topic! Not the one we were originally going to do though… We were supposed to all have pizza and interview VinoMas's Princess January, but no one got pizza except me and I gave Vino the wrong time so he didn't show up, hahaha! So that idea… died. Death in comics can be used a whole lot of ways; a promotional technique as in Superman, a way to get rid of superfluous characters, to show gore and a massive body count, to create tragedy and pathos, the create comedy and laughter, and more! We give examples from our own artwork as well as mainstream comics like Maus, Judge Dredd, Superman, When the Wind Blows, nd even great webcomics like Charby the Vampirate. Banes could not show for this Quackcast. He is NOT dead… not yet. Gunwallace is right there back in action and the theme he's given us this week is Ectopiary! It's darkly threatening and vaguely classical, a creeping, scary exploration of dark places.
Topics and Show Notes
Topics and shownotes
Featured comic:
Grunk - http://www.theduckwebcomics.com/news/2016/nov/09/featured-comic-grunk/
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Based on Tantz's newspost:
When Death Comes - http://www.theduckwebcomics.com/news/2016/nov/10/when-death-comes/
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Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Kawaiidaigakusei - http://www.theduckwebcomics.com/user/Kawaiidaigakusei/
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine
Pitface - http://www.theduckwebcomics.com/user/PIT_FACE/
Featured music:
Ectopiary - http://www.theduckwebcomics.com/ECTOPIARY/ by hansrickheit, rated M.
Episode 296 - What came before?
Nov 7, 2016
Tantz Aerine, Banes and Pitface join me, Ozoneocean, to talk about back stories, histories and all that extra knowledge you can come up with when creating your story. It can inform your comic story in a really clever way… but don't be tempted to vomit all that knowledge out on your unsuspecting audience! They'll hate you for it. It' a really great idea to come up with a detailed history and you can be really proud of it too, but you have to know how to present it to your audience, i.e. through your character interaction and the flow of your story. Gunwallace's featured music for this week was… THE LAST PICK UP ARTIST! This has a nice dry, rock feel, heavy guitar. This is music for cruising in a muscle car.
Episode 295 - Sexcast, sex in non adult comics
Oct 10, 2016
This is the Awkardcast! Another take on the sexcast idea but this time we're looking at sex and sexual situations in strictly NON-adult comics. Sex performs a very different role in non-adult comics… You have a much wider audience with comics at the rating, but there are things you can not show, so of course you use sex for other reasons than the way you do in an adult rated comic. In an adult comic you can show all details of the entire act, all the genitalia in all their glistening, gory, gooey, hairy splendour, going in and out and around here and there and all over the place! Oh my! In Mature comics and bellow though, you simply can't, though you CAN have some non-sexual full frontal nudity in Mature comics and you can show bottoms in Teen rated comics. The ratings are similar to what you have with film ratings. In adult comics, like adult film, sex acts are more of the focus, they can still have a story but the sex acts are supposed to be enjoyed in their own right. In non-adult comics the sex has other purposes- subtle titillation is a part of it, comedy, teasing the viewer, furthering the plot, a culmination of a relationship or the establishment of one, etc- there's generally always another purpose to it, unlike adult comics where there sometimes is but doesn't need to be. And unlike adult film there's not much purpose to softcore non-adult rated porn in comics. That type of censored porn is done in film in order to get a wider audience on media that will otherwise not show porn, but on the net porn it's super easy to come by so there's not much reason to do softcore. There are a lot of challenges entailed in depicting non-adult rated porn! Certain positions don't work in well with the limits on nudity (we talk about this in the cast), but there are tricks you can use; symbolism (popping champagne corks, trains going into tunnels etc), strategic positioning of sheets, clever camera angles, fading out before the act and fading in again after, characters with mussed hair and uneven clothing, using dialogue to refer to what they just did, “off-screen” shenanigans, or shenanigans in the dark etc, it can be a lot of fun! Have a listen to how Tantz, I and Banes tackle the idea. The music by Gunwallace for his week was Firefly cross! A very mystical sound, with traditional, middle eastern style music mixed with dark techno fuzz, this one is intriguing!
Episode 293 - THE BURBS DVD commentary
Oct 5, 2016
In this happy season of October we come to that time of year again when Banes starts to get excited by Halloween! This year his idea was for us all to do a real time DVD commentary for The Burbs, that great comedy horror film staring the famous Tom Hanks, from back in 1989 when he was still a hilarious leading man and not a super serious drama guy. We all LOVE this movie, it's very funny, with a lot of cool twists and great scenes. Along with Tom Hanks it stars Princess Leia AKA Carrie Fischer, dudeman Corey Feldman, and Bruce Dern being Dale Gribble before Dale Gribble was even a thing! Pitface, Tantz, Banes and I all talk along to and over the movie as it's playing. To enjoy the FULL effect I strongly suggest you find a copy of The Burbs on a legal streaming site, or less than legal one depending on your ethics, or maybe even a DVD or old video! Pop it on and spoil the movie by listening to us all blather away together, it'll be just like watching the movie WITH us! And wouldn't you like that? I'm sure you would, we're all very friendly people. ;) Our feature AND the music by Gunwallace this week is for the same comic, “Useless”. The theme is atmospheric and haunting, lightened with the strains of a singing, melodic electric guitar.
Episode 292 - Separating the art from the artists
Oct 5, 2016
Separating the art from the artist, the message from the messenger… Can you do this? You know, when you find out an actor, musician, comic artist or whatever is an arsehole or says things you disagree with or is a criminal, can you separate that from their work and STILL manage to enjoy it? Or does it taint everything they've ever made? I've thought about this a lot. I think I can usually separate the art from the artist and I DON'T think that consuming the work of that artist in any way legitimises what I disagree with about them personally or endorses their criminal behaviour unless the art is specifically about that. But it can really depend on how personally you're affected by whatever it was about the artist that offended you; A Jewish person could have a far more negative reaction, understandably, to the watercolours of Adolph Hitler than most other people, to use an extreme example. What about you? Can you separate the message from the messenger, the art from the artist? The comic chosen for a marvellous theme THIS week was Cybertech. You'll hear the sounds of apocalyptic destruction and burning plasma in a dark future, epic world.
Episode 291 - The philosophy and politics of comics
Oct 3, 2016
This week's Quackcast is brought to us by Tantz Ariene! Tantz is a very political creature, seeing as she comes from Athens which is pretty much the birthplace of politics AND philosophy, that's hardly surprising. Clever Tantz in her tantzglasses, dudeman Banes, and me,Ozoneocean all talk about this interesting subject: what are the politics and philosophy involved in YOUR webcomic? Even though we don't realise it, there's ALWAYS politics of some sort in a comic, as well as philosophy. If your writing is pretty clever you might have multiple political view points in your comic and a whole range of different philosophies! Consider something as basic as Peanuts. Those characters have all sorts of political viewpoints! Peppermint Pattie is very forthright in her feminist views, but she's also pretty left wing, Lucy is rather domineering and and right off centre in the way she thinks, Charlie Brown is a bit of a fatalist blank slate for the audience to project themselves onto, Linus is a quiet intellectual… etc, I don't know, it's been years since I've read Peanuts! Gimmee a break! In superhero comics it's the same; most of them are pretty right wing, libertarian, individualist sorts of characters- Batman for example, Iron man, etc. There's a good argument for Superman being somewhat more Socialist since he's an ordinary man with an ordinary job most of the time and works out in the open for the good of all humanity, while Batman is a super rich guy most of the time and when he's doing hero stuff it's usually smaller scale vigilante type stuff against people who threaten his city, or commerce in his city like thieves and the Mafia. Try it yourself! Examining the politics and philosophy of your OWN characters as well as classic ones is pretty interesting. Gunwallace's theme this week is for Krasnosvit, a subtle, careful, fairytale theme, inducing you into the dark forest strangeness of Krasnosvit.
Episode 287 - Evoking emotion
Sep 5, 2016
Evoking emotion in your readers/having emotion evoked from comics: How do you do it? what are some mistakes/ineffective methods? As a comic creator you use a whole bunch of different ways to evoke emotion than say a novelist or a film-maker- you don't have the text space of a novelist and you don't have the control, soundtrack and all the tools of a film maker. Comic creators have a different set of arrows in their quiver and in this Quackcast we try and talk about those. What do YOU use to evoke emotion from your characters and readers? Gunwallace's theme this week is for The Desperately Departed. It's atmospheric, heavy, threatening, revealing. Reminds me of the heat shimmer on a wide desert landscape vista.
Episode 285 - Ride the wave of the Anti-heroes
Aug 22, 2016
Comedy anti-heroes are a great deal of fun. My faves are characters like Tankgirl and Flashman; they can be selfish, greedy, violent, lustful, out for their own needs first but they still manage to do the “right” thing and vanquish the bad guy along the way regardless, or a character like George Costanza from Seinfeld who's jealous, pathetic, cowardly and greedy but we still love him anyway because identify with him and root for him against the unloving forces of the universe. To be a GOOD comedy anti-hero you have to keep the audience on their side though and that can be a tricky balancing act, you have to surf a number of factors (especially in a long running project), since to actually BE an anti-hero they need to have things about them that an audience would normally despise, these need to be counteracted by things like sympathy and pathos, traits we strongly identify with, intelligence, luck, charm, humour, sexiness, coolness, allowing them to win sometimes, or even redeeming some of their anti-hero behaviours occasionally. Get that balance wrong and they can so easily completely lose audience favour and sour the rest of the story/show/film. Pitface, Tantz, and Banes weigh in on this with me. And there are more opinions in the forum thread from which this evolved. Gunwallace's musical theme this week was for Pestilent. It's thoughtful, haunting, reminds me a little of a classic horror film soundtrack. Pretty scary!