Episode 295 - Sexcast, sex in non adult comics
Oct 10, 2016
This is the Awkardcast! Another take on the sexcast idea but this time we're looking at sex and sexual situations in strictly NON-adult comics. Sex performs a very different role in non-adult comics… You have a much wider audience with comics at the rating, but there are things you can not show, so of course you use sex for other reasons than the way you do in an adult rated comic. In an adult comic you can show all details of the entire act, all the genitalia in all their glistening, gory, gooey, hairy splendour, going in and out and around here and there and all over the place! Oh my! In Mature comics and bellow though, you simply can't, though you CAN have some non-sexual full frontal nudity in Mature comics and you can show bottoms in Teen rated comics. The ratings are similar to what you have with film ratings. In adult comics, like adult film, sex acts are more of the focus, they can still have a story but the sex acts are supposed to be enjoyed in their own right. In non-adult comics the sex has other purposes- subtle titillation is a part of it, comedy, teasing the viewer, furthering the plot, a culmination of a relationship or the establishment of one, etc- there's generally always another purpose to it, unlike adult comics where there sometimes is but doesn't need to be. And unlike adult film there's not much purpose to softcore non-adult rated porn in comics. That type of censored porn is done in film in order to get a wider audience on media that will otherwise not show porn, but on the net porn it's super easy to come by so there's not much reason to do softcore. There are a lot of challenges entailed in depicting non-adult rated porn! Certain positions don't work in well with the limits on nudity (we talk about this in the cast), but there are tricks you can use; symbolism (popping champagne corks, trains going into tunnels etc), strategic positioning of sheets, clever camera angles, fading out before the act and fading in again after, characters with mussed hair and uneven clothing, using dialogue to refer to what they just did, “off-screen” shenanigans, or shenanigans in the dark etc, it can be a lot of fun! Have a listen to how Tantz, I and Banes tackle the idea. The music by Gunwallace for his week was Firefly cross! A very mystical sound, with traditional, middle eastern style music mixed with dark techno fuzz, this one is intriguing!
Topics and Show Notes
Topics and shownotes
Featured comic:
FRED - http://www.theduckwebcomics.com/FRED
Daniel by Sarah M - http://www.theduckwebcomics.com/Daniel/
The faction by PeiPei - http://www.theduckwebcomics.com/The_Faction/
Putrid meat by PitFace - http://www.theduckwebcomics.com/PUTRID_MEAT/
Without moonlight by Tantz Aerine - http://www.theduckwebcomics.com/Without_Moonlight/
Pinky TA - http://www.theduckwebcomics.com/Pinky_TA/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - http://www.theduckwebcomics.com/user/Banes/
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine
kawaiidaigakusei - http://www.theduckwebcomics.com/user/kawaiidaigakusei/
Featured music:
Firefly cross - http://www.theduckwebcomics.com/Firefly_Cross/ by Dragonsong12, rated E.
Episode 293 - THE BURBS DVD commentary
Oct 5, 2016
In this happy season of October we come to that time of year again when Banes starts to get excited by Halloween! This year his idea was for us all to do a real time DVD commentary for The Burbs, that great comedy horror film staring the famous Tom Hanks, from back in 1989 when he was still a hilarious leading man and not a super serious drama guy. We all LOVE this movie, it's very funny, with a lot of cool twists and great scenes. Along with Tom Hanks it stars Princess Leia AKA Carrie Fischer, dudeman Corey Feldman, and Bruce Dern being Dale Gribble before Dale Gribble was even a thing! Pitface, Tantz, Banes and I all talk along to and over the movie as it's playing. To enjoy the FULL effect I strongly suggest you find a copy of The Burbs on a legal streaming site, or less than legal one depending on your ethics, or maybe even a DVD or old video! Pop it on and spoil the movie by listening to us all blather away together, it'll be just like watching the movie WITH us! And wouldn't you like that? I'm sure you would, we're all very friendly people. ;) Our feature AND the music by Gunwallace this week is for the same comic, “Useless”. The theme is atmospheric and haunting, lightened with the strains of a singing, melodic electric guitar.
Episode 291 - The philosophy and politics of comics
Oct 3, 2016
This week's Quackcast is brought to us by Tantz Ariene! Tantz is a very political creature, seeing as she comes from Athens which is pretty much the birthplace of politics AND philosophy, that's hardly surprising. Clever Tantz in her tantzglasses, dudeman Banes, and me,Ozoneocean all talk about this interesting subject: what are the politics and philosophy involved in YOUR webcomic? Even though we don't realise it, there's ALWAYS politics of some sort in a comic, as well as philosophy. If your writing is pretty clever you might have multiple political view points in your comic and a whole range of different philosophies! Consider something as basic as Peanuts. Those characters have all sorts of political viewpoints! Peppermint Pattie is very forthright in her feminist views, but she's also pretty left wing, Lucy is rather domineering and and right off centre in the way she thinks, Charlie Brown is a bit of a fatalist blank slate for the audience to project themselves onto, Linus is a quiet intellectual… etc, I don't know, it's been years since I've read Peanuts! Gimmee a break! In superhero comics it's the same; most of them are pretty right wing, libertarian, individualist sorts of characters- Batman for example, Iron man, etc. There's a good argument for Superman being somewhat more Socialist since he's an ordinary man with an ordinary job most of the time and works out in the open for the good of all humanity, while Batman is a super rich guy most of the time and when he's doing hero stuff it's usually smaller scale vigilante type stuff against people who threaten his city, or commerce in his city like thieves and the Mafia. Try it yourself! Examining the politics and philosophy of your OWN characters as well as classic ones is pretty interesting. Gunwallace's theme this week is for Krasnosvit, a subtle, careful, fairytale theme, inducing you into the dark forest strangeness of Krasnosvit.
Episode 289 - Managing your personal brand
Sep 19, 2016
This time we're talking about the weird notion of managing your online brand: what name do you publish your creative works under and how do you go about curating that? It's an idea I had after a great artist friend of mine known as Hyena Hell lost her online presence on Facebook, the main venue for publishing her artistic projects. Both her her private and public creative lives had been merged into the persona that is known as “Hyena Hell” because the act of creation was very personal to her, it was her brand as well as herself. But after a nasty little scum sucking piece of excrement loser arsehole rectum faced coprophagiac reported her name she lost her right to have that as her personal account. Rather than challenge it or compromise she retired her creative persona from Facebook, and it was a shame because we lost a vibrant artistic, thoughtful presence from there. But many of us also have an online brand/persona/nom-de-plume of some sort that our work is collected under and that's the topic of discussion! Gunwallace's theme this week is for Urthe, featuring lashing cymbals and electric guitar that blasts out like a deadly raygun! This is hard rockin’ goodness!
Episode 286 - Offence, walking on eggshells
Aug 29, 2016
Do you worry about offending specific people with your writing? Where's your line between honest expression and regard for other people's feelings? This was Bane's brilliant idea for a Quackcast. We touch a little on the idea of a “culture of offence”, where it seems that people look for things to be offended by, perhaps on behalf of others, but also about things that really CAN cause offence and how to avoid that. On one hand you have people complaining that everything is too “PC” these days, but on the other it's really not OK to be a dick to people just because you like to cling to the old days when it was fine to put down people on the basis of ethnicity, skin-colour, gender, or sexuality… But we can also cause offence accidentally, unintentionally, unknowingly… Should you compromise your vision to appease people, or should you forge ahead regardless? Keep in mind that some things that are fine for SOME audiences are offensive to others, so rather than fight with your audience or appease them perhaps it's better to try and actively direct your work at the CORRECT audience it's intended for? - speaking in terms of sex scenes, politics, etc. Listen to the theme Gunwallace concocted for us THIS time! Geminni: Get down to the bad sounds of this classic funk rock tune! Danceable!
Episode 285 - Ride the wave of the Anti-heroes
Aug 22, 2016
Comedy anti-heroes are a great deal of fun. My faves are characters like Tankgirl and Flashman; they can be selfish, greedy, violent, lustful, out for their own needs first but they still manage to do the “right” thing and vanquish the bad guy along the way regardless, or a character like George Costanza from Seinfeld who's jealous, pathetic, cowardly and greedy but we still love him anyway because identify with him and root for him against the unloving forces of the universe. To be a GOOD comedy anti-hero you have to keep the audience on their side though and that can be a tricky balancing act, you have to surf a number of factors (especially in a long running project), since to actually BE an anti-hero they need to have things about them that an audience would normally despise, these need to be counteracted by things like sympathy and pathos, traits we strongly identify with, intelligence, luck, charm, humour, sexiness, coolness, allowing them to win sometimes, or even redeeming some of their anti-hero behaviours occasionally. Get that balance wrong and they can so easily completely lose audience favour and sour the rest of the story/show/film. Pitface, Tantz, and Banes weigh in on this with me. And there are more opinions in the forum thread from which this evolved. Gunwallace's musical theme this week was for Pestilent. It's thoughtful, haunting, reminds me a little of a classic horror film soundtrack. Pretty scary!
Episode 283 - Writing Dialogue pt1
Aug 8, 2016
Dialogue is a key part of any comic, it pushes the story along, keys the reader in on things that would be otherwise ambiguous, hints and foreshadows at future happenings, creates humour… well, it's just a big part of comics, that's all! And that's what we're chatting about here in this Quackcast! The topic stems from a forum thread I posted a while ago asking people about their approach to creating dialogue and how people go about it; is it heavily scripted in advance or is it one of the last things you come up with? People had some very interesting responses! Gunwallace's musical theme was Magical Misfits. The sound is magical, classical, threatening, yet full of adventure! Love those creeping cellos, the violin and clarinet sound like a humorous dialogue between the wittier members of the party.
Episode 279 - Meet the Mutants!
Jul 11, 2016
Our very own heavily mutated Pitface put up a guest post about her fellow mutants, filling in for HippieVan while Hippy is away fighting the mutants in Japan wearing a tie-dyed sailor suit and riding a Volkswagen battle mecha, as you do in Japan… anyway, as a member of the anti-mutant police force, I had to drag in Pit for questioning! And that's what we did for this Quackcast. Banes and I interrogate Pit on the subject of mutants! Mutants are a forgotten race at the moment: Mutants are the zombies of SciFi in a way; a mob of anonymous monstrous minions who exist to menace the heroes and be gunned down in their thousands. But they're also so much more… Unlike zombies, mutants have a lot more personality and humanity, they can also be far more demonic and revolting than any zombie, they can be any shape, size of configuration. Mutants are so much scarier and adaptable than mere zombies, because unlike zombies they're not always degrading and falling apart, no, mutants are evolving constantly, they can get larger, gorier and more terrifying, i.e. The Thing. For mutant pathos witness the Mars mutants in the original Total Recall: There's a man with a baby in his chest and we feel for him and respect him. We have superhero mutants too in the form of the X-men. Can't forget them! But remember also that “mutants” are also a very real thing in this world, unlike zombies, in fact we are ALL mutants in one way or another, not just those special people with a conjoined twin or extra nipples or genitals or whatever, all of us have our own exciting DNA variation! I have a big nose, crooked lower teeth and pasty white skin myself, I'm practically a Morlock. So what is YOUR “mutation”?
