Episode 635 - Warcast
May 14, 2023
We're talking about WAR here! Trying to leave out politics, though that's really hard with war because it's basically ALL politics but on fire. So we're talking mainly about depictions of it or at least aspects of it, in art and the media. Both Tantz Aerine and myself work on war comics, Without Moonlight and Pinky TA respectively (plus Tantz also does Brave Resistance with Pitface), so we have some knowledge of the subject from a creator perspective.
Topics and Show Notes
There are a lot of approaches you can take from glorifying war to showing the horrible cost of it, you can show jumbled scenes and impressions or you can show purposeful actions where there's real strategy on show. Tantz depicts a the real historical events of WW2 in Greece using fictional characters (and real historical ones), while I depict totally fictional events with fictional characters.
Showing jumbled impressions and cool scenes to give you an idea of a battle being fought, as in a movie like The Return of The King, is a very poor way to do things. In that case it's an epic fantasy, so you're supposed to see the bigger picture; the movement of troops and the purpose of battles, movements and actions etc which you don't in that film. Rather it's just stylised action from a small scale and jumbled impressions from a large scale. In all the original Star Wars films we have great battle depictions because you can see exactly what the purpose of them is as well as looking cool, they don't need meaningless jumbled impressions to fool you into thinking continuity has happened while we transition to the character next scene.
Depicting war and battle in a comic is not easy, especially when you're trying to show it from a strategic perspective. You have to think about things very carefully so you can communicate the actions and the purposes behind them. It's far easier to go the jumbled impression route, which is why so many do it, but I would advise against it unless you specifically need to- i.e. the flashback scenes, or the chaotic first hand experience from a person involved in the conflict.
Depictions of war and battle don't have to make full logical sense, as long as it FEELS logical for the scene. Like the Battle for Hoth in the Empire Strikes Back - Giant war walker APCs are a silly idea but they seem to make perfect sense in the scene. The dog-fighting scenes with little space-fighters against giant space warships in Return of the Jedi are ridiculous; huge space battleships should have enough weaponry to wipe everything out of the surrounding space for thousands of kilometers in all directions and would never get closer to each other than a blip on radar, and yet when we see that movie the question never coccus to us.
Do you depict war and battle, if so how do you do it? What are your tips and tricks? And what are your fave depictions in the media and art? Can be positive or negative.
This week Gunwallace has given us a theme inspired by Elmwych - Mysterious, scene setting, classical, plotting, probing and prompting. This is a grand entrance into a cold, lofty manor house where all is not exactly as it seems… simulated strings and electronica spice.
Topics and shownotes
Future Quackcast: The cussing swearcast.
Links
Featured comic:
Mercury Virus - https://www.theduckwebcomics.com/news/2023/may/09/featured-comic-mercury-virus/
Featured music:
Elmwych - https://www.theduckwebcomics.com/Elmwych/ - by Ironscarf, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 630 - Entitled
Apr 10, 2023
The Quackcast this week is about entitled bossy Karens. In fact it was originally going to BE “the Karencast” but the whole “Karen” thing is a bit sexist and pejorative. So why a Quackcast on overly entitled people then? Well aside from we stealing it from Tantz's newspost on Friday, those kinds of people make great minor villain characters. They can be comic relief baddies but they can also be deceptively dangerous when they really DO have connections to back up their arrogance!
Episode 628 - Cover me!
Mar 27, 2023
We're talking about the importance of a good cover in this cast. Another technical comicscast! I love making coves, they're one of my fave things because I get to stretch my artistic muscles and get a little more flashy and creative with my art and graphic design. They can also be pretty dread things to work on when you've used up all your creative powers on your actual comic and have nothing left over…
Episode 627 - Character consistency and speech bubbles!
Mar 20, 2023
Today its another technical comics making focused cast, suggested by Tantz Aerine! We cover our notions about how to maintain character consistency and consistency in general, plus a bit on speech bubbles and the text in them. I was SOOPER tired towards the end though so I wasn't all there mentally but the guys carried it through admirably.
Episode 626 - I didn't do nuthin'
Mar 13, 2023
Today we talk about an unusual type of villain, a secret type of bad guy and a particularly nasty one: the person who maliciously does nothing. This is a person who COULD intervene to resolve a dire situation or save someone, they could do it easily; they know how, they have the means, they're not scared or unsure, and it doesn't mean much risk to themselves, they just choose to sit back and watch the person die or the situation collapse… either because they know the result will benefit themselves or they're just curious to watch the person die or the everything turn to crap for the victim or whatever. Either way they COULD easily intervene but they choose not to.
Episode 625 - Designing Women
Mar 6, 2023
Character design is a fun process but not without its challenges. Do you design the character or their story first? I've followed both of those approaches, they have pluses and minuses. On one hand when you create the character first that can make it a real passion project, you make a cool character and then create a story for them to live in and be themselves. But that can also lead to Mary Sues, wish fulfillment and self inserts, which makes for a weak story. Creating characters to fit a story can sometimes lead to using a lot of stereotypes and ending up with fairly generic and bland characters, which can make for a dull story. So it's best to use a bit of balance and judgment.
Episode 624 - Comic panel creation
Feb 27, 2023
HPKomic is a great guy, he's been on DD since almost the beginning. He alternates the Friday newsposts with me, he focusses on the intricacies of comic panels. This time he asked people to talk about their own processes though and I thought this would be a good topic for a Quackcast! So on this comic podcast we're finally talking directly about making comic pages, who would've thought?
Episode 623 - Arrogance vs humility
Feb 20, 2023
Arrogance is a fun subject. Related to cockiness, hubris, assertiveness, self confidence and pride. It's a fantastic trait for a villain and it's really fun to write. Heroes are often arrogant too when they need to learn a lesson in order to become a better person, it's super common in stories. We're all a bit arrogant ourselves about our skills, our knowledge, where we come from, what we look like etc. It's a universal trait! It often strikes when we think we know better or know it all on a subject: the human tendency to over-reach and to speak for others.
