Oct 11, 2016
For Quackcast 294 we all dressed up as members of the Addams Family! Me as Gomez, Banes as Cousin It, Tantz as Morticia, and Pit Joan D'eath. We had a great time and you'll be able to see us all on video! The theme of this Quackcast was based on a newspost by Banes: Comedy and Horror and the relationship between those two things. It's very close. Both try hard to evoke strong emotions and emotional pay-offs. It can be very easy for most horror to devolve into comedy if things go wrong. Many horror tropes are actually pretty silly (i.e. slow walking zombies), which is why there are so many shows that make fun of them like Buffy the Vampire Slayer, The Munsters, The Cyptkeeper, and the amazing Addams Family! Horror comedy is a tried and true genre. If you're interested read more about that in Bane's newspost. Gunwallace's music for the week is the same as the feature: Miracles. The sound is dramatic,urgent, exciting, classical, action music- SOMETHING is going to happen if we don’t stop it in time!
Topics and Show Notes
Topics and shownotes
Quackcast VIDEO - https://youtu.be/ZGrsfuJZvbg
Miracles - http://www.theduckwebcomics.com/Miracles/
Comedy and Horror - http://www.theduckwebcomics.com/news/2016/oct/05/horror-and-comedy-true-bedfellows/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - http://www.theduckwebcomics.com/user/Banes/
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine
Genejoke - http://www.theduckwebcomics.com/user/Genejoke/
Miracles - http://www.theduckwebcomics.com/Miracles/ by lex40515, rated E.
Aug 29, 2016
Do you worry about offending specific people with your writing? Where's your line between honest expression and regard for other people's feelings? This was Bane's brilliant idea for a Quackcast. We touch a little on the idea of a “culture of offence”, where it seems that people look for things to be offended by, perhaps on behalf of others, but also about things that really CAN cause offence and how to avoid that. On one hand you have people complaining that everything is too “PC” these days, but on the other it's really not OK to be a dick to people just because you like to cling to the old days when it was fine to put down people on the basis of ethnicity, skin-colour, gender, or sexuality… But we can also cause offence accidentally, unintentionally, unknowingly… Should you compromise your vision to appease people, or should you forge ahead regardless? Keep in mind that some things that are fine for SOME audiences are offensive to others, so rather than fight with your audience or appease them perhaps it's better to try and actively direct your work at the CORRECT audience it's intended for? - speaking in terms of sex scenes, politics, etc. Listen to the theme Gunwallace concocted for us THIS time! Geminni: Get down to the bad sounds of this classic funk rock tune! Danceable!
Aug 8, 2016
Dialogue is a key part of any comic, it pushes the story along, keys the reader in on things that would be otherwise ambiguous, hints and foreshadows at future happenings, creates humour… well, it's just a big part of comics, that's all! And that's what we're chatting about here in this Quackcast! The topic stems from a forum thread I posted a while ago asking people about their approach to creating dialogue and how people go about it; is it heavily scripted in advance or is it one of the last things you come up with? People had some very interesting responses! Gunwallace's musical theme was Magical Misfits. The sound is magical, classical, threatening, yet full of adventure! Love those creeping cellos, the violin and clarinet sound like a humorous dialogue between the wittier members of the party.
May 2, 2016
Never let historical accuracy get in the way of a good story… at least that's what Bravo proposes. We stole his thought provoking forum post subject for the topic of this Quackcast. This is how Bravo goes on to explain it: “So how do feel about that? Should exact adherence to the historical record be allowed to wreck your wonderful fiction? If so how much dramatic license is too much? What are your favorite examples of how they got it wrong and how they got it right? And what if just a touch more research would have revealed that the historical story was better than what the fiction writers concocted? How tragic is that? And what about the usage of known historical mythology/hoax as in the Da Vinci code?” The frisson between story requirements and known historical record is pretty interesting. In Hollywood the former wins out EVERY single time and usually it doesn't result in a better story anyway, but as we discuss in the Quackcast there are OTHER reasons than simple bad writing choices for not sticking to the real story and trying to hammer everything into the Hero's Journey template.
Jan 18, 2016
OMFG you sexist PIG! Heh… today we talk about trying to recognise sexism in your OWN work, what to do about it, and WHY. It turns out it can be very hard to do, and if you DO acknowledged it the instinct is to rationalise it away, justify it, or just try and brazen it out in some kind of old fashioned, largely embarrassing, display. I frequently do all three. How do we spot it? Well the Bechdel test isn't that useful, that's better for looking at broad trends not giving specific works a pass/fail - sexy outfits is one thing, if females are dressed minimally or in tight gear in CONTRAST to the males or vice versa - females ONLY having old stereotype roles (maiden/mother/whore archetypes, secretary, nurse, victim, maid etc), though this is context sensitive, i.e. it's more forgiveable if you're doing a historical story or something stylised like a fairytale or a noire story - Gender balance is another thing, it's context sensitive because certain stories will naturally have more of one gender (WW2 submarine crew, Girl's school, a prison story etc), and you don't have to have an exact balance anyway but it's definitely something to THINK about because there is no reason most stories should feature a majority of male characters and a minority of females. WHY should you think about it? Why should you care? Well the audience for almost ALL types of stories, be they action adventure, romance, Scifi, fantasy, historical, even porn, is getting close to 50/50 between men and women these days (maybe it always was?), it really doesn't make sense to alienate or belittle half your audience just because you like to cling to older ways of doing stuff. Gunwallace's theme this week reminds me of a cross between the Knightrider theme and Gunship- it's VERY retro-future. It's the theme to DDSR, a comic with cool custom “sprites”, AKA pixel-art.
Dec 21, 2015
There's not really a difference between digital and traditional art - art is art, your tools and media don't really matter, what's important is how its meant to be seen and what it's meant to be used for. But, people do like to discuss this though and so do we so that is exactly what we did! We opened the floor to people's opinions and experiences on the subject and everyone had their say. Gunwallace's theme for The Dragon Fists of Smorty Smythe reminds me strongly of The Journey of the Sorcerer by The Eagles!
Nov 2, 2015
Yet ANOTHER Halloweenie cast! This time we used Banes' newspost for inspiration and we talk about the difference between horror, terror, and revulsion in horror themed media along with examples of that in our own comics. We dressed in costume AGAIN, this time Tantz is Zoe from her comic Wolf, I'm Jack the Ripper, Pit is a mouth-head mutant and Banes is the invisible man! Gunwallace's theme this week was for Steel and Manitou. It's a haunting cowboy, desert night, mystical piece that perfectly matches with the theme of the comic.
Oct 5, 2015
Last week Tantz Aerine and Pitface told us about how they came up with a visual look for their comic worlds. THIS week members of the community weigh in and give us THEIR perspective on their perspective… views of their comic environments. We have very interesting views from al of them! Oh, I apologise for the saucy repartee between Banes and I at the start of the Quackcast. We're very bad people. Gunwallace's theme this week was for Trevor Mueller's Award Winning Albert The Alien! With lyrics by Gunwallace and spoken by an Alien, not Albert.