Jan 4, 2016
Happy new year! In this first Quackcast for 2016 we have Banes, Pitface and Tantz Aerine along to talk to us about Banes' neswpost topic of Wish Fulfilment in writing. It can be a good thing in that it makes the writer more interested and passionate about what they're doing as well as creating a very relatable ideal for readers with similar tastes. The negative side is that they make their world too perfect and too specific to themselves so that the whole thing just looks like an exercise in boring, pointless ego stroking. Gunwallace's theme this time was for Professor Herbert and GEO, which was also the featured comic! It sounds a bit like the theme to an '80s cartoon, which exactly what the comic looks like it should be O_o
Topics and Show Notes
Topics and shownotes
Professor Herbert and GEO - http://www.theduckwebcomics.com/Professor_Herbert_and_GEO/
Quackcast 252 VIDEO - https://youtu.be/SYm2tQAn78M
/>Banes' Newspost: http://www.theduckwebcomics.com/news/2015/dec/02/wish-fulfillment/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
/>Banes - http://www.theduckwebcomics.com/user/Banes/
/>Pitface - http://www.theduckwebcomics.com/user/PIT_FACE/
/>Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz Aerine/
The theme song by Gunwallace this week was for:
Professor Herbert and GEO - http://www.theduckwebcomics.com/Professor_Herbert_and_GEO/ by csisk1, rated E.
- See more at: http://www.theduckwebcomics.com/news/2016/jan/04/quackcast-252-wish-fulfilment/
Sep 28, 2015
We had a Quackcast about creating your world a while ago, but that was mainly in terms of writing. Some people touched on the visual aspects, Falopian Crusader among them, and Usedbooks showed us her city map. For this Quackcast we discussed creating the LOOK of the world your story takes place in. Whether that's just the flat scenes with a few props you get in a comic strip or the whole city you get in Tantz Aerine's Without Moonlight. Do you do research? Just base it all on imagination? Draw what you know? Do you do designs for buildings, floor plans, interiors, the objects within the room? What about the colour choices of your environments - Do you go for a unified scheme or just do whatever? Pitface and Tantz Aerine joined us to tell us how THEY do it. Have a listen to Gunwallace's quirky theme for the slice of life comic Monday Monday!
Aug 31, 2015
What's best? One big climax, multiple small ones, early, or delayed? How much should you work UP to a climax? What about anticlmactic events, how important are they? Climaxes are really important in stories. Often you work up to them over the course of a whole series, but each episode or chapter can have them, maybe even every single page. I find writing “up” to climaxes a bit stressful because you have a lot of preasure and expectation there. And when it's over and you've actually achieved it, it can be a bit depressing: where do you go to from there? You can feel a little lost, at least I do. TALKING ABOUT WRITING HERE. My preference is for multiple climaxes. Do you always need climaxes in stories? I don't think you do personally… there are times when things work fine without one, but it does help better with endings. Sometimes climaxes can be TOO big. Way too much of a story can be invested in a climax, it subsumes everything, everything has to tie in with that specific story flow and that can be REALLY had to pull off. If it's not done right it can be massively disappointing. Anticlimactic. Pitface Joins Banes and Ozone to chat about climaxes in stories and read out the contributions from our climactic contributors. Gunwallace gave us a gorgeous theme for Just Another Day!
Aug 24, 2015
Here we go again, back to formulas! This time we got some external input. Fellow DDers had a say about their idea about the utility of formulas and how they use them in their writing and comics. It's important to understand formulas in writing so you know what works and why it works, it can help you in your own work. And when you need to and you've got the ability you can create your OWN writing formula. But remember: the formula is just the bare skeleton, you have to add all the meat and flesh to it with the rest of your writing, don't let the bones show through! Listen to Gunwallace's beautiful theme for Brave New World! Oh, and one last thing… HAPPY BIRTHDAY TANTZ AERINE!!!!
Jul 19, 2015
This time we're talking about conflict in webcomic writing, and any writing in general really. Conflict is one of the main drivers of a story, so you pretty much have to have it in there somewhere! But how do you approach it? Do you set it up really carefully or just put a bunch of volatile characters together and see what happens? I think for a lot of us we don't think too much about the science of our conflicts, rather we approach it artistically and develop things by feel and instinct because conflict is such an intrinsic trait. But understanding how you use it can be very useful when you're writing satisfying resolutions and climaxes. A good understanding of the types of conflict in your story is also pretty essential when you're writing a good comedy (it's a great source of humour!), and also when you're explaining or selling your work to the public: It's all very well to chat about your clever setting and your funky characters, but conflict is the reason they're IN a story to begin with and that's really what will get people wanting to read out it. I hope you enjoy Gunwallace's great porn style music type theme for Tales of Two Tiny Titty bars!
Jul 5, 2015
In this Quackcast I interrogated Mr Banes on the subject of his first newspost: Contrasts. It's a subject near and dear to him, even his comic "Typical Strange“ has its name based on the concept, i.e. two words with the opposite meanings put together to create an effect. In imagery contrast is used to make darker shapes appear darker and lighter shapes lighter and to create a tension where those areas meet at the penumbra. In writing and comics it's much the same, ”laughter and tears“, ”good and evil", a sad scene contrasting with a joyous one etc. Contrasting makes both contrasted elements appear far greater than they really are, as well as serving as a source of tension, conflict, or humour. Banes and I talk about this in a rambling fashion. Gunwallace has a special treat for us today with a brilliant theme for Dead Leon! You'll want to ask him for a copy of his one ;)
Jun 22, 2015
For Quackcast 224 I've asked Kevin Hayman back again (KOTA's world, Mailbox Rocketship, Erant Apprentice), to regale us with his Owen Wilson stylings... But seriously, the topic is "finding your own voice in writing", i.e. learning not to imitate your hero's, move beyond that and write in your own style. Kevin is a really funny and interesting guy who's been doing webcomics for many many years since the very earliest days of Drunk Duck and he has some great insights to impart on "finding your own voice". You can also catch KOTA at the Mississippi comic con this weekend! -Enjoy Gunwallace's lovely, creepy musical take on our featured comic, Restless.
May 12, 2015
Hello from Belgrade in Serbia! This Quackcast was recorded 3 weeks ago and I am currently in Europe, though I'm still writing this from Perth Western Australia 3 weeks in the past… So in this particular Quackcast you get to hear ME Ozoneocean, Banes, Bravo1102 and Tantz Aerine (who I visited in Athens last week), chat about the process of creation! Creation is a topic very close to the heart of all webcomic creators and the four of us try and explore all aspects of it with the help of some very wise people on DD. The music for this week is Gunwallace's them fro The Temple at 50 Fathoms, a comic by Skreem, SO if you like a hyper dance club sound, you better strap on your dancin' pants when you listen to this one!