Episode 576 - Retro Adventure heroes
Mar 28, 2022
Retro adventure heroes are an interesting and unique sort of hero. The trope was revived and crystallised by George Lucas and Steven Spielberg with Indiana Jones, but it had existed long before then and continues to persist now in many forms. They're not without their problems But I like these characters. I love their outfits, their competency, intelligence, self sufficiency, and their penchant for exploration and discovery.
Topics and Show Notes
What is a retro adventure hero? Typically they're an adventurer, a member and representative of a powerful Western country, they like exploring, they're self sufficient, they can survive by themselves in the wild, they can fight, understand many languages, have arcane knowledge of and respect for native peoples and different exotic cultures, they tend to be very worldly and highly educated. This trope was inspired by real life examples, typically explorers from the 19th century, foremost among them was Sir Richard Francis Burton. He was highly educated, a soldier, an explorer, a swordsman and a shameless self promoter. With the explorations of Burton we have the romantic idea of a representative of the British Empire and Western civilisation delving into the hidden worlds of the Arab east and darkest Africa.
A partial influence for Indiana Jones was the story of GE Kinkaid and his 1909 find of the remains of a fabulous city accessed through a cave in the Grand Canyon… all sponsored by the Smithsonian institute. Of course nothing about the story was true and GE Kinkaid never existed, but it was quite inspiring nonetheless. My own character, Ace Kinkaid, from my comic Pinky TA was based on GE Kinkaid. Instead of going in the Indiana Jones direction of a “true hero” I decided to take a different tack- since the story was clearly made up and quite stupid (obviously designed to fool people), I made Ace Kinkaid someone who wanted to look like a hero but was in reality a con-man, only out for himself.
The most important fictional retro adventure hero is H. Rider Haggard's “Allan Quatermain” (I wrongly say he was Edgar Rice Burroughs' character in the Quackcast). He's another huge influence for Indiana Jones. There are many other popular fictional retro adventure heroes though: Brenden Frasier's character in The Mummy, Romancing the Stone, Lara Croft, El Borak, Steve Canyon, Biggles, Bulldog Drummond, John Carter, Dirk Pitt in Sahara, Flashman (though more of an antihero) and many more, even The Rock's character from the recent Jungle Cruise.
Why “retro” though and how can contemporary characters like Lara Croft and Dirk Pit be retro? Well there are a few reasons; number one is that they follow the clothing conventions of a lot of brown, leather, and straps; number two is that they have all the right competencies with fighting ability, self sufficiency, a penchant for adventure and exploration, visiting ruins etc, a good education…; number three is that they come from a retro world view of imperialism, so they can be a representative of the “enlightened modern world” going off to “discover” and explore exotic places - which of course aren't exotic or in need of discovery from the point of view of the locals.
This trope can still work just as well in a modern setting because we still continue to think like this, but it works best in the 1920s/30s for a couple of reasons: The aesthetic then is perfect, but this was also the end of the old imperial era. It marked the end of the time when we could still imagine representatives from “western civilisation” exploring unknown places, technology was at the highest point for characters of this trope (aeroplanes, machine guns, trains, steamships…), and many of the original adventure heroes were created in this period because we were romantisising the idea of adventure and empire while it was ending.
After the second world war scoured the entire globe and the last gasp of the dream of empire was shattered, the far reaches of the earth no longer seemed exotic anymore or to hold the same mystery. Retro adventure heroes had their hey-day in the transition from colonialism to post colonialism. We like them now for the romanticism of the image of what they were and the spirit of adventure and exploration, that's what we emulate rather than the distasteful idea of a colonialist imperial cultural ambassador, tourist, and thief.
Do you have a fave retro Adventure hero? If so, who? Do you even like the trope?
This week Gunwallace gave us a musical theme to Caveston - Authoritative violin pronounces and directs. A four stringed general deciding the course of action, laying out the battleplan. Electric guitar listens well and leads the squad on a furious audio assault! Storming forth and prevailing in a mighty show of shock and awe.
Topics and shownotes
Links
Featured comic:
Caveston - https://www.theduckwebcomics.com/news/2022/mar/22/featured-comic-caveston/
Featured music:
Caveston - https://www.theduckwebcomics.com/Caveston/ - by Caveston, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Episode 574 - Odd-ball, norm-ball, every ball!
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I consider Drunk Duck (or the Duck Webcomics) to be the Heavy Metal of webcomic hosting sites, because like that excellent anthology comic publication we celebrate the oddballs. On DD we have comics of all different styles, many that would find it hard or even impossible to promote themselves anywhere else. We're open to all skill levels and all styles. We only promote things we consider to have high quality or high potential in our features, but we don't have a particular style prejudice, we don't only feature things that give us a homogeneous, unified look. We're proud of our variety! We don't gate keep or block anyone from access to our site and we feel that's one of our greatest strengths.
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Pit and Tantz join me to talk about about fairies, fae, Faery, Fair folk, Yokai, and all that good stuff. They're like the dark-matter of the supernatural world: they're not really gods, demons, monsters, or ghosts (though sometimes they are al of those sort off…), they generally fill the spaces between. They exist in a lot of cultures all over the place. They can be naughty spirits, elemental creatures, or animalistic, but generally they're quite alien and unknowable. This discussion comes from Tantz's newspost on Saturday.
Episode 565 - Lady Barbarian
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“The Girl Boss in the sausagefest” Pitface and Tantz chat are here to chat with me about the subject or lady Barbarians: What they look like, where they originated, why they originated, what they mean, and the logic behind them. They're often overshadowed by their male counterparts (e.g. Conan), and often dismissed as simply an erotic male fantasy, but they've been around just as long and they've also had just as much of a role to play in the traditional “barbarian” mythos as the male versions. Sure, the sexy versions are abundant, iconic, and visually striking, but they're not the be all and end all!
Episode 564 - Happy 2022!
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Happy New Year! It seems we've all decided to keep going on with the 20's so let's continue… Did you know the year 2022 marks 20 years that Drunk Duck has been around? YUP! The site is actually THAT old THIS year! No other comic host is as old and legit as us. They're all little babies. Even Facebook didn't exist when we stated, no iphones, no smartphones, tablets, no Youtube, Twitter, Tumblr, Pintrest, Instagram, Spotify, tiktok and so on. Jeeeeez man, we're freakin GRANDDADDIES of the internet. Even this podcast turns 12 years old this year.
Episode 561 - You are being manipulated
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This interesting Quackcast topic was influenced by a DDer who has been subsumed by anti-CoVid conspiracy. This inspired me to delve into the reasons for the massive growth in these types of conspiracy and how the current state of the internet contributes to it. I had some theories, but I thought I should do some reading on the subject to see what the real reasons are rather than using guesses to fill the gaps like conspiracy thinkers tend to do. I was quite shocked by what I found.
Episode 558 - The surreal adventures of Edgar Allen Poo aka Dwight L Macpherson!
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Episode 556 - That's What She Said!
Nov 8, 2021
The other day Tantz Aerine wrote a newspost about an article critical of Squid Game. The crux of things was that the Squid Game creator had said their message was anti-capitalist, while this critic was saying that the author's message with the Squid Game was an anti communist critique and not a very good one at that. The issue here is that isn't how you do criticism. At all. You can give an interesting reading of something and tell us why YOU think it's anti-Communist, or tell us how it looks through the lens of post-colonialism or new wave feminism etc, but you can't say that is what the author is saying or what the work means, especially if the author explicitly says WHAT they are saying. This may seem like a small distinction but it's actually very, very important. Bad criticism often tells us what the creator is saying. Don't do that. Don't be that person.
