Episode 598 - 2D or not 2D!
Aug 29, 2022
What makes a character two dimensional? What makes them three dimensional? Does it matter that they only have two dimensions to them? This was an idea that GeekyGami posed and so we thought we'd explore it in the cast. My own theory is that a character that is purely archetypal, tropeish, or cliche, with everything about them flowing from that archetype, and they never go beyond their archetypal traits- that makes them 2D.
Topics and Show Notes
An example for this could be a “nerd” character who has their trousers pulled up too high, a pocket protector, short sleeved collard shirt tucked into their undies, thick rimmed glasses with tape in the middle, slicked down dorky short hair, pimples and greasy skin. They can't talk to girls, they're super smart, they're arrogant to anyone who they see as less intelligent in math or the sciences, they can't do sports, they're uncoordinated, they're often bullied, asthmatic, easily injured and talk in a high pitched voice. They only like Scifi and fantasy and they play dungeons and dragons all the time… etc. That's a moronic cliche, but it's often used. If they stay perfectly true to that no mater what happens or changes around them physically or socially then in my opinion they're 2D.
2D characters are not always a negative thing though. Not every side character needs to have more to them. Even primary characters can get by as simple 2D cutouts if the story needs them to be that way. You always do what's right for the story rather than sticking to rules or biases about what you should or shouldn't do with characters… Intention is the main thing! You don't want to inadvertently make a 2D character when they're not meant to be that way.
What do you think makes a 2D character?
This week Gunwallace has given us a theme to Scorned - In the words of the man himself: Went for a Sex in the City meets the Underworld kind of vibe. I would say it’s a cheeky salsa rhythm that drives you to shake and dance, which then takes a terrifying leap into a gothic baroque circus of doom!
Topics and shownotes
Links
Forum post - Hawk and Flo Ice Cream Truck of Doom part 1 - https://www.theduckwebcomics.com/forum/topic/179142/
Featured comic:
Hawk and Flo Ice Cream Truck of Doom part 1 - https://www.theduckwebcomics.com/news/2022/aug/23/featured-comic-hawk-and-flo-ice-cream-truck-of-doom-part-1/
Featured music:
Scorned - https://www.theduckwebcomics.com/Scorned/ - by Damehelsing, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
VIDEO exclusive!
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
- https://www.patreon.com/DrunkDuck
Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!
Join us on Discord - https://discordapp.com/invite/7NpJ8GS
Episode 597 - Revelations!
Aug 21, 2022
Today we're talking about a technique in storytelling that we're calling the “revelation”. Inspired by Banes doing an article on the weird trope in movies of having a character discover newspaper stories about the villain that suddenly reveal the true stakes of the story and kick things into high gear. There are other types of revelation in stories though and they're used in different ways.
Episode 594 - Grow up! Or don't...
Jul 31, 2022
The Manchild can be a fun character or they can be pathetic. They're a staple of comedies because they're an adult that gets to act immature and childish, without the restraint and responsibilities imposed by adulthood. This can make a great contrast; “The adult man acting like an immature child”, John C Riley and Will Farrel have always done that extremely well, as did Chris Farley back in the 90s. It can be be portrayed as pathetic and sad when the person can't seem to be able grow up or take on any responsibilities. They're often characterised by people with “childish” interests, like the cast of the Big Bang Theory, or with a childlike love of something like sports like Kevin in Kevin can F Himself.
Episode 591 - Superhero types?
Jul 11, 2022
The Superhero movie cast last week was popular, I wanted to chat to Tantz about different types of superheroes. We all know that the same kinds of superheroes seem to popup and reoccur in multiple forms all the time, even within the same worlds, i.e god-like superheros like Superman, Captain Marvel, Omni-man, Homelander, or Magical types like Doctor Strange, Zatana etc. It was a fun chat about all the categories and subcategories we could think about!
Episode 587 - Heroes who are Villains
Jun 13, 2022
Our very own Tantz made a newspost last week about the idea of “Heroes” who are really villains… or at least they're actually villains who think they're the hero, but come to realise that they aren't. Sometimes that makes them change their ways and they seek redemption, maybe even becoming a true hero. Sometimes they just lean into and embrace their true villain nature.
Episode 586 - Working with disability
Jun 6, 2022
How do you keep on with your creative output when something happens to you? When you lose function or are impaired in some way, how do you adapt or relearn so you can keep on as you were before? Maybe you can't and have to change to another medium that's a better fit for your abilities? Comic creator Bravo1102 once talked about how he moved from drawing to using action figures to make his comics partially because of his eyesight. My own eyesight has suddenly started to go bad and I'm having to adapt to that, and Tantz tells us how her deteriorating eyesight forced her to work digitally.
Episode 585 - Adaptation
May 30, 2022
Adaptations of one thing into another is an interesting process. What's lost, what's gained, what modifications do you have to do to make it happen? As webcomicers we do it all the time in many ways, we have to adapt our influences into ideas, adapt those to stories, and adapt those to images and comics, which isn't trivial! It's often quite difficult to transform the written word into narrative sequential art- what portion of the writing gets directly turned into images, what's cut, and what becomes dialogue? For me about 20% is cut, 78% becomes art and 2% becomes dialogue or captions.
Episode 583 - Why is it bad?
May 16, 2022
Spoiler- we don't actually talk much about Yu-Gi-Oh! But I feel it's a good example of a pretty bad a so-bad-it's-good story, but bad nevertheless. The idea we're talking about here is that it's useful to look at bad stories and stick with them because they can really help you write better. They're a lot more useful than good stories because you'd rather just enjoy those and it's a bit harder to examine them for technical details, but with “bad” stories the faults stand out strongly. Instead of simply dismissing a bad story or making fun of it, it's more useful and valuable to try and “fix” it: try and work out why it seems bad and think about what would be needed to make it better, then think about how that applies to your own work. Maybe you're actually making many of the same mistakes?
