Episode 401 - Stan Lee, a stupid comedian, and the new prudes

Nov 19, 2018

This is Quackcast 401! Error, error! Pitface and Tantz were absent so Banes and myself were left to go quietly off the rails and expostulate all sorts of radical, half formed, badly articulated thoughts. This is an interesting one! We cover the death of the great Stan Lee, titan of the comics and superhero world. Then we sidestream into talking about comedians trying to be political commentators (re: Bill Maher)… I must apologise for my Ad Hominems. And lastly our focus is on a “new puritanism” in some aspects of pop-culture. It all ties together, if a little awkwardly.

Topics and Show Notes

Stan Lee was instrumental in creating a unified fantasy universe populated by a pantheon of godlike superheroes with very human thoughts and failings. Not only that but he helped elevate comics as a medium to the mainstream. No longer are comics seen as something just for children. Cartoons, fantasy, Scifi, and comics have been rightfully elevated to the mainstream where they belong as valid forms of artistic expression. People no longer have to apologise for or feel ashamed of liking them either. You're free to consume or create the media of your choice and Stan Lee was a massive part of that.

This is why the remarks by Mr Maher about Stan Lee are problematic and ill-judged. He said that the veneration shown for a creator of comics, which are “only meant for children”, shows how the US has been dumbed down and why someone like Donald Trump could have been elected.
I'd contend that the reason for “Trump” and people's idea of politics being dumbed down is that we now get most of our political commentary through comedians. They have helped turn complex subjects into simplistic black and white caricatures because that's how comedy works. It's great for breaking down ideas and giving you a simple primer to understand them, but when comedians and partisan talking heads are your main sources then things are going very, very wrong. Bill Maher IS the problem, not people liking comics. If anything, Stan Lee worked to do the opposite; his characters weren't simple 2D cut-outs (like Maher's version of political figures), they were complicated and human. These were A-political characters who strived to do what was right outside of mere party affiliations.

Then we transition into my idea of the “new puritans”.
There's a slow tide of people coming out against sexuality in art. It comes from both the left and right so there's no real political platform. I feel it's very much related to the same point of view that Bill Maher has about comics: this is media for children and we must protect them from anything grown up. When in reality all we end up doing is insulting and infantilising adults when we attack sexuality in media, whether in games, cartoons, books, comics or movies.
This is no more clearly shown than in the word these people use most often: “Sexualise”
They claim that characters are “sexualised”. You cannot sexualise an adult or teen. By biological, physical definition we are ALL sexual past puberty. That doesn't mean we have or even want sex, it means we have sexual traits and that's all it means. You can “sexualise” a non-sexual thing like a toaster or a car but it's impossible to do that to a teen or adult. Sexual traits in adult characters are healthy and normal. I contend that the need to remove them is a perversion.

This is NOT to say that sexual traits in characters should be over-emphasised. What these people really mean when they focus on sexuality is “EROTICISM”, and that is a very important distinction. It has little to do with sexuality though so it's NOT a mistake that should be overlooked. There is a time and place for eroticism and we should never foist erotic depictions where they don't belong or onto audiences that should not be exposed to them. But we should also guard against hyper-vigilance or start attacking any depiction that shows sexual traits.
Ask yourself: Is the character sexual? If yes, then is the depiction erotic? Then is eroticism appropriate for the context of the work, its audience and where it is sold? Those are the questions to ask, not weather or not a male has a bulge or a girl has prominent breasts.

This week Gunwallace has given us the theme to Quixote Coyote… Let’s get a little chaotic with this quixotic jazz jam for Quixote Coyote! Let the organs fill your body (no, not those sorts of organs), let the drums be your heartbeat, and the trumpet will chase the electric, eclectic thoughts in your brain.

Topics and shownotes

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Featured comic:
Belle Starr - https://www.theduckwebcomics.com/news/2018/nov/12/featured-comic-belle-starr/

Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - https://www.theduckwebcomics.com/user/banes
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean

Featured music:
Quixote Coyote - - https://www.theduckwebcomics.com/Quixote_Coyote/, by cjoe1377, rated E.

Episode 396 - Amelius and Patreon

Oct 15, 2018

5 likes, 2 comments

Amelius of the magnificent and eternal Charby The Vampirate returns to the Quackcast today! Amelius was the first person we every interviewed and Charby the Vampirate has been on Drunk Duck exactly as long as Pinky TA: since January 2004! Tantz and I chat to her about the new Patreon she has going for Charby and all the amazing bonus perks you can get on it. If you're a Charby fan you should definitely get in on that. Amelius has also agreed to join us on DD to do newsposts every week! So you will be seeing some cool content from her regularly. She has a LOT of comic making experience to impart.

Episode 387 - History and Pastiche

Aug 7, 2018

6 likes, 1 comment

In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the 1920s in an alternative version of history, with Pinky coming from the fictional “Crimean Empire”. Tantz has to keep times, places, and details close to real history while with Pinky TA I can pick and choose the things from history I like the best and create my own idealised pastiche. The advantage of Tantz's approach is that everything is there, nothing has to be invented, just researched and reproduced, whereas my approach involves a lot of creation which slows things down and makes it harder. On the upside Pinky TA is much more flexible, I can easily fit whatever I want into the story, whereas Tantz's comics are bound by the rules of the history she's presenting.

Episode 385 - Drawing the line

Jul 23, 2018

3 likes, 8 comments

In this Quackcast we talk about where the line is for YOU in your work about what subjects and imagery are too far for you. What is too horrible, too controversial, too extreme for you to approach? Is it blood and gore, something controversial and political, swearing, religious, sexual? Maybe you have other borders… perhaps something is too cute, sickly sweet and saccharine?

Episode 384 - Brandcast, PR

Jul 23, 2018

4 likes, 2 comments

You may have read about how a conspiracy theorist dug up some 10 year old tweeted jokes by director James Gunn and got him fired from Disney… Well that incident inspired this Quackcast, which is a re-take on the whole personal brand idea that we discussed in Quackcast 289.

Episode 383 - Slow burn

Jul 16, 2018

5 likes, 4 comments

The idea for this Quackcast came from a rant by the irascible PitFace. She was talking about how there's a trend in modern SciFi and horror movies to bash you over the head with constant action and it doesn't allow you time to relax and take in the story, you're just bounced from one relentless scene to the next. In the biggest classics of the genre like Alien, Ghost in the Shell (animated 90's version) or Blade Runner they DO allow the viewer slow moments of reflection and it helps to make the action feel more intense by contrast as well as allowing the viewer time to assimilate and understand all the ideas and themes they've been presented with so far.

Episode 382 - Suspension of disbelief

Jul 9, 2018

4 likes, 0 comments

This week we talk about maintaining suspension of disbelief: the way you have to convince people of the world your story is set in and keep them there. Everything you do is done for that, to convince them your characters make sense and the world works. There's a very mistaken idea that this ONLY applies to fantasy or SciFi. No, it applies to ALL fiction and even non-fiction in the case of stories and jokes from your friends, biographies and autobiographies. You have to maintain a suspension of disbelief in all these things in order to fully enjoy and be a part of the story.

Episode 379 - Troptastic

Jun 18, 2018

5 likes, 1 comment

ALL the tropes!!!! Based on Emma Clare's newspost, tropes are damn useful but they can also be your undoing if you handle them badly. Tropes are shortcuts to meanings, scenes, procedures or jokes that take too long to set up in their own right. You can use them like prefabricated parts to build your story, Lego if you will. You really should know how to use them correctly though. If it's for jokes, then work on them and expand on them, if it's for more serious stuff then you should know WHERE those tropes come from so you use them correctly. We chat about tropes, boob-slips, Doki Doki, Baka and Test, Kung Fury, Satan Ninja 198X, and Vaporwave among other things. Gunwallace gave us a lovely theme to Yasu no Monogatari this week: Floating out on a blue river of dreams into an echoing crystal cave illuminated by thousands of refracted glittering lights, traveling on your way further underground, deeper and deeper to more exciting and mysterious sites.


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