May 29, 2017
In this Quackcast we cover the Importance of good linework in comics and different line techniques such as Herge's Ligne claire, the traditional thick line for characters and thin for everything else as exemplified in the work of Mucha, variable line widths as in Manga, solid blacks like in American comics, and complex lines like Durer or Hyena Hell. I really seriously thought I could get an entire Quackcast out of the concept and techniques of linework, but honestly I was struggling… Okay, so linework constitutes the skeleton that most comics are built on, with the notable exception of painted comics, photo comics, 3D and vector comic among others… But for most comics line is a pretty essential element. There are a lot of different techniques involved in the use of lines. Herge popularised “ligne claire”, which means that all lines have the same thickness and that there's no line shading. A popular style that I was taut was to have thick lines around characters and overlapping elements, with thin lines for internals and backgrounds. This is popular in a lot of manga, US comics and famously the work of Alphonse Mucha. Part of my technique on Pinky TA involves making my lines grey, so that when I set the line layer to “multiply”, the lines take on some of the background colours beneath them and don't show up as darkly as traditional black lines. The work of Hyena Hell on the Hub is interesting for her use of very complex internal shading line to build up texture and shapes, this can also be seen in the works of Albrecht Durer. Manga is notable for its extensive use of very stylised shading, crisp lines and the use of variable line widths for outlines, while American comics make heavy use of solid blacks for areas of shadow, basically extending the width of the line as far and as solidly as it can go. How do YOU approach your linework? The music for this week by Gunwallace is for The Wallachian Library. It's a dark, black future sounds, neon glows, pulses of energy and ideas, vectors and virtual circuits.Sorry, no link to this comic, the user deleted it from the site.
Topics and Show Notes
Topics and shownotes
Monster Corp - http://www.theduckwebcomics.com/news/2017/may/24/featured-comic-monster-corp/
See the art here - http://www.theduckwebcomics.com/news/2017/may/20/quackcast-325-walk-the-line/
Ligne claire by Herge - https://en.wikipedia.org/wiki/Ligne_claire
/>Alphonse Mucha - https://en.wikipedia.org/wiki/Alphonse_Mucha
/>The Hub - http://www.theduckwebcomics.com/The_Hub/
/>Monster - https://en.wikipedia.org/wiki/Monster_%28manga%29
/>junji ito - https://en.wikipedia.org/wiki/Junji_Ito
/>Albrecht Durer - https://en.wikipedia.org/wiki/Albrecht_D%C3%BCrer
/>Masamune Shirow - https://en.wikipedia.org/wiki/Masamune_Shirow
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
/>Banes - http://www.theduckwebcomics.com/user/Banes/
/>Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine
/>Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean
The Wallachian Library WAS a comic by TheHereitcLocomotive, who has since deleted it… For what it's worth you can look at their profile here: - http://www.theduckwebcomics.com/user/TheHereitcLocomotive.
May 15, 2017
Drawing in public can be a pain! You really need to find somewhere comfortable, with lots of space, good lighting, and the right atmosphere to be able to settle down and work on your drawings… It can be tricky to find just the right posy. But it also depends on the types of materials you use and the atmosphere that you want to experience while you're working. In this Quackcast we talk about Hyena Hell's newspost on the subject and people's comments, as well as our own experiences with trying to draw in public places and the annoyances of public harassment. Speaking of knowing where to draw, there's the cautionary tale of Canadian Archie artist Gisele Lagace, who was detained and body-searched by US border guards for carrying unfinished drawings! She was intended to finish them at her hotel so she could sell them at the convention, but according to the US border guards and their extremely “strict” interpretation of the regulations due to the current political climate in the US, that constituted “doing work” while on US soil, so she was denied entry and missed out on the convention she was booked to appear at. So there are other considerations to finding the right place to do your drawings! The music for this week by Gunwallace is for Slaughter at Camp Notamoovi - Dark, suspenseful, mounting dread… it’s dark outside and something horrible is lurking, but it turns out to be a man with no trousers on chasing a raccoon with a pair of pants on its head… who are then both BRUTALLY MURDERED!!!!
Apr 24, 2017
In this Quackcast I wanted to talk about the magic of authorship: how the creator of a story sets up the whole situation so that they can convince the reader of anything. You can write a story about the smartest man in the world, and the reader will believe that they are, within the story, because you set it up that way: not just by having other characters reacting to them and forming that impression, but also independently convincing the audience of it as well by having them solving riddles and such or knowing lots of languages, quoting literary texts etc, but the creator doesn't have to be a very smart person themselves… Like Sherlock Holmes is seen as super smart because he's meant to, but Arthur Conan Doyle wasn't a super genius himself. You can write about a Casanova type charmer who's fantastic with the opposite sex and readers will believe, but only if you set the stage well enough. You as the creator set the parameters for anything to happen. Without having certain abilities or skills yourself, you can create a character with totally convincing skills far outside of yourself. The music for this week by Gunwallace is for The Gloom, it's creepy, ghostly, unsettling, uneven. This one gets under your skin and keeps you off-balance.
Apr 17, 2017
Photocomics don't get nearly enough love. A while ago Banes did a great newspost on the subject where he did some great little promotional reviews of some prominent photocomics on DD. I thought that was a cool idea and I've been meaning to return to the subject for a while. In this Quackcast Pitface and I use funny voices to talk about photocomics. But what ARE photocomics? Well the artist sets up models, toys, artwork, or themselves, and shoots photos of them in certain scenes in order to create a narrative. Later on they'll edit those together in something like Photoshop, adding captions and word bubbles and basically turning them into a conventional comic. People like Bravo1102 go the extra mile to construct elaborate sets and shoot the entire comic as you would a film, taking photos out of sequence because sets have to be broken up and new ones constructed. He even does greenscreen! Gunwallace and and Kdog buy special sets of Playmobile or Space Lego in order to expand and continue their elaborate stories. Trevor Mueller used himself and his friends as models. VinoMas creates really cool artworks out of collage. Rawdale uses stock photos to create his political commentary comics. Sameth uses Superhero figurines… there are so many approaches to the concept. Bellow I've linked a few examples to check out! The music for this week by Gunwallace is for Neander Chan, it's the primal beat of life! This is an utterly danceable sound, driving syncopated rhythm travels up your nerves and down deep into your bones, spiky, distorted electric guitar adds a touch of lyricism.
Feb 27, 2017
In THIS particular Quackcast it's just Banes and I chatting about tips and tricks for artwork. Hopefully some of the stuff we mention is helpful to someone, I tried to illustrate some of that in the cover pic. Banes drew the image of Penny crashing through a scene which I've coloured and added trees, oceans, mountains, clouds, fire, smoke etc all with the use of simple custom brushes. The shading was all done just by painting grey over a layer set to “multiply”, which makes all light colours transparent and darker colours less so, so that you get a perfect tool for making shadows! Anyway, listen to the cast and maybe you'll get something out of it! The music that Mr Gunwallace has for us this week is for Mr Valdemar and other gothic tales - The tinkling crystal notes of a piano are paired with the dark woodiness of a mournful cello and touches of strings to give us this haunting gothic soundscape.
Jan 9, 2017
Chekhov's gun is the principal (as I understand it), that if you have some item, fact or piece of information introduced into your story that you draw specific attention to, then you'd better use it some how later on in your story. The simplest example is a gun: if it appears as a prop lying around in your story AND you draw attention to it, then by the end of the tale it should have gone off. This is because you've set up the parameters for your story in the mind of your audience and they develop certain expectations, if you confound those then they'll be disappointed and think that your story was poor. Having a “gun” on stage isn't so important here, it's the fact that you drew attention to it somehow. It doesn't have to “go off” either, as long as it plays a role in the story somehow. You can trick the audience very easily with these sorts of devices, making them think one item or piece of information will be vitally important, only to make it important in a way they wouldn't expect or to use it to hide the fact that some other thing was important instead. So that's our topic of conversation today! All based off of Tantz's newspost on Saturday. Gunwallace's musical theme was for Grow Up. It's repetitive, relaxing, punk reggae instrumental, with fuzz guitar. A lazy evening on a warm summer beach.
Dec 19, 2016
Today we talk about works of pop-culture that have an obvious political agenda, so obvious that t not only gets in the way of the entertainment but also dictates to the audience without letting them have a chance to come to their own conclusions: forcing you to see things only one way. Even when we agree with the agenda being presented it can still strike a sour chord, often more-so since they're preaching to the choir and usually just throwing a badly simplified version of the philosophy at you, which can feel insulting. So that's what we chat about. Those views can come from ANY political persuasion, the right the left, communism, fascism, socialism, libertarianism whatever. No one has a monopoly on ideologues. We became overtly political towards the end… Sorry for that. HAHAHA. Do we practise what we preach? HELLS NO! I have to apologise again for the terrible sound quality of my voice recording. I thought I'd fixed the settings from last week, but I was wrong. I HAVE now though. Gunwallace's musical theme was for Grunk - cocktail bar samba played on a church organ. The music of heaven! Cheesy heaven. You can imagine fat angels in hawaiian shirts swanning about drunkenly and spilling their margaritas.
Dec 12, 2016
Banes and Pitface live in a parallel world to me where this time of year involves water falling from the sky in the form of fluffy white crystals. When it hits the ground it piles up on top of itself into huge white piles! Freaky, I know, but they tell me this actually happens. For me December is a time for heatwaves and the beach. So Banes and Pit enlighten me and all you out there on the beauty of snow. The idea for this Quackcast was based on a newspost by Banes. He talked about the use of snow in comic stories as a plot device. We talk a bit about that here, along with all the different visual aspects of it and how you can use it in imagery. I apologise for the sound quality here, something strange happened with my microphone settings. Gunwallace's musical theme was for Man Bun: Heavy, bass driven funk rock, with dark chocolatey, bluesy lyrics. Classic, cool, and hot!