Episode 422 - Positive promotion and controversial characters
Apr 15, 2019
The entire gang comes together today for two topics that were taken from recent newsposts: Emma Clare's Positive self promotion, and Tantz Aerine's Handling Controversial Characters. First up we chat about why it's always a great idea to sell yourself positively, NOT be arrogant or douchey, but rather by talking enthusiastically about what you genuinely love about your work and using that REAL and SINCERE enthusiasm to infect others with your love of what you do. Emma was mainly talking about the way you introduce your comics to friends and family but it definitely applies more broadly to self promotion in general: Don't try and get sympathy through self depreciation (oh, it's not very good…), and don't be an arrogant ass (My stuff is AWESOME!), rather you should just be honest about what you love about it (This story was so FUN to write!).
Topics and Show Notes
There are exceptions. “READ HARKOVAST” become a great catchphrase for the author of that comic ;)
Next up we talk about Tantz's subject of handling controversial characters: Real controversial characters and established characters in fiction that have very different interpretations and views about them can be tricky to use in fiction. WHICH of the popular interpretations do you choose? - The one that says they were an insane dictator or the one that says they're a hero of their people? Whichever you do you'll have audience members who're angry about it in some way. Examples are characters like Jesus (comics linked bellow), and Mother Theresa. Jesus obviously means a lot of things to different people, there's around about 2000 years of culture focussed on him and people during the time he was meant to have lived would have regarded him very differently to the later worshippers. Mother Theresa during her lifetime was almost universally regarded as a living saint, her name was common shorthand for being extremely caring. After her death opinions changed and fractured desperately. To many she was either a monster, a scheming witch, or a stupid naive backwards woman who was used as a promotional tool. Which approach do you as a writer take?
This week Gunwallace has given us the theme to Tusk. Fast tribal beat that makes you want to shake your hips, stamp your feet, wiggle, twitch, and vibrate all over! A nice, stompy, vibrating rhythm booms into the centre and slows things down for a change of pace. This is the ultimate dance track. Get hot, sweaty and show off your crazy moves as best you can. Put the other dancers to shame!
Topics and shownotes
VIDEO exclusive!
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
https://www.patreon.com/DrunkDuck
Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!
Featured comic:
Breached - https://www.theduckwebcomics.com/news/2019/apr/09/featured-comic-breached/
Featured music:
Tusk - https://www.theduckwebcomics.com/Tusk/, by Fallopiancrusader, rated T.
LINKS
Positive promotion newspost by Emma Clare - https://www.theduckwebcomics.com/news/2019/mar/30/talking-about-your-comic-to-others-and-why-you-should/
Controversial characters newspost by Tantz Aerine - https://www.theduckwebcomics.com/news/2019/apr/12/handling-controversial-historical-characters/
READ HARKOVAST - https://www.theduckwebcomics.com/Harkovast/
Holy Bible the Albino Ginger version - https://www.theduckwebcomics.com /Holy_Bible_the_Albino_Ginger_version/
Jesus 2016 - https://www.theduckwebcomics.com/Jesus_2016/
Look who's back (movie) - https://www.imdb.com/title/tt4176826/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - https://www.theduckwebcomics.com/user/banes
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pit Face - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
Episode 421 - Dreamcast
Apr 8, 2019
Today we're talking about all the ways nightmares can be used in stories. This is based on a newspost by our very own dreamboat Tantz Aerine. Nightmares are great for foreshadowing through premonitions, forcing characters to confront things and change their minds, ratcheting up tension in a story and all sorts of other useful things that you'd never consider.
Episode 420 - Substance abuse and use
Apr 1, 2019
The entire gang is here this time again. This marks number 420 of the Quackcasts we've done. 420 is code among some for smoking dope, so going with that theme we're talking about the influence of substances on creative endeavours. People try and use substances to facilitate their creativity, we chat about why they do it, how it works, why it fails, the benefits and the issues. We DO NOT advocate taking illegal things in any way at all. This includes ANY substance, from dope, to coffee, to redbull, tea, wine, beer, cold and flu medication, headache pills, opium, adderall, ANYTHING at all, as long as it produces some mental or physiological change, it counts!
Episode 419 - The Rating Game
Mar 25, 2019
It's the rating game! Yeah! This Quackcast was inspired by Emma Clare's newspost on Friday about rating levels. On Drunk Duck we have 4 rating levels so they're nice and simple: “E” for everyone, “T+” for teens, “M” for mature, and “A” for Adult! We talk about why ratings exist and how to use them.
Episode 417 - Can we be better?
Mar 11, 2019
What is Social Marketing? Basically its word-of-mouth and viral marketing smashed together and weaponised: Marketing companies hijack hot-button social issues and hitch their client's brand to them in clever campaigns (“We can be better”, etc). The purpose isn't really to make a brand seem progressive, modern or new, rather it's another way of getting it trending on social media that's guaranteed to work, unlike the legion of hit or miss but mostly failed “Viral” campaigns. Whether people say negative or positive things about this issue is irrelevant to the marketer, as long as people are talking about the brand is all that matters. Free advertising is the goal, but it has a social cost.
Episode 409 - Meaning, Intention, and symbolism
Jan 14, 2019
The topic we discussed in this Quackcast was looking for symbolism, meaning and intention in comics: The English literature approach! Deeper meanings and all that. It's fun to do actually and sometimes you really can hit upon the intentions of the creator, uncover NEW meanings, or just do it to entertain yourself. We used our own comics for an example and talked about things beyond the superficial for a change. For example: Banes' comic Typical Strange is a sitcom set in a video rental store, staffed by a group of characters that make up the cast. Why is it set in a place that is clearly decades out of date and relevance? A video rental place is an anachronism in this time. Is it saying that the characters themselves are stuck in time? It's a sitcom comic so situations often reset or rewind back to the status Quo, so that interpretation would seem to fit… Of course that wasn't Banes' deliberate intention but it's fun to think about that way.
Episode 407 - Regrets & Resolutions!
Dec 30, 2018
Happy new year!!! All of us on the Duck Webcomics, AKA Drunk Duck, thank you for all your support over the year! DD has grown and flourished because of all of you! It was coming to the end of the year when we recorded this, the time we traditionally mull over regrets of the year gone past and come up with resolutions for the new year to come! Tantz, Banes, and I chat about what WE think about resolutions and regrets.
Episode 402 - Audience expectations with characters
Nov 25, 2018
We're all back together this week and we're chatting about audience expectations for characters versus the intentions of the creator. Which is more important? Well it's a bit of a balancing act… You don't want to pander to your audience because that's not fun and they won't enjoy it anyway, but by the same token you shouldn't just do whatever you feel like regardless. As a creator you build up a contract between yourself and the audience; if you betray that by subverting their expectations with characters in ways that are very “OUT of character” just because you feel like it then you can start to lose their respect and attention. Killing off characters all of a sudden can be a big responsibility too, try not to take that lightly.