Episode 586 - Working with disability
Jun 6, 2022
How do you keep on with your creative output when something happens to you? When you lose function or are impaired in some way, how do you adapt or relearn so you can keep on as you were before? Maybe you can't and have to change to another medium that's a better fit for your abilities? Comic creator Bravo1102 once talked about how he moved from drawing to using action figures to make his comics partially because of his eyesight. My own eyesight has suddenly started to go bad and I'm having to adapt to that, and Tantz tells us how her deteriorating eyesight forced her to work digitally.
Topics and Show Notes
The four of us have had limited experience at dealing directly with impairment, but we've had our moments and all of us know many people who've faced more significant challenges. On numerous occasions I've suffered paralysis to my thumbs lasting many months (alternating sides, not both at the same time), in order to keep on creating I had learn to used the mouse in my other hand (which I still do today), and create a brace made of bands and ties so I could hold my pens and brushes. But that was a minor inconvenience compared to the situation faced by Pitface's mum, Karen Hillard Good, a noted illustrator and artist known for her commercial work and children's books. Last year she experienced a stroke which paralyzed half of her body as well as causing some cognitive impairment. She's had to adapt to her changed physical abilities, relearn how to use her body to create and overcome the challenges facing her.
As we age and life happens to us there are many things to which we have to learn to adapt, not just physical impairment but mental too. It's just as difficult to adapt to things happening with your mind, like not being able to concentrate, memory issues, depression etc. Are there any physical or mental issues you've had to learn to adapt to so you can continue to create? If so, how did you do it?
This week Gunwallace has given us a theme to The Sophomore - Sparking into action, the reverent tones of a groovy church organ play us into the roiling conflagration of this dancey little tune, full of heat and glaring orange light, this sound warms you through!
Topics and shownotes
Links
Artist Karen Hillard Good - https://www.facebook.com/Karen-Hillard-Good-Studio-Art-444025792286012/
Bravo1102 - https://www.theduckwebcomics.com/user/bravo1102/
Featured comic:
The Sophomore - https://www.theduckwebcomics.com/news/2022/may/31/featured-comic-the-sophomore/
Featured music:
The Sophomore - https://www.theduckwebcomics.com/The_Sophomore/ - by MrPenguin, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/Banes/
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
VIDEO exclusive!
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
- https://www.patreon.com/DrunkDuck
Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!
Join us on Discord - https://discordapp.com/invite/7NpJ8GS
Episode 561 - You are being manipulated
Dec 13, 2021
This interesting Quackcast topic was influenced by a DDer who has been subsumed by anti-CoVid conspiracy. This inspired me to delve into the reasons for the massive growth in these types of conspiracy and how the current state of the internet contributes to it. I had some theories, but I thought I should do some reading on the subject to see what the real reasons are rather than using guesses to fill the gaps like conspiracy thinkers tend to do. I was quite shocked by what I found.
Episode 257 - Accents in Comics
Feb 8, 2016
Using accents and different languages in comics can be a challenge, or at least a challenge to represent. Some people will actually have their text IN a different language or even a made up language in the case of aliens, and they'll have translations in a footnote. Some will use pointed brackets to represent the different language, some will use different fonts, and some won't bother showing that there is a different language being spoken at all. We spoke to Tantz Aerine and Pitface about this because that's something they both have to tackle in Brave Resistance and Tantz's solo comic Without Moonlight because it's very central to the plot: Tantz uses different colours for the languages. Pitface phonetically represents different accents in her comic Putrid Meat quite expertly. However, there can be challenges to phonetic representation when you get it wrong, most frequently in the case of Irish and Scottish accents! This was inspired by a newspost by Hippievan! Listen ad enjoy Gunwallace's audio interpretation of Aidana. VERY Pink Floyd!
