Episode 457 - Religion in fiction 2
Dec 16, 2019
2 weeks ago we discussed the topic of religion in fiction: basicaly how we use real world religions to inform the perspectives of our characters and make the worlds more real, how we use religion in fiction, and how we make up religions for our worlds. We had so many great responses to this in the forum and about the Quackcast that we thought it'd be great to feature and chat about them! DD is a community after all and we love our community members to be a part of the Quackcast!
Topics and Show Notes
This week Gunwallace has given us the theme to Vagabonds Waifs and Strays. It's wonderfully serious introduction. View a vast panoramic wasteland, civilisation utterly destroyed, an end to all your hopes, dreams, and fears… The piano beautifully leads you in, step by step, as guitar soars high above, giving you a perfect bird’s eye view of the destruction spread out in all directions for thousands of kilometres far below.
Topics and shownotes
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Links
First religion in fiction Quackcast - https://www.theduckwebcomics.com/news/2019/nov/30/quackcast-455-religion-in-fiction/
First religion in fiction thread - https://www.theduckwebcomics.com/forum/topic/178325/
Contributors
Mks Monsters - https://www.theduckwebcomics.com/user/mks_monsters
Banes - https://www.theduckwebcomics.com/user/Banes
Usedbooks- https://www.theduckwebcomics.com/user/usedbooks
EssayBee - https://www.theduckwebcomics.com/user/EssayBee
Kou the Mad - https://www.theduckwebcomics.com/user/Kou%20the%20Mad
ShaRose49 - https://www.theduckwebcomics.com/user/ShaRose49
Genejoke - https://www.theduckwebcomics.com/user/Genejoke/
BearinOz - https://www.theduckwebcomics.com/user/BearinOz/
Bravo1102 - https://www.theduckwebcomics.com/user/bravo1102/
El Cid - https://www.theduckwebcomics.com/user/El%20Cid/
Eickrudge - https://www.theduckwebcomics.com/user/rickrudge/
Featured comic:
Molly Lusc - https://www.theduckwebcomics.com/news/2019/dec/10/featured-comic-molly-lusc/
Featured music:
Vagabonds Waifs and Strays - https://www.theduckwebcomics.com/The_Vagabonds_Waifs_and_Strays/, by Artisto Escondido, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Episode 325 - walk the line
May 29, 2017
In this Quackcast we cover the Importance of good linework in comics and different line techniques such as Herge's Ligne claire, the traditional thick line for characters and thin for everything else as exemplified in the work of Mucha, variable line widths as in Manga, solid blacks like in American comics, and complex lines like Durer or Hyena Hell. I really seriously thought I could get an entire Quackcast out of the concept and techniques of linework, but honestly I was struggling… Okay, so linework constitutes the skeleton that most comics are built on, with the notable exception of painted comics, photo comics, 3D and vector comic among others… But for most comics line is a pretty essential element. There are a lot of different techniques involved in the use of lines. Herge popularised “ligne claire”, which means that all lines have the same thickness and that there's no line shading. A popular style that I was taut was to have thick lines around characters and overlapping elements, with thin lines for internals and backgrounds. This is popular in a lot of manga, US comics and famously the work of Alphonse Mucha. Part of my technique on Pinky TA involves making my lines grey, so that when I set the line layer to “multiply”, the lines take on some of the background colours beneath them and don't show up as darkly as traditional black lines. The work of Hyena Hell on the Hub is interesting for her use of very complex internal shading line to build up texture and shapes, this can also be seen in the works of Albrecht Durer. Manga is notable for its extensive use of very stylised shading, crisp lines and the use of variable line widths for outlines, while American comics make heavy use of solid blacks for areas of shadow, basically extending the width of the line as far and as solidly as it can go. How do YOU approach your linework? The music for this week by Gunwallace is for The Wallachian Library. It's a dark, black future sounds, neon glows, pulses of energy and ideas, vectors and virtual circuits.Sorry, no link to this comic, the user deleted it from the site.
Episode 223 - Collaborating with the Aliens
Jun 15, 2015
On today's Quackcast I, the marvellous Ozoneocean am speaking to the equally marvellous Trevor Mueller of Albert the Alien! This fine chap is returning to the Quackcast (was on Quackcast 184), to chat with me about the process of collaborating from the point of view of a writer who's working with an artist. Trevor also he another Kickstarter for the second volume of Albert the Alien out now so please consider contributing to that. Trevor is a highly acclaimed writer of a fantastic and funny all ages comic and his artist on Albert the Alien, Gabriel Bautista, is an award winning successful comic creator in his own right. Trevor brings a LOT of experience to the topic of collaboration. Catch the great theme for The Ink by our very own Gunwallace!
