Sep 14, 2020
Titles are surprisingly important for your comic! We don't often realise that when we first start them, but a title is one of the very first ways people come across your work. You have to sell it to them and give them an idea of what to expect in only a very few words. You can take a lot of different approaches to that, like teasing and intriguing them with a title that suggests something interesting or mysterious, character names are great for that. You can be completely literal and obvious. You can use a pun… you can take an existing popular title and alter it in a slight way… There are so many things you can do!
Topics and Show Notes
Ema Clare made a newspost on Friday that had a lot of clever tricks to use to come up with a story title and that's why we picked this topic to discuss. There's also this clever game that was going around on Twitter where you give your comic two alternative titles: one that's a serious title that represents your comic and one that represents it in a humorous way. Like my comic for example, the title is Pinky TA, which is the name of the character, the TA is her initials and can mean many things (T&A), but also helps the name in internet searches because it makes “Pinky” less generic, an alternative “serious” name for it that better explains the comic would be “War in the 1920s with Dieselpunk Mecha and Sexy Girls”, a funny title could be “Mecha Strippers” :D
What approach did you use for a title and have you tried coming up with two alternative titles, one serious and one funny? It really helps you to come up with better ways to sell your work!
The musical feature this week that Gunwallace has given us is theme to the Lich Quing’s Tale. It's a slow march to the deep wooden voice of a cello, then we fall through the floor into something reminiscent of Quadrophenia and the break in Who Are You, classical strings and staccato electronica overlaying and weaving a colourful tapestry of light.
Topics and shownotes
Em's newspost with tricks to make a good title - https://www.theduckwebcomics.com/news/2020/sep/10/insert-title-here-tips-for-titling-your-comic/
/>Cover image: UCB comedy skit about Titular Lines - https://www.youtube.com/watch?v=AWxiTPQv0ME
Good Words with Sako The Beautiful Heart of a Steggo Girl - https://www.theduckwebcomics.com/news/2020/sep/08/featured-comic-good-words-with-sako-the-beautiful-heart-of-a-steggo-girl/
Lich Quing’s Tale - https://www.theduckwebcomics.com/Lich_Quings_Tale/, by Wolva, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Aug 17, 2020
This Quackcast is about the impermanence of online services and the lie that services are provided for fee and providers have no responsibility to the creators and viewers that use them. Hushicho posted in our forum about Tapas newly restricting nudity in comics which suddenly disenfranchises hundreds of creators who've built up followings on that site with comics that were well within the the Tapas content rules. With that one change these comics have been wiped out, destroying all the hard work by creators to build up their audiences over a long period of time. That can happen with ANY digital service, we are at the mercy of the corporations that provide them.
Apr 5, 2020
In this Quackcast we talk about the differences between genre and setting and what genre really is. For instance: Fantasy and SciFi aren't genres, they're settings… Mostly. It's complicated but they both pretty much USED to be genres, now they're mainly just settings for genre stories to take place in. What does that mean? Well, Fantasy wasn't even considered a genre back in the day, not really till after the success of Tolkien. Later on a lot of writers began using that same style and consumers really wanted it, so it became a “genre”. It was only later on when it graduated out of that to become a setting that has genre stories set within it.
Feb 16, 2020
What happens to characters after the big action scene or climactic moment? This could be anywhere in the story but it's usually close to the end. Do they process any of the things that have happened to them to lead them up to that point or do they just forget about everything and simply act as if nothing except the last 4 seconds matter? The later seems to be the trend in a lot of badly written fiction, and it's a notable trope in 80s style action films. Death of family members or lovers are irrelevant when you have a hot action star standing next to you!
Jan 26, 2020
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Jan 13, 2020
Today Banes and I chat about our top tips for doing a great comic page: What is most important? I mainly focus on art and Banes is talking about page design and writing tips. Bellow are our top 5s for ways to make better comics! We expand on these and explain them in the Quackcast.
Aug 19, 2018
In this Quackcast we chat about what interests we have outside of webcomics and we want to know what YOU do as well. What are your hobbies and interests? Our interests and hobbies really inform what we do as comic creators in all sorts of ways, it can be fascinating to learn about what drives a person and what led them to be where they are now. For Banes it was music, keyboards, drums, magic and ventriloquism. For Tantz it's writing and a fascination with surgery. For Pit it's archaeology, heavy metal, and art. For me it's making, art, costume and sewing. What about you?
Aug 7, 2018
In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the 1920s in an alternative version of history, with Pinky coming from the fictional “Crimean Empire”. Tantz has to keep times, places, and details close to real history while with Pinky TA I can pick and choose the things from history I like the best and create my own idealised pastiche. The advantage of Tantz's approach is that everything is there, nothing has to be invented, just researched and reproduced, whereas my approach involves a lot of creation which slows things down and makes it harder. On the upside Pinky TA is much more flexible, I can easily fit whatever I want into the story, whereas Tantz's comics are bound by the rules of the history she's presenting.