Episode 647 - characters screwed over by adapters
Aug 7, 2023
We're having a chat about characters that differ from the source material and turn out crap because of it. Characters where the people adapting them didn't care, understand, or even take time to read the original stuff because they thought they knew better.
Topics and Show Notes
There are a lot of instances where characters are adapted from source material and get totally messed up because the writers either don't understand or care about the source material they're taking from. Were not talking about being exactly true to a book, we're talking about understanding and respecting the characters so you can translate them to another medium and still have them recognisable and be themselves.
There are many examples of poor character translation… apparently this is what happened with The Witcher in the 3rd season of the show. The story is that the led actor, Henry Cavil is a fan of the character from the books and games and took exception to the character's dilution and sidelining as the series progressed. We've been told that the writers for the show would openly laugh at the source material, something they're not really qualified to do since even the well regarded first series is extremely badly written and only gets the praise it does because of Cavel's portrayal of the lead character.
An example that's very near and dear to me is the Hitchhiker's Guide to the Galaxy movie. This is a sort of a special case since the author had SOME involvement in it before he died but not enough apparently. the characters of Arthur Dent as played by Martin Freeman and Ford Prefect by Mos Def are terrible interpretations, so much so that they end up actively damaging the movie and harming the story. The essence of Arthur's character is a bemused, suburban British superiority: He has an expectation that as a British citisen his rights should be respected, his opinion should be listened to, people should understand his language, and things should conform to his suburban understanding of what is normal and good, all this is signaled by his wearing of Pajamas, a dressing gown and slippers the whole time. Whereas Martin Freeman's version simply doesn't understand what he's seeing and goes through the whole movie with an affronted frown on his stupid face. This is absolutely incorrect! Rather than not understanding anything Arthur is suppose to believe that he understands everything, but only in simple, suburban British terms,so that he can go through the story with a sense of befuddled superiority.
Ford Prefect is supposed to be cool. He's easy going, and just meshes with whatever situation he's in, even if he doesn't understand it. He's very smart and quick to adapt. Mos Def's version is just a moron who looks good. All that said,Sam Rockwell's version of Zaphod was more perfect than perfect, and Zoe Dashenell was perfectly fine as Trillian, but that character was never ever written well to begin with in the original.
What characters do you think with translated poorly in an adaption? Adam West's Batman? Hernry Cavil's Superman? Who?
This week Gunwallace has given us a theme inspired by Oi Tales of Bardic Fury - A Jangling, reverential, exotic, evocative sound of places far away, the smell of sweet spices, mulled wine, and cured meats on the warm breeze in the salty air…
Topics and shownotes
Future cast: TRON and TRON 2
Links
Featured comic:
RATKIDS - https://www.theduckwebcomics.com/news/2023/aug/01/featured-comic-ratkids/
Featured music:
Oi Tales of Bardic Fury - https://www.theduckwebcomics.com/Oi_Tales_of_Bardic_Fury/ - by Omeow, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 605 - Myth of Freedom
Oct 17, 2022
“Freedom” is the catch cry in so much historical fiction but it's usually an anachronistic piece of nationalist fantasy. You fought for your lord, for pay, your honour, your small region, etc, not for “Scotland” (i.e. Bravehert). Even today it's generally propaganda: e.g. The Invasion of Iraq being called “Operation Iraqi Freedom” and Russia's invasion of Ukraine being all about “freeing” the Russian speaking areas from “oppression”. We alter historical stories to fit with contemporary ideas about ourselves and to give us some form of foundation for our prejudices, motivations and identity. Good examples are the Arthurian legends, Gladiator, Braveheart, The Patriot, Robin Hood, The stories about Christopher Columbus, The 300, and The Woman King.
Episode 582 - Time travel
May 9, 2022
Let's go forward in time to the past so we can get back to the future and kill our grandfather and be our own ancestor while we step on a bug and change the course of evolution 200 million years in the future and doom the Morlocks to a date with Doctor Who, while Bill and Ted drive a Delorean in the Old West and save Fry's dog as it waits out the front of the Pizza place… Time travel is fun to talk about, but it's easy to mess up because paradoxes in plots pop up all over the place as timelines intersect and cross over and over, getting tangled and logically prevent events that have already happened from happening!
Episode 459 - 2019 Year in review!
Dec 30, 2019
It's been a great year! DD has continued to grow bit by bit, we've been stable and a great host for many many webcomics. DD is one of the only truly independent community focused webcomic hosting sites left. Most of the rest are commercial hubs that are not community centered. Part of our commitment to the community on DD is showcasing our best webcomics every week, which we've been doing for 17 years now, and I've personally been doing that for about 13.
Episode 451 - Fans who criticise are are good fans
Nov 4, 2019
“Toxic fans” is a bit of a catch cry now and that has seemed to turn into the idea that any fan who is critical of something or doesn't like it isn't a “true fan”, fans must should love everything. I find this a dangerously silly notion and one clearly driven by business interests with only a limited relationship to reality. It's quite similar to the idea that you're “either for us or against us”, the twisted idea of “patriotism” that says you must agree with and love everything your country and your leader does no matter what or you're a traitor.
Episode 426 - Sidekicking
May 13, 2019
Inspired by Emma Clare's Friday newspost about supporting characters, today we're discussing sidekicks! Sidekicks are a useful character type that are used in so many different ways. They can be a specialised type of supporting character that are also a main character or they can be the main protagonist in some cases. In comics sidekicks came in during the early days as a way of giving juvenile readers their own insert character who they could identify with… Bucky Barnes, Jimmy Olsen, Robin etc. They had other functions like giving the hero someone to save, providing commentary, reaction and exposition. Later when that kind of sidekick fell out of favour they became superheroes in their own right.
Episode 382 - Suspension of disbelief
Jul 9, 2018
This week we talk about maintaining suspension of disbelief: the way you have to convince people of the world your story is set in and keep them there. Everything you do is done for that, to convince them your characters make sense and the world works. There's a very mistaken idea that this ONLY applies to fantasy or SciFi. No, it applies to ALL fiction and even non-fiction in the case of stories and jokes from your friends, biographies and autobiographies. You have to maintain a suspension of disbelief in all these things in order to fully enjoy and be a part of the story.
Episode 320 - Making the reader believe
Apr 24, 2017
In this Quackcast I wanted to talk about the magic of authorship: how the creator of a story sets up the whole situation so that they can convince the reader of anything. You can write a story about the smartest man in the world, and the reader will believe that they are, within the story, because you set it up that way: not just by having other characters reacting to them and forming that impression, but also independently convincing the audience of it as well by having them solving riddles and such or knowing lots of languages, quoting literary texts etc, but the creator doesn't have to be a very smart person themselves… Like Sherlock Holmes is seen as super smart because he's meant to, but Arthur Conan Doyle wasn't a super genius himself. You can write about a Casanova type charmer who's fantastic with the opposite sex and readers will believe, but only if you set the stage well enough. You as the creator set the parameters for anything to happen. Without having certain abilities or skills yourself, you can create a character with totally convincing skills far outside of yourself. The music for this week by Gunwallace is for The Gloom, it's creepy, ghostly, unsettling, uneven. This one gets under your skin and keeps you off-balance.