Episode 682 - Exposition!
Apr 8, 2024
Tantz came up with this week's topic: Exposition! It's because she's well on her way into starting her latest comic, Verdant, and working out ways to introduce the story, the world, characters, culture, magic systems, religion etc without doing a massive text dump, which people generally don't like too much. So how do you exposit in a good way?
Topics and Show Notes
One popular way is through a dialogue; characters give overly verbose and entirely unnecessary explanations about how things work during ordinary conversations, telling people things that they would already know from childhood, just so the reader can be informed in a “natural” way, which isn't natural and it actually really terrible, eg: “Hello my friend David Prowse who I have known since high school but have had a big falling out with since you slept with my wife. Could you hand me the energy cell please? Of course you know that all machines now are powered by energy cells which are miniaturised nuclear fusion reactors, so that we have unlimited, cheap power always.”
Another way is to have a character in a classroom, being taught particular concepts like history or politics so they and the reader “learn” together. This can be terrible but it can also be pretty good if you handle it right. Even text dumps can work ok if they're done correctly, but that's rare.
The best way to do exposition is to introduce the audience to only the concepts they need to know for now, in a basic way, with plenty of context in ways that are fully and easily relatable. Like showing a small, slow stakes scene that introduces key concepts and shows the character's reaction to them. If most of the stuff is easily relatable then the audience will focus more on the few isolated weird new things you introduce and they can learn about them from seeing how the characters react to them and how they fit into the context of the world, that way you don't need to explain them. A great example of this is the new comic by Marcorossi, Bunyan Mk7, it's a perfect example of quick, minimal exposition through story.
From here we started talking about how in anime often an entire first season of 13 episodes is devoted to this sort of expository introduction, which I find extremely pleasant because the focus of that kind of storytelling is not “conflict” but instead “progress”, which is something not well understood in modern storytelling anymore. The interest the audience gets from the story isn't that a character wants something or needs to fight to get it or resolve an issue, instead it's the linear consumption of knowledge that builds to the goal of finding out more about something. You specifically don't care about resolving anything, rather the learning is fun for its own sake. “Progress” can also be anything that builds towards a goal. I find people still like to rationalise this as “conflict” but you need to stretch the definition too much that it makes the concept useless and no longer logically understandable.
How do you do exposition? With a text dump? Via dialogue? A classroom? An introductory prologue? Or do you just throw the audience in the deep end and expect them to sink or swim? That said, the more familiar and relatable the story offering is, the less work on the exposition you have to do.
This week Gunwallace has given us a theme inspired by Cafe Strange - A melancholic jazz revere on times past and times yet to come. Off-time percussion, a gently plucked double bass, evocative piano and an electric violin play a tune of loneliness and possibility.
Topics and shownotes
Links
Exposition examples in comics:
Verdant, by Tantz_Aerine - https://www.theduckwebcomics.com/Verdant/
Bunyan Mk7, by marcorossi - https://www.theduckwebcomics.com/Bunyan_Mk7
Featured comic:
Prisoner of Paint - https://www.theduckwebcomics.com/news/2024/apr/02/featured-comic-prisoner-of-paint/
Featured music:
Cafe Strange - https://www.theduckwebcomics.com/Cafe_Strange/ - by Synwells, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 666 - Evil
Dec 18, 2023
We're up to number 666 Quackcasts so our topic this time is evil! Evil is a complicated subject, we all think we know what it is but we really don't, there are just so many aspects to it so it's very hard to fully encompass. Broadly “evil” can be something very subjective: anything that runs counter to our own well-being as individuals- people, things and situations that do us harm. You can expand that to your property, your family, friends, acquaintances, pets etc. As that definition gets bigger though to encompass your neighbours, street, suburb, city, state, and country it becomes more objective bit by bit, till we come to the idea that “evil” is something that runs counter to human rights, or the existence of life in general, or the right to self determination etc. A more objective view of evil.
Episode 649 - Gendered clothing
Aug 21, 2023
When you're drawing people in a webcomic one of the common ways to indicate gender is by outfits, but why are clothes gendered at all and is that a constant?
Episode 627 - Character consistency and speech bubbles!
Mar 20, 2023
Today its another technical comics making focused cast, suggested by Tantz Aerine! We cover our notions about how to maintain character consistency and consistency in general, plus a bit on speech bubbles and the text in them. I was SOOPER tired towards the end though so I wasn't all there mentally but the guys carried it through admirably.
Episode 622 - Whaddaya take me for?
Feb 12, 2023
This is when the writer leads you to think something big has happened in the story, like a character dying or falling in love or winning a big prize or something, only to have the character alive in the next part, or the prize or love never mentioned or addressed- this is “schmuck bait”. The writer gets you invested and excited for something but cops out, leaving the audience frustrated and cynical. This was common in older episodic things where the episodes are intended to be seen in any order, so the writers couldn't have continuing arcs and development across a season. It's also common in bad writing where the writer builds things up a lot for an events but then loses their nerve or just doesn't posses the skills to properly resolve things.
Episode 583 - Why is it bad?
May 16, 2022
Spoiler- we don't actually talk much about Yu-Gi-Oh! But I feel it's a good example of a pretty bad a so-bad-it's-good story, but bad nevertheless. The idea we're talking about here is that it's useful to look at bad stories and stick with them because they can really help you write better. They're a lot more useful than good stories because you'd rather just enjoy those and it's a bit harder to examine them for technical details, but with “bad” stories the faults stand out strongly. Instead of simply dismissing a bad story or making fun of it, it's more useful and valuable to try and “fix” it: try and work out why it seems bad and think about what would be needed to make it better, then think about how that applies to your own work. Maybe you're actually making many of the same mistakes?
Episode 577 - The Agony and the Ecstasy.
Apr 4, 2022
Creation is a process with a lot of ups and downs: Agony and ecstasy! The easiest way to think of it is a simple inverted parabola- you start of feeling good about your idea and its potential. As you work though you feel worse and worse about it till you get to the nadir of the curve, then things turn around and you start feeling better and better about it as it finally comes together and you finally manage to finish it!
Episode 531 - Same Stories From Differnt Perspectives
May 17, 2021
The famous film Rashomon by Akira Kurosawa gave its name to the style of a story that has the same scenes told from different perspectives. Many comics and movies have done this, it's a really cool trick to try. Not only can it help you show a different perspective of a scene it can also show your story in a completely different style when you show things through the eyes of a particular character and how they “see” the world. It can even be a great trick for making a sequel- rather than a linear continuation of a story you show a story that happened in parallel to the sequences shown.
