Jul 26, 2020
It's just Banes, Tantz and me today, chatting about the important topic of continuity! How do you maintain it, what continuity errors have you made, what continuity errors have you noticed in media? What's the difference between character continuity, story continuity and chronological continuity? - Something you notice when you watch or read a series in chronological order that was were NOT produced or meant to be viewed that way.
Topics and Show Notes
A good example of that is the Discworld novels by Terry Pratchett. If you read those in the series order, say all the Witch books, Wizard books, Guard books etc as concurrent series then the “Discworld” stops making any sense because Pratchett's writing and the character of the world changed radically over the time that he was writing it. The Discworld was a massively different place in his later books from the wild, chaotic, sexy sword and sorcery spoof it started out as… in later novels it becomes a far more serious and ordered, well defined place that's basically a fantasy steampunk version of Dickensian 19th century London, with a taste of Northern England, Greece, Italy and Egypt and other places thrown in for flavour. It covers serious topics in a philosophical and humorous way, a little left wing and a little righteous. In earlier stories the world leans more to spoofs of popular fantasy tropes from Fritz Leiber's famous Fafhrd and Grey Mouser books, Robert E Howard's Conan, Anne McCaffery's Pern, JRR Tolkien's Lord of the Rings and so on.
So that if you read them in any order than which they were published the continuity of the world won't make sense.
Similarly if you watch the Star Wars Prequels before the original trilogy you run into the same sorts of issues… Then of course there are the continuity errors you make as a creator. Usually it's because you took too long to make a page and failed to read forward over the new scripted pages and back over what you'd already done. I run into that all the time! What are your worst continuity mistakes?
Special mention of Marvel's Mark Gruenwald who looked after continuity from them in a big way back in the day (Apparently).
This week Gunwallace has given us the theme entitled “How to Half Ass a Theme to How to Half Ass Porn Webcomics”
For: How to Half Ass Porn Webcomics the Tanza Late Way - This one is a slow started but as soon as it takes off it lets its full groovy glory show, dancing to the sounds of a wiry electric guitar dressed in a batik kaftan and brown corduroy fares, incense smoke swirling around, noxious and enveloping like the sounds of this cool little tune .
Topics and shownotes
Banes Newspost on Continuity - https://www.theduckwebcomics.com/news/2020/jul/22/continuity/
Goddard and Grey - https://www.theduckwebcomics.com/news/2020/jul/21/featured-comic-goddard-and-grey/
How to Half Ass Porn Webcomics the Tanza Late Way - https://www.theduckwebcomics.com/How_to_Half_Ass_Porn_Webcomics_the_Tanza_Late_Way/, by Arspitzer, rated A.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
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May 31, 2020
Today we're chatting about using historical stuff in your story and knowing how to use it right! Sometimes it's good to change stuff and sometimes it's not. The thing is that you should ONLY change it if you know what you're doing and why you're doing it. A good example is A Knight's Tale- It has a historical setting and there are a lot of deliberate historical anachronisms in it, and they're all very obvious, they do not pretend to be anything but what they are.
Apr 26, 2020
How does where you grew up influence your comicing? This idea interested me, so I posted about it on the DD forums and asked other people. I didn't really know about it myself: how did my childhood environment influence my later comicing? The conclusion I came to was that since my childhood experience was so alien to the worlds depicted in the media I enjoyed so much most of my comicing and creation was based on imagination out of necessity: Historical fantasy set in mountainous, cold, hazy Europe, vs my own experience of a new country without much history, with sunny weather, clear skies and a beachy lifestyle in Australia.
Mar 15, 2020
For this cast I'd thought we'd go through with our promise of last week and talk about things that have made us have a reaction as a creator. This expands on “The Cartoons that Date us” from last week. So today we're talking the creative media that gave you a reaction: Books, movies, comics, TV shows… Not what specifically inspired the comics you do now, but what drove you to create and why.
Feb 23, 2020
The process of adaptation is quite interesting. Stories go through all sorts of changes when they're transferred from one medium to another. A lot of the time we bemoan that as “not staying true to the original” or “the book was better”, but there are many times where the adaption is really interesting in its own right, even though it's quite different from what it started out as.
Feb 10, 2020
There are a couple of approaches when it comes to making a big creative project: planing it all out or working things out as you go i.e. flying by the seat of your pants. Well in reality it's a spectrum and those are the two extremes. Most of us work somewhere between those two, sometimes with more or less planning etc… I've tried a lot of different mixtures myself!
Jan 26, 2020
Sexpostion is sex plus exposition, it's exposition with sex on the screen. Tantz Aerine addressed the topic of sexposition in an article last year, but what we're doing here is talking about the reason it even exists, why it isn't a new trend, and why it probably won't last.
Nov 18, 2019
Where does your main audience come from? And how do you change your work to accommodate them? For a lot of us it's north Americans (mainly from the USA), which is interesting, especially for those of us outside of there because our cultures are slightly different. We THINK we totally understand each other but there ARE differences. So to make ourselves properly understood with the original intent of the story we often have to translate things slightly (much more in Tantz's case!). This goes doubly when a story is set in a different era. How much do you localise your story for the audience, how much SHOULD you?