May 18, 2020
My original idea for this Quackcast was: “Genre fiction is the best place to explore ideas, straight fiction doesn't do it as well” What I meant was that diverting from straight reality in fiction makes it easier to conceptualise, simplify and explain complicated ideas to a general audience for a whole number of reasons. There was some disagreement between Tantz and I because I expressed myself poorly so she'd thought that I was saying it was much easier to write SciFi and fantasy (Genre fiction), and it was easier to write about big ideas, while straight fiction wasn't good for that- Which is fair enough! My initial statement is so badly worded that's a valid interpretation! Fortunately Banes and Pit were on hand to smooth things out and explain things properly. Pit mediated between us and Banes conceptualised my concept FAR, far better than I did! Unfortunately you don't get much of that disagreement on the Quackcast. You DO get a bit of it on the PATREON only video however ^_^
Topics and Show Notes
To get back to things though: Diverting from straight reality in fiction, whether that's into a full on genre style or just adding unrealistic elements, allows you to symbolically handle big ideas like death, mortality, racism, slavery, predestination, religion etc in a way where you can be very specific about what you want to say about those ideas, more so than in straight fiction because you have more control over the world you're presenting. That's not to say that all “genre” fiction tackles big ideas or is always good at doing it when it does, or that straight fiction doesn't tackle big ideas or does it badly when it tries to. “Genre” fiction also has the advantage of being able to separate its ideas from current realities of politics and culture which might get in the way of people being receptive to the ideas that it presents.
A Handmaid's Tale (Margaret Atwood), is a good example of this: The big idea presented in the book is that women's place in society, their rights and humanity, can so easily be wiped out overnight, the experience is dehumanising and horrible, and it can happen anywhere at any time. It uses a Scifi setting to do this, which makes the scenario seem very possible but also accessible to a mass audience. There have been numerous realistic and true stories written about the experience of women when Shah of Iran was overthrown in 1979, or when the Taliban took over in Afghanistan in the 90s, and yet none have had the reach or the general acceptance of A Handmaid's Tale.
The closest would be Persepolis (Marjane Satrapi), but in it's case it still employs diversions from reality in its style, and since it's specifically about Iran people are far less likely to apply those ideas more generally.
Early Star Trek and Twilight Zone episodes were goldmines for “Big Ideas”! What're some of your fave “genre” fiction that tackles big idea better than other kinds of fiction?
This week Gunwallace has given us the theme to Fated Feather: Come aboard me hearties! Cast off and sail away into the balmy tropical sunshine, as warm waters lap the hull, the bow wave glitters in the sunshine, the rigging creaks in the warm breeze, and seafoam floats by in our wake. Today is the time for adventure on the green seas.
Topics and shownotes
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Moderated by Boundbun and Tallfroyo - https://www.theduckwebcomics.com/user/BoundBun/
Tangkal English - https://www.theduckwebcomics.com/news/2020/may/12/featured-comic-tangkal-english/
Fated Feather - https://www.theduckwebcomics.com/Fated_Feather/, by Iagojester, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
Jan 26, 2020
Sexpostion is sex plus exposition, it's exposition with sex on the screen. Tantz Aerine addressed the topic of sexposition in an article last year, but what we're doing here is talking about the reason it even exists, why it isn't a new trend, and why it probably won't last.
Nov 18, 2019
Where does your main audience come from? And how do you change your work to accommodate them? For a lot of us it's north Americans (mainly from the USA), which is interesting, especially for those of us outside of there because our cultures are slightly different. We THINK we totally understand each other but there ARE differences. So to make ourselves properly understood with the original intent of the story we often have to translate things slightly (much more in Tantz's case!). This goes doubly when a story is set in a different era. How much do you localise your story for the audience, how much SHOULD you?
Nov 11, 2019
Storytelling styles change over time for various reasons: fashion, audience expectations, competition for audience attention due to increased choice and availability of media, technological limitations and abilities, and culture. We chat about the reasons for the changes and how styles have changed.
Nov 4, 2019
“Toxic fans” is a bit of a catch cry now and that has seemed to turn into the idea that any fan who is critical of something or doesn't like it isn't a “true fan”, fans must should love everything. I find this a dangerously silly notion and one clearly driven by business interests with only a limited relationship to reality. It's quite similar to the idea that you're “either for us or against us”, the twisted idea of “patriotism” that says you must agree with and love everything your country and your leader does no matter what or you're a traitor.
Sep 9, 2019
Based on Banes' newspost about the latest Dave Chappelle comedy special, this Quackcast talks about the way audience reception to it has been somewhat divided based on the topics covered verses current prevailing attitudes and the so-called “outrage culture”
Aug 26, 2019
Cooperation Vs Competition. For decades the mantra was competition is good: it produces progress and makes things better… Well that's actually false. Competition is what you're forced into as a response to limited resources, so you do what you have to to win, which mainly involves losing everything that doesn't serve that specific objective. Competition is massively harmful to progress in general, it ONLY helps you excel in one small area to massive cost. Think of it in terms of an Olympic sprinter: they become the fastest runner in the world, but to what point? Only the artificial structure of a sporting event… they spend years training, exercising, eating right, wasting a huge portion of their lives, creative, and intellectual potential on that one meaningless goal, and IF they achieve it they might get a bit of fame and money and a footnote in history because someone else will inevitably take their spot. More likely though they won't achieve the goal and instead be forgotten.
May 27, 2019
What are the different expectations for female and male audiences? This almost entirely a culture based thing, it changes depending on where and WHEN you are from as well as your age and experience… but some obvious things are determined by our physiology: sex sells, but there are slight differences based on gender. I wasn't interested in the “why” (genetic predeterminisim or evolutionary psychology), just the “what”.