Dec 13, 2020
Escapist fiction Vs Gritty and real style fiction… Furwerk-Studio made an interesting post about this subject. They were annoyed at people who dismiss escapism as something lessor or inferior to more gritty and realistic work, so we decided to tackle both sides and take some extreme views on the subject, both for and against! A few years ago Simon Peg made some comments related to this very subject and got a bit of backlash (links in the notes). The idea is that escapist stuff keeps us infantile and malleable… It's actually a really old idea anything that isn't realistic is childish and bad for you while things that are heavier and more adult in tone (whether escapist or not), are far more worthy.
Topics and Show Notes
We tackle this in a somewhat less serious fashion, taking extreme points of view for both sides (because that's what you do in the 2000s), and have fun with it.
NEXT WEEK'S QUACKCAST: Stuff we we spend our money on.
This week Gunwallace has given us the theme to Whispers of the Past - A beautiful, quiet, contemplative noodling, evocative of days gone by, sepia tones, golden afternoon sunshine, and remembrance. It reminds me of something from a late 1960s folk rock group.
Topics and shownotes
Deconstructing Escapisim thread - https://www.theduckwebcomics.com/forum/topic/178562/
Simon Peg's controvesial statements on escapisim - https://www.indiewire.com/2015/05/simon-pegg-worries-that-adults-obsessed-with-comics-sci-fi-have-become-infantilized-by-our-own-taste-263869/
Simon Peg's deffence of his comments - http://simonpegg.net/2015/05/19/big-mouth-strikes-again/
Spazient - https://www.theduckwebcomics.com/news/2020/dec/08/featured-comic-spazient/
Whispers of the Past - https://www.theduckwebcomics.com/Whispers_of_the_Past/, by Crona J, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
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Oct 12, 2020
Finally we got to the five hundredth Quackcast! Wow! That's so many. We've been doing these for 10 years now. That's a long running podcast! To celebrate we invited our DD members aboard. We had a great fun time, lots of laughs and a really good chat. We even had time to introduce special cotributions from the people who couldn't be live with us. I'm making our exclusive patreon video of this week's cast free for all to view! Just click on the youtube link bellow.
Aug 3, 2020
Aren't genres great? They're so useful for categorising what we like and selling our work. Today we're chatting about all the genres that are popular in webcomics now, that we know of. Back in the day webcomics were mainly defined by TWO genres: slice of life, and gaming. And out of those two gaming was king! Actually a lot of comics combined the two. The biggest were things like 8 Bit Fantasy, PVP, Penny Arcade, and Ctrl Alt Delete.
Jul 6, 2020
Today we chat with BoundBun, Damehelsing, and Bluecuts34. Who are they? Well they're 3 Drunk-Duckers and they manage our Discord server! Yes, we do have a Discord! You can visit it and chat with them in person! - or become a patron and see them on video ;)
Jan 26, 2020
Sexpostion is sex plus exposition, it's exposition with sex on the screen. Tantz Aerine addressed the topic of sexposition in an article last year, but what we're doing here is talking about the reason it even exists, why it isn't a new trend, and why it probably won't last.
May 13, 2019
Inspired by Emma Clare's Friday newspost about supporting characters, today we're discussing sidekicks! Sidekicks are a useful character type that are used in so many different ways. They can be a specialised type of supporting character that are also a main character or they can be the main protagonist in some cases. In comics sidekicks came in during the early days as a way of giving juvenile readers their own insert character who they could identify with… Bucky Barnes, Jimmy Olsen, Robin etc. They had other functions like giving the hero someone to save, providing commentary, reaction and exposition. Later when that kind of sidekick fell out of favour they became superheroes in their own right.
Feb 4, 2019
A huge thank you to the fantastic Amelius, creator of Charby the Vampirate! We mined her great newspost on the topic of the comic hiatus for this Quackcast. When you're reading a comic and it goes on Hiatus it's an awful thing… suddenly all progress stops and you don't know for how long it will be gone for. Some authors are great, they'll reach a point where they can't work anymore for some reason or they'll take a little break, but they will tell you they're going on a hiatus and when their comic will return- and Lo, it comes back exactly when they said it would. Crappy authors will say they're going on a hiatus and never return.
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!