Episode 661 - Steaks... stakes
Nov 13, 2023
Stakes are a part of a story. What does a character want? What means the most to the character? What are they after, what do they care about? Stakes can be really subjective like that and they can also be objective and more universal like death, debt, a threat to a home, nation, planet or even the universe. The most important thing though is that you can communicate the value of those stakes to the audience! It doesn't actually matter WHAT the stakes are as long as the audience understands that they're important.
Topics and Show Notes
Sooooo so many writers seem to have zero idea about that. One idea is that you need to “raise the stakes” in order to get the audience to be more invested, which certainly works but what a bad writer will always do is just crudely add onto the objective stakes: “Ten people were in danger but NOW it's 500! But wait… now it's 6000. OMG, now it's a million! Oh wow, the fate of the known universe hangs in the balance!”. The truth is that at a certain point it loses value, we just can't relate very well to bigger and bigger numbers and the “known universe” is an empty concept to most people. To really raise the stakes you have to pick things that the audience CAN care about and/or show that it's really affecting the characters in a way the audience can symbathise with.
If you write it correctly, a character losing their favourite pen can be a tragedy of earth shaking proportions and them needing to get it back can be an epic tale of redemption and self discovery without them ever leaving their office.
The idea here was inspired by Banes' newspost on the Marvel films. They're a great case in point, the higher they make the stakes the less we care. The first Avengers movie was a lot of fun till the end when they were trying to save New York city, fighting hoards of meaningless CGI blobs: “raising the stakes” didn't make things more interesting. It was more engaging when they were talking and just fighting Loki because these were stakes we could more easily relate to. It's a pattern that repeats in a lot of marvel movies and TV shows. Sometimes they get it right, and sometimes they get it wrong.
How do YOU approach stakes?
This week Gunwallace has given us a theme inspired by I wont Marry the General as the Dragon Lords only Daughter - A dense, layered palace of a tune here, it sounds like the theme to a major Hollywood film. We have a lot of body, depth and power to this sound. All electronic. You can just imagine mysterious opening scenes, titles fading into view and flicking of screen as you wait in anticipation for the story to begin.
Topics and shownotes
Links
Inspired by Banes' newspost - https://www.theduckwebcomics.com/news/2023/nov/08/mcu-scraps-do-overs-and-to-reboot-or-not-to-reboot/
Featured comic:
Adkien - https://www.theduckwebcomics.com/news/2023/nov/06/featured-comic-adkien/
Featured music:
I wont Marry the General as the Dragon Lords only Daughter - https://www.theduckwebcomics.com/I_wont_Marry_the_General_as_the_Dragon_Lords_only_Daughter/ - by ShriekingMagpie, rated A.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 609 - The Cringe
Nov 14, 2022
So how do you like comedy that makes you cringe? You know that really awkward humour where you feel embarrassed for those involved and almost in physical pain for them? You feel really bad for them… It could be cruel pranks, or jokes based on lies or misunderstandings that are just carried way too far. Personally I find them hard to take. It CAN be great like in the original version of The Office, but even that was REALLY hard to watch at times. This week Gunwallace has given us the theme to Stick Figure Apocalypse - Relaxing, cool funk groove that cruises along dreamily, hitting turbulent waters hallway through, with a wildly discordant patch of sonic confusion, startling us out of our revere, before slipping back into the same quiet groove again and fading to silence.
Episode 605 - Myth of Freedom
Oct 17, 2022
“Freedom” is the catch cry in so much historical fiction but it's usually an anachronistic piece of nationalist fantasy. You fought for your lord, for pay, your honour, your small region, etc, not for “Scotland” (i.e. Bravehert). Even today it's generally propaganda: e.g. The Invasion of Iraq being called “Operation Iraqi Freedom” and Russia's invasion of Ukraine being all about “freeing” the Russian speaking areas from “oppression”. We alter historical stories to fit with contemporary ideas about ourselves and to give us some form of foundation for our prejudices, motivations and identity. Good examples are the Arthurian legends, Gladiator, Braveheart, The Patriot, Robin Hood, The stories about Christopher Columbus, The 300, and The Woman King.
Episode 592 - Back in MY day!
Jul 18, 2022
History is happening faster now. With the growth of universal high speed communication and cheap world travel, culture and technology move at unprecedented speeds. Because of these factors the rate of change is different to what it was at any time in the past. This is an objective and verifiable truth rather than subjective perception: the current speed and quality of global communication has never been possible before and that has ramifications for how the world changes.
Episode 523 - The Resonance of Folk tales
Mar 22, 2021
Folk tales are the primordial ooze of culture. Nobody knows where these stories began, nobody owns them, They're added to and expanded by successive generations. They spread and grow because they have resonance to all sorts of different people across time, different languages, and ethnicities. We talk about that resonance and why these stories still have meaning for us today, why new ones are still being created, and why you're free to use Beauty and the Beast or Snow White and the Seven Dwarves for your own creative projects without worrying about copyright issues.
Episode 313 - Technical techniques
Mar 6, 2017
Carrying on from last week's Quackcast discussion on tips and tricks for drawing and artwork, we jump again into the topic and THIS time we have Tantz Aerine on board to lend her perspective and tell us about even MORE little techniques to use to draw better. It's an interesting, technical cast and bellow I've kisted some examples from our own work of what we talk about. Details discussed in this episode: Establishing shots, Facial lines, Scars, Wounds, Snow, Rain, Smoke, Fire, Explosions, Gold, Fur, and Eyes. Gunwallace has given us the music to the Fading World this time, it's an oriental procession into a snowy, twilit, exotic world, unbalanced, and dangerous.
Episode 295 - Sexcast, sex in non adult comics
Oct 10, 2016
This is the Awkardcast! Another take on the sexcast idea but this time we're looking at sex and sexual situations in strictly NON-adult comics. Sex performs a very different role in non-adult comics… You have a much wider audience with comics at the rating, but there are things you can not show, so of course you use sex for other reasons than the way you do in an adult rated comic. In an adult comic you can show all details of the entire act, all the genitalia in all their glistening, gory, gooey, hairy splendour, going in and out and around here and there and all over the place! Oh my! In Mature comics and bellow though, you simply can't, though you CAN have some non-sexual full frontal nudity in Mature comics and you can show bottoms in Teen rated comics. The ratings are similar to what you have with film ratings. In adult comics, like adult film, sex acts are more of the focus, they can still have a story but the sex acts are supposed to be enjoyed in their own right. In non-adult comics the sex has other purposes- subtle titillation is a part of it, comedy, teasing the viewer, furthering the plot, a culmination of a relationship or the establishment of one, etc- there's generally always another purpose to it, unlike adult comics where there sometimes is but doesn't need to be. And unlike adult film there's not much purpose to softcore non-adult rated porn in comics. That type of censored porn is done in film in order to get a wider audience on media that will otherwise not show porn, but on the net porn it's super easy to come by so there's not much reason to do softcore. There are a lot of challenges entailed in depicting non-adult rated porn! Certain positions don't work in well with the limits on nudity (we talk about this in the cast), but there are tricks you can use; symbolism (popping champagne corks, trains going into tunnels etc), strategic positioning of sheets, clever camera angles, fading out before the act and fading in again after, characters with mussed hair and uneven clothing, using dialogue to refer to what they just did, “off-screen” shenanigans, or shenanigans in the dark etc, it can be a lot of fun! Have a listen to how Tantz, I and Banes tackle the idea. The music by Gunwallace for his week was Firefly cross! A very mystical sound, with traditional, middle eastern style music mixed with dark techno fuzz, this one is intriguing!
Episode 270 - Historical Accuracy Vs Story Needs part 2
May 9, 2016
We return to the topic of historical accuracy versus the needs the the story. This was Bravo's idea and we wanted to have him along but alas it was not to be! Tantz Aerine, Pitface, Banes and I discuss the topic, reading from a few of the many contributions in the form thread that Bravo started. Special congratulations to Pitface who's just graduated with honours with her BA in classics! -So you she really does KNOW what she's talking about… as does Tantz too of course. Banes and I are just along for the ride. Gunwallace gave us a really pretty tune for the comic Torn Vines, a real action music, such a driving rhythm to it!
