May 13, 2019
Inspired by Emma Clare's Friday newspost about supporting characters, today we're discussing sidekicks! Sidekicks are a useful character type that are used in so many different ways. They can be a specialised type of supporting character that are also a main character or they can be the main protagonist in some cases. In comics sidekicks came in during the early days as a way of giving juvenile readers their own insert character who they could identify with… Bucky Barnes, Jimmy Olsen, Robin etc. They had other functions like giving the hero someone to save, providing commentary, reaction and exposition. Later when that kind of sidekick fell out of favour they became superheroes in their own right.
Topics and Show Notes
But sidekicks are a lot older than comics. People in social situations will often naturally fall into that sort of role because humans work well in hierarchies. One person takes the lead and the other follows: the person with the most forceful personality, The most experienced person, the higher ranked person, the socially superior person leads, and the other follows and that's reflected in literature.
Class was often used to put people in their “natural” roles: Frodo and Sam from Lord of the Rings; AJ Raffles and Bunny Manders; Sherlock Holes and Dr Watson: the posher person with the higher social rank is automatically the leader. This is very much a part of the British class system, officers and senior management came from the higher social classes etc, it's a large subject.
But that's also inverted occasionally; Jeeves is Bertie Wooster's Valet and social inferior and yet Jeeves is the leader in that relationship.
The sidekick is often the main character when used as the point of view character to tell us how marvellous their leader is. We get this with Doctor Watson in the Sherlock Holmes stories, Bunny in the Raffles the gentleman thief stories, Bertie in the Jeeves stories, and Archie in the Nero Wolfe stories. Archie is interesting; he does everything, he's the main active character, and yet he's still no more than a sidekick to the great Nero Wolfe.
Sometimes the sidekick is the smart character who's there to try and rein in the excesses of their leader, like Arthur with the Tick, Sancho Panza with Don Quixote, Doctor Girlfriend and the Monarch, Agent 99 and Maxwell Smart, Kif and Zap Brannigan, Banes and Ozoneocean… They can also be used to compliment the leader by replacing something they lack, not just intelligence as in the former example. Kato in the Pink Panther provides Inspector Clouseau with muscle, Brock Samson provides EVERYTHING for Doctor Venture, Doctor Watson has skill the ladies, tact, charm, and humanity that Sherlock lacks, Archie has the confidence and mobility that Nero hasn't.
There are so many clever an interesting ways to use sidekicks, far in advance of the Batman and Robin method! I think we should continue to use them. What are your fave sidekicks and why? Do you have a sidekick in your story?
This week Gunwallace has given us the theme to Operation Boom - Booooooooooom! This one thunders in, all action and furious energy, rolling in like a 50 tonne bulldozer at high speed while on FIRE and sparking with insane electrical discharges. This is danger music. Bright yellow with black diagonal lines. Listen for the deep, bass booms.
Topics and shownotes
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Customer Service - https://www.theduckwebcomics.com/news/2019/may/07/featured-comic-customer-service/
Operation Boom - - https://www.theduckwebcomics.com/Operation_Boom/, by Recklesshero, rated E.
The importance of supporting characters, newspost by Emma Clare - https://www.theduckwebcomics.com/news/2019/may/09/supporting-characters-and-why-they-are-important/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
Apr 22, 2019
What's your favourite weapon in fiction? Mine are ridiculously giant swords, huge anti-tank rifles, and mecha. There are a lot of complex reasons for weapon choices in fiction, a Kalashnikov assault rifles for example signals certain things about the person carrying it: They're usually a bad guy for a start. This originated during the cold war, with certain types of bad guys using AKs. First it was Soviet Bloc soldiers, then it was Viet Con and rebels from South East Asia, then it became the “terrorist” weapon. The sub machine gun is the weapon of the bad guy. Terrorists used to use Uzis (before they turned to AKs), bank robbers used to use Mac 10s, now it's the HK MP5. Good guys carry an M-16 or AR-15 rifle. In historical fiction traditionally the bad guys carries curved swords while the good guys had straight swords, this came from crusades. Minor characters carry spears and heroes carry swords. Women, weaker characters and rebels carry bows. Giant swords and guns are often given to smaller characters in anime (usually female), as an obvious contrast with their small size. It's meant to emphasis the fact they're sort of a “mighty mouse”.
Oct 8, 2018
Fighting ladies, female bad-ass characters… There are a lot more of them around now, but once upon a time they were pretty thin on the ground. I love a good badarse lady, my own comic character Pinky TA exemplifies that character type. There's something about a tough lady who can kick butt with the best of them that's especially compelling. They evolved from something a little more exploitative, ladies fighting in bikinis basically, then we had ladies that were just the female version of a male character (Batwoman, Supergirl etc), which is something we're starting to see a little more of unfortunately, but on the good side of things we ARE actually getting fighting ladies who're their OWN women: Original characters. In this Quackcast we talk about some of our faves and some of the earlier incarnations of the character type, from Robert E Howard's Red Sonya and Valeria, to Catherine L Moore's Jirel of Joiry, to Wonder woman, then later characters like Red Sonja (from the comics), She-Hulk, Sarah Conner, Ripley, Buffy, Xena, Aeon Flux… What are some of YOUR faves? Mine are Tank Girl, Lara Croft, Motoko Kusanagi, Garnet and many more :) This week Gunwallace has given us the theme to Dolphin Bros: Jump, jump, jump up and down to this mad dolphin party scene. It’s all over the place but all it wants you to do is MOVE!
Aug 14, 2018
What makes bad guy intimidating? Tantz Aerine made a great newspost about the question, carefully outlining various key bad-guy properties like confidence, composure, efficiency, and amorality. Banes, Pitface, Tantz and I stomp ALL over that, traipsing about like drunken, muddy rugby players, as we blather on about our opinions of the idea and finish up with no idea what we're talking about...
Mar 5, 2018
All the planning and set up in the world will never count for anything if you never start your webcomic, so just put your own to paper and begin! “Getting started on a webcomic” is what we chat about here. I was inspired by PitFace's newspost about a crappy horror film and how the creators just went for it. As a webcomicer that is what you HAVE to do! You can plan, research and gather resources for years, but the reality is that it just makes you more and more scared to take the plunge. You'll develop a LOT faster as a webcomicer if you throw caution to the wind and go for it. I'm not saying that research and planning are uneeded, it's just that most if it can be done while you're actually working. Do not worry about putting out a perfect piece of genius work from the getgo- your comic WILL get there regardless if you're dedicated and put the work in AS you work, but the first few pages or chapters don't have to be there. Your audience will appreciate the chance to grow with you a lot more than if you put out a polished gem to begin with. Starting out at a place like Drunk Duck is your best bet. It's a nurturing, easy to use, creator run platform, focussed around promoting webcomics. So what are you waiting for? This week Gunwallace has given us the theme to Flesh and Wires: Dirty and distorted electric guitar and determined fuzzy bass, weaving together over a haunting synthesized Melodica. Portentous and evocative, this music tells a story in it’s own runtime! The main riff reminds me a little of my fave part for We don’t Need Another Hero from Tina Turner.
Dec 25, 2017
Merry Christmas! It's that time of year again… well, the end of the year. Banes was ill with the dreaded lurgi so Pit, Tantz and I were left to our own devices to chat about Christmas and our fave Christmas movies. What's yours? This week Gunwallce has given us the theme to The Portland Express: Come with us on an adventure on the high seas! This music is redolent with the exotic, action, and intrigue. Flavoured with the sounds of the east, this tune is clearly on a mission!
Nov 6, 2017
A psychopomp is a physical manifestation of death. These are of course impossible in reality since death is a process, not a force or anything that can be personified, but culturally death has very different meanings and resonances! Most cultures have a psychopomp in one form of another, like Valkyries and Charon the boatman to name two, and there are even more in literature and movies. In this Quackcast we go back to Kawaii's great Halloween newspost where she asked people about their fave psychopomps and we talk about a few of our own. ^_^ This week Gunwallce has given us the theme to The Constellation Chronicle - In the cold, blackness of space, suddenly a twinkle appears, bright light shoots out, supercharged particles race on their path into the void at the speed of light, travelling through glowing, spidery filaments as thick as a sun that make up the frozen explosion of a giant nebula, bending their course towards the radioactive chaos of an event horizon, to take a deep dive into eternity, towards the mysterious singularity within.
Sep 25, 2017
In this Quackcast we chat about how objectification can rob the humanity from a character and turn them into a meaningless object which can in turn alienate your audience by making your work less relatable, but with things like porn where character is less important than the on screen action objectification is more acceptable. We chat about the development of porn and why it became so objectified, from the early beginnings where story, setting and character were always a factor, till the days of home video and the internet and how that changed the balance due to various factors, and the way higher production values, better acting and story is actually making its way back in some instances. We also chat a bit about the differences between porn aimed at women and that aimed at men. “Sexposition” in mainstream entertainment like Game of thrones is possibly an interesting outgrowth of the acceptability of pornography and the idea of mixing story and onscreen (simulated) sexuality. The theme Gunwallace has given us this week was for Tomb Busters! It's compelling, regal, atmospheric, steel guitar country rock, this is a triumphant epic that will swallow you whole and leave you gasping for air. This is my new fave!