Jan 26, 2020
Sexpostion is sex plus exposition, it's exposition with sex on the screen. Tantz Aerine addressed the topic of sexposition in an article last year, but what we're doing here is talking about the reason it even exists, why it isn't a new trend, and why it probably won't last.
Topics and Show Notes
Basically, movies and TV shows always get more and more sex and nudity in them when broadcast standards are relaxed. Sex and nudity draw in viewers so they're always popular tools. Back in the 20s during the early days of Hollywood films had more sex and nudity, but then politics caught up with them, standards were introduced and that changed. This pattern has repeated over and over with every form of media delivery service and in every country (the introduction of video, porn films going mainstream in the 1970s, the rise of “art house” cinema, pay TV/cable TV etc).
The main reason for the current trend of sexy stuff in TV shows isn't a reflection of modern culture in general, rather it's because broadcast standards for streaming content are loose because they haven't caught up with it yet. The sex and nudity is there because they can get away with it, same as has always happened in the past when standards and the rest of culture hasn't yet caught up.
Some subjects we touch on are… a tangent into musicals, the sexposition heavy Australian TV sows Alvin Purple (1970s), Number 96 (1970s), Chances (1990s), Art house film directors like Almodovar and Fellini, and various brief mentions of modern TV that reintroduces the trend such as Deadwood, The Deuce, West world, The Witcher, and of course Game of Thrones.
This week Gunwallace has given us the theme to ACCIDENTALS: A gathering of titanic forces, powerful energies coalesce, let the epic battle commence. Dark times lie ahead for earth's mightiest heroes. This is an orchestral war anthem for superhumans! This theme would go perfectly over the opening credits of an A grade superhero film!
Topics and shownotes
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Sexposition newspost - https://www.theduckwebcomics.com/news/2019/dec/20/sexposition-do-not-google-that/
The third Wife (movie Tantz mentions) - https://www.imdb.com/title/tt7692966/
Transneptunian, a sexposition heavy comic by El Cid - (NSFW) https://www.theduckwebcomics.com/TransNeptunian/
Shrouded RD - https://www.theduckwebcomics.com/news/2020/jan/21/featured-comic-shrouded-rd/
ACCIDENTALS - https://www.theduckwebcomics.com/ACCIDENTALS/, by Boy Phaff, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
Nov 11, 2019
Storytelling styles change over time for various reasons: fashion, audience expectations, competition for audience attention due to increased choice and availability of media, technological limitations and abilities, and culture. We chat about the reasons for the changes and how styles have changed.
Nov 4, 2019
“Toxic fans” is a bit of a catch cry now and that has seemed to turn into the idea that any fan who is critical of something or doesn't like it isn't a “true fan”, fans must should love everything. I find this a dangerously silly notion and one clearly driven by business interests with only a limited relationship to reality. It's quite similar to the idea that you're “either for us or against us”, the twisted idea of “patriotism” that says you must agree with and love everything your country and your leader does no matter what or you're a traitor.
Oct 21, 2019
As promised we dive right into the second half of the Star Wars chat! We cover all the Star Wars stuff besides the original trilogy and the new trilogy. There's a lot to cover and we only touch on most on it: Solo, the Star Wars Christmas special, Droids, the Ewok films, Clone Wars, the games, the books, comics, Solo, Rogue One…
Sep 2, 2019
How about having it so anyone in your story can die? Let me explain: It's fake. NOT just anyone can die OK? Your main character will still survive until the end and all that, but what you do is set things up so it really truly looks like they're vulnerable and can die, this way it gives the story bigger stakes. If all the other characters are obvious redshirts then who cares? You KNOW the main character or characters will make it to the end so the threat of death or even injury isn't that important… But if you set things up right and have some clever fakeouts then the story will have much more impact!
Jul 22, 2019
To become truly successful at one thing you need to focus on that alone. Is it worth it? There are MANY calls on our time with all the side things we like to do, ESPECIALLY webcomics. One of the few ways to become a really successful superstar at any one thing is to start dropping all the other things that call on your time and devote all your energy to that one thing! Then you can push past all limitations and devote the effort and time needed to properly succeed.
May 6, 2019
In this Quackcast we chat about set-ups. pay-offs, and rip-offs. To make your climaxes and endings more satisfying you have pay-offs for audience expectations: set them up in the story and pay them off at the end. If you fail to pay-off then you get a rip-off, it's pretty simple. Your audience will be really disappointed. That's not to say disappointing and unsatisfying ends to stories are wrong, not at all! Often those are fully intended. We're just talking about satisfying audiences, not “good” endings.