Jun 19, 2017
Today we're going to chat about how you go about getting more readers on Drunk Duck for your webcomic! Hyena hell did an amazing newspost about it for us, outlining all the ways you can increase your audience here on DD in her fantastic, colourful vernacular! Along with many great analogues from the real world. But I'll cover the basics again in quick point form here: -- 1. Make sure you have a signature image banner so that when you contribute to the forums people can see that you have a comic. -- 2. Comment on other people's regularly, recently updating comics, especially the top ten, and others will click on your name to have a look at your comic- make sure you never post “hey check out my work” as a comment though, that will have the opposite effect. Just be complimentary and people will come. -- 2. Commenting on Newsposts can work as well. -- 3. Make sure your profile page has enough interesting info about you that someone would want to see your work. -- 4. frequent updates will put your comic icon on the front page more often so more people will check it out. -- 5. Increasing popularity through outside sources is done by getting a link to your comic on a popular blog, buying advertising through Project Wonderful on other comics or on The Duck Webcomics is a sure fire way. -- 6. If you get enough views you comic will go into the top 10 listing and then more people will see it on the front page. -- Our music theme by Gunwallace this week was for Sword of Kings. It's urgent, regal chase music, Fleetwood Mac’s Tusk meets Ivanhoe. This is an exciting track that conjures scenes of high adventure and epic battle.
Topics and Show Notes
Topics and shownotes
VCR - http://www.theduckwebcomics.com/news/2017/jun/13/featured-comic-vcr/
From HH's Newspost - http://www.theduckwebcomics.com/news/2017/jun/15/read-my-comic-damn-it-a-how-to-guide/
Excellently related advice on how to get readers!
How to make a forum signature - https://sites.google.com/site/theduckhelp/the-forums/signatures
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - http://www.theduckwebcomics.com/user/Banes/
Tantz Aerine- http://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean
Featured music: Sword of Kings - http://www.theduckwebcomics.com/Sword_of_Kings/, by bravo1102, rated M.
May 29, 2017
In this Quackcast we cover the Importance of good linework in comics and different line techniques such as Herge's Ligne claire, the traditional thick line for characters and thin for everything else as exemplified in the work of Mucha, variable line widths as in Manga, solid blacks like in American comics, and complex lines like Durer or Hyena Hell. I really seriously thought I could get an entire Quackcast out of the concept and techniques of linework, but honestly I was struggling… Okay, so linework constitutes the skeleton that most comics are built on, with the notable exception of painted comics, photo comics, 3D and vector comic among others… But for most comics line is a pretty essential element. There are a lot of different techniques involved in the use of lines. Herge popularised “ligne claire”, which means that all lines have the same thickness and that there's no line shading. A popular style that I was taut was to have thick lines around characters and overlapping elements, with thin lines for internals and backgrounds. This is popular in a lot of manga, US comics and famously the work of Alphonse Mucha. Part of my technique on Pinky TA involves making my lines grey, so that when I set the line layer to “multiply”, the lines take on some of the background colours beneath them and don't show up as darkly as traditional black lines. The work of Hyena Hell on the Hub is interesting for her use of very complex internal shading line to build up texture and shapes, this can also be seen in the works of Albrecht Durer. Manga is notable for its extensive use of very stylised shading, crisp lines and the use of variable line widths for outlines, while American comics make heavy use of solid blacks for areas of shadow, basically extending the width of the line as far and as solidly as it can go. How do YOU approach your linework? The music for this week by Gunwallace is for The Wallachian Library. It's a dark, black future sounds, neon glows, pulses of energy and ideas, vectors and virtual circuits.Sorry, no link to this comic, the user deleted it from the site.
May 15, 2017
Drawing in public can be a pain! You really need to find somewhere comfortable, with lots of space, good lighting, and the right atmosphere to be able to settle down and work on your drawings… It can be tricky to find just the right posy. But it also depends on the types of materials you use and the atmosphere that you want to experience while you're working. In this Quackcast we talk about Hyena Hell's newspost on the subject and people's comments, as well as our own experiences with trying to draw in public places and the annoyances of public harassment. Speaking of knowing where to draw, there's the cautionary tale of Canadian Archie artist Gisele Lagace, who was detained and body-searched by US border guards for carrying unfinished drawings! She was intended to finish them at her hotel so she could sell them at the convention, but according to the US border guards and their extremely “strict” interpretation of the regulations due to the current political climate in the US, that constituted “doing work” while on US soil, so she was denied entry and missed out on the convention she was booked to appear at. So there are other considerations to finding the right place to do your drawings! The music for this week by Gunwallace is for Slaughter at Camp Notamoovi - Dark, suspenseful, mounting dread… it’s dark outside and something horrible is lurking, but it turns out to be a man with no trousers on chasing a raccoon with a pair of pants on its head… who are then both BRUTALLY MURDERED!!!!
Feb 13, 2017
Where to start; in the past, present, or future? Will you structure your story in a linear way or do something more complex? This was the topic of Hyena Hell's newspost on Friday and in this Quackcast Pitface, Banes, Tantz, and I discuss and mull over the ideas ourselves, along with the responses of the clever commenters. Gunwallace has given us a theme to The Archer and the Squirrel, which just so happens to ALSO be our featured comic! - The theme launches abruptly, like an arrow springing from a bow, this tune follows a beautiful arching path against a bright blue sky of melodic, rhythmic flute that begs you to dance a jig with a great big grin on your face!
Jan 30, 2017
Today on the Quackcast we interview Hyena Hell! You might remember the bombastic, punkrocker HyenaHell for her comic The Hub She used to be very active on all of DD (forums, comics, everything), before life issues took her away from DD. But she was still a prolific poster on social media after that when she wasn't creating comics, posting interesting and thought provoking blog posts about art, life as an artist, and living in a changing New Orleans… She has a unique art style- highly detailed, carefully inked drawings, which are quite similar to her work as a printmaker. You can see a great example of that in The Hub. We have sad news and hap[y news… The wonderful Hippievan has retired from doing Friday newsposts on DD. The happy news is that HyenaHell is going to dive into the driving seat of this out of control juggernaut! HyenaHell has a long history with DD and an amazing personal perspective on art and life that I think would be good for the site. It's always good to listen to a new and interesting voice! In the mean time, listen to Banes, Pitface, TantzAriene and I interview HyenaHell, who tells lascivious stories and her and I going into, Lipstixxx a stripclub in New Orleans… Gunwallace's featured music for today was: Mechaniko - it's the sound of nodes on a neural network firing, connecting, and cascading with shared knowledge: Multilayered, technological robo-future rock!
Sep 19, 2016
This time we're talking about the weird notion of managing your online brand: what name do you publish your creative works under and how do you go about curating that? It's an idea I had after a great artist friend of mine known as Hyena Hell lost her online presence on Facebook, the main venue for publishing her artistic projects. Both her her private and public creative lives had been merged into the persona that is known as “Hyena Hell” because the act of creation was very personal to her, it was her brand as well as herself. But after a nasty little scum sucking piece of excrement loser arsehole rectum faced coprophagiac reported her name she lost her right to have that as her personal account. Rather than challenge it or compromise she retired her creative persona from Facebook, and it was a shame because we lost a vibrant artistic, thoughtful presence from there. But many of us also have an online brand/persona/nom-de-plume of some sort that our work is collected under and that's the topic of discussion! Gunwallace's theme this week is for Urthe, featuring lashing cymbals and electric guitar that blasts out like a deadly raygun! This is hard rockin’ goodness!
Feb 18, 2014
It's one of the great tragedies of webcomics the way ‘real life’ so often gets in the way of our comic work. This Quackcast was inspired by HippieVan's newspost about webcomics that disappeared into the atmosphere or deadended into nowhere... Hippie joins Ozone and Banes to discuss the topic of comics ending before their time, comics we miss, comics we need closure from! Why do they end like that? Have you got abandoned work under your belt? Will you ever come back and finish it? What are some of your forgotten faves? Bellow are a list of ours
Jul 16, 2012
Our idea was to revisit some of the interesting featured comics from the past years... We picked features that appeal to us and that are still on the site, commenting about what we like and don't like about the art, writing, design, style of humour, type of story, and the genre.We hope this will be an interesting topic to revisit in future Quackcasts too. The feature spotlight is fleeting and only happens once to a comic, then they sink away again, so it's worth having another look at the great and wonderful glories of the past to see just how great and wonderful they were! I'm joined again on the Quackcast by my personable and friendly voiced co-host Banes!