Episode 673 - By their deeds you shall know them
Feb 5, 2024
Here we're fulfilling the promise of Quackcast 671 and examining what the art can tell us about the artist! Can certain themes, an art style, choice of imagery, jokes, humour, character opinions, colour choices or anything else tell us anything about the artist?
Topics and Show Notes
This can be pretty subjective though a lot of stupid and dishonest critics pretend it isn't and tell us great long stories about how this director is “deeply misogynist” because of certain repeated themes - I once watched a youtuber focussing this criticism on Tim Burton with content that was 100% subjective motivated reasoning entirely dressed up as objective fact. It was very silly. It helps if you know a bit more about the artist, their opinions and life when using the art to examine them so you don't go too far off the rails like that youtuber. It still doesn't give you a reliable result but it's better and if you do it well it can at least be entertaining and make sense.
In our Patreon vid we tackle our old fave Star Wars and see what that can tell us about George Lucas. A very cool way to begin! And I think we managed to come up with some interesting insights. For the Quackcast first we jokingly examine each other's work in a critical way… then we move on to our absent Quackcast Alumnus Pitface and examine her using her first main comic on DD, Putrid Meat. This was a fascinating examination!
If you're still unsure about this sort of thing, take the example of pulp writer Robert E Howard.
What does his work tell us about him? We mainly know him as the writer of Conan, muscle bound barbarian and poster child for the old Sword and Sorcery genre. But he was also the creator of many similar stories about other characters from different times and places, some funny and some serious but almost all male, big, strong, clever, crafty, physically fit, and intuitive. Knowing what we do of Howard, a young man from a small Texas town who was incredibly well read but also large and muscular it's easy to say his characters usually represented an idealised version of himself. They shared his small town distrust of the big city types (representatives of decadent civilisation in his stories), as well as his own pretensions to “racial superiority” which was very much off the time and area (Texas in the 1920s and 1930s), but more tailored to himself and NOT the silly Nazi “Aryan” version. His characters initially reflect his own thoughtless misogyny and sexual inexperience, almost verging on homosexuality, but that rapidly changes in his later writing, even notions of racial superiority melting away as his own experience of the world broadened and a relationship with a woman in his life changed his ideas about femininity. This culminates in his last story “Red Nails” which features an evolution and almost a reversal of a lot of his earlier themes, with a female protagonist hero while Conan is relegated to a side character.
Reading his stories in the order they were written as well as knowing a little about that man's biography seems to give you a fascinating insight into his thinking and reasoning! THIS sort of thing is where examining the artist through their art shines, even though it is still largely subjective.
What does your art tell us about you?
This week Gunwallace has given us a theme inspired by Maynard and Grimm - Grim and hauntingly introspective. This theme takes you down some dark and mysterious paths, into gloom and hidden places. Be careful, it’s very, very dangerous!
Topics and shownotes
Links
Putrid Meat - https://www.theduckwebcomics.com/PUTRID_MEAT/
Featured comic:
I Am Not The Protagonist - https://www.theduckwebcomics.com/news/2024/jan/30/featured-comic-i-am-not-the-protagonist/
Featured music:
Maynard and Grimm - https://www.theduckwebcomics.com/Maynard_and_Grimm/ - by Phinmagic, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 662 - Drunkduck tales
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Webcomic communities have different cultures, but why and where do they come from? DD's culture is pretty chill, we're reasonably neutral and accepting of a wide range of ideas and perspectives, we're egalitarian to a very high degree, we don't do cliques, we don't exclude, we don't tend to jump on culture wars… We don't like tribalism of partisanship. So why are we like that?
Episode 660 - The Multiverse
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Multiverses are really popular in fiction right now, eg. Dr Strange into the mouth of Madness, Spider-Man: Into the Spider-Verse, The Flash, Everything Everywhere All at Once, Rick and Morty, and The Loki TV series (which I love). So what is a multiverse and why is it used? Basically when multiple universes coexist at the same time, either there are a few and they're widely different or they are infinite and every possibility exists. In the real world the idea of multiple universes is purely theoretical and a relatively minor part of various quantum physics theories, while in fiction it's an important tool for mashing together separate IPs that wouldn't normally fit together and also telling interesting stories with parallel elements and “what-if” scenarios.
Episode 656 - Character Growth 2, Indiana Jones
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This Quackcast is a sequel to our Quackcast last week on alternative character growth, but instead of Star Wars this time we decided on Indiana Jones. It's a really interesting creative writing exercise, we think up a better, more interesting way of of growing and continuing an established character and their adventures.
Episode 610 - Beauty!
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“Beauty is in the eye of the beholder”, so the saying goes but it's absolutely true. There is a layered subjectivity to it based on personal preference, the cultural standards of your community, the ethnic traits of you and your peers, prevailing global fashions in appearance, the dominant archetypes in the media and so on. All these things combine to form our personal subjective ideas of beauty. You can see this yourself if you look at paintings, statues, masks, frescoes and other artifacts that have been produced by all the diverse cultures on earth over thousands of years: there IS no standard, eternal, objective of beauty.
Episode 605 - Myth of Freedom
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“Freedom” is the catch cry in so much historical fiction but it's usually an anachronistic piece of nationalist fantasy. You fought for your lord, for pay, your honour, your small region, etc, not for “Scotland” (i.e. Bravehert). Even today it's generally propaganda: e.g. The Invasion of Iraq being called “Operation Iraqi Freedom” and Russia's invasion of Ukraine being all about “freeing” the Russian speaking areas from “oppression”. We alter historical stories to fit with contemporary ideas about ourselves and to give us some form of foundation for our prejudices, motivations and identity. Good examples are the Arthurian legends, Gladiator, Braveheart, The Patriot, Robin Hood, The stories about Christopher Columbus, The 300, and The Woman King.
Episode 599 - Badaptations
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Source material is something that we can love and respect, but it's just as often disregarded, degenerated, and denigrated, especially these days where it seems like everything you see is an adaptation or even an adaptation OF an adaptation or worse. I think it's important to go back to the sources so you can see what was truly great about the original to begin with. It can help you see what was lost in the adaptations and to discover new and important meanings and ideas that you never would have guessed at.
Episode 588 - Revisiting Old Ideas
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Sometimes it's worth revisiting old ideas because you can do them better or explore them deeper. This could be in the form of a full reboot, or it could be as simple as reusing a pose in a panel or using the same theme again like Pixar does with 90% of their output i.e. “coming of age”. Like them you don't need to feel obligated to always do something totally original, revisiting old ideas is a great way to refine them, create better work, or explore different aspects of them you hadn't considered before and put new and interesting spins on things. Consider that Pixar's Turning Red, Encanto, Moana, Coco, The Incredibles 2, Ratatouille, Inside Out, Brave, Onward, and Luca all share the same “coming of age/childhood independence” theme and yet all do it in unique and original ways, exploring different aspects of the idea from all sorts of angles.
