Apr 12, 2021
Mary Sues are always a fun topic! There are some misconceptions about them though… Mary Sues aren't all female, they can be any gender. Being super powerful or super popular or super pretty etc doesn't equal a Mary Sue, not even if your character super stands out next to all the others, those things ONLY indicate they might possibly be one. What equals a Mary Sue is a character that doesn't have to struggle very hard for anything, a character that is almost universally admired, and or loved (even by the enemy), a character that masters hard skills with ease and ends up teaching the teachers and beating the masters, a character that's destined to succeed and does in spite of internal story logic… All these things and more can add up to make a Mary Sue.
Topics and Show Notes
It's why Batman and Superman are NOT automatically Mary Sues even though they stand out and have super powers/abilities/skills. They have a million stories about how they face challenges, how they get people killed, how they lose powers, how people hate them etc. They could be Mary Sues only if they had bad writers.
Rei from the new Star Wars movies is a classic Mary Sue, although very well acted by the awesome Daisy Ridley, she doesn't face any serious struggles in her straight line trajectory to success, she defeats all enemies with ease, masters every skill better than all masters, and is destined to win. So even though she doesn't stand out aesthetically or physically, she qualifies. Similarly, Rick from Rick and Morty can be a bit of a Mary Sue in some stories in that he rarely faces real challenges because he's worked out everything beforehand. Whenever things seem to be going wrong for him you realise he's already engineered the situation so he can win, this makes him less compelling as a character, less immersive and believable.. You find out that even the social challenges he seems to face in some episodes were actually pre-engineered by him to reach exactly the conclusion they did.
The important point there is that it's only in SOME stories. Any character than be a Mary Sue if the writing fails them. but that doesn't mean that's what they always are! The classic story characters from the late 19th century Sherlock Holmes the super detective and Raffles the gentleman thief can be Mary Sues: over-powered and working to imbalance their story environments, but only at times.
This week Gunwallace has given us the theme to Last Child of Gluttony: White lines flash past as your knee comes close to the road… your bike roars as you lean into the curve. The road is a blur of speedlines. Red lights flash bright in front of you, tailing off behind as you whip past them. You’re king of the road, no one can catch you. This music evokes speed, night, racing, roads and heat!
Topics and shownotes
Banes' Mary Sue newspost - https://www.theduckwebcomics.com/news/2021/apr/06/the-bestest-evar/
Our old Mary Sue Quackcast - https://www.theduckwebcomics.com/quackcast/episode-211-how-mary-sure-are-you/
Hierarchy - https://www.theduckwebcomics.com/news/2021/apr/06/featured-comic-hierarchy/
Last Child of Gluttony - https://www.theduckwebcomics.com/Last_Child_Of_Gluttony_/ - by Cdmalcolm1, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
Banes - https://www.theduckwebcomics.com/user/banes
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!
Join the Discord server to chat in real time with other DD comics people - https://discordapp.com/invite/7NpJ8GS
Mar 28, 2021
Image credit: There's Something About Mary, 20th Century Fox. Empathy is like sympathy but you don't think about it. It's what happens when you see someone get hurt and you wince in pain watching them, it's when you see a really uncomfortable moment in a sitcom like The Office and you cringe, It's when you feel sad when the characters are sad about something. Empathy is an important tool for audience immersion- if they're feeling that strongly for the characters then you've got them invested in your story! Funny story… the topic of this Quackcast was inspired by us talking about the risks of “going commando” and the fact that it can happen to women as well as men. This led us to go looking for photographic and video proof, as you do… and what we saw gave us instant empathy for the poor unfortunate. Hence the Quackcast topic ;) This week Gunwallace has given us the theme to PleaseRewind: Quiet threat, creepy, seeping, strumming, thrumbing, coming CLOSER, inside, peering around, waiting to begin. This is a quiet track filled with an undertone of urgency suggested by the constant quick rhythm and lonely guitar.
Nov 22, 2020
Today we chat about fight scenes! This was spurred by a post in our forums about how bad fight choreography can spoil a film. Our Patron vid was mainly about fights in our comics, while the Quackcast is more about fights in movies. One of the things about REAL fights is that they're usually very fast, ugly, stupid looking, and not very exciting. It's important to remember that boxers and UFC fighters are entertainers and sports people, those people are performing for an audience - their fights are real but they're designed to be showy and exciting, whereas true fighting on the street or in war etc is very different, it's more deadly and more stupid looking.
Oct 5, 2020
What is the worth of human life in your stories? This isn't something people often consider, we just tend to have a fairly accurate guess based on our experience of the real world, but sometimes stories get it really wrong and that can harm suspension of disbelief.
Sep 28, 2020
This week we're talking about cultural appropriation, cultural adaption and adoption, also stereotypes and all sorts of related stuff. It was inspired by a newspost from Tantz discussing the recent live action Mulan movie by Disney. Cultural appropriation is when you take an aspect that is sacred or important to one culture and own it yourself: decontextualising it, stripping it off it's meaning, making a cartoon version of it, commodifying it, commercialising or cheapening it in some other way.
Sep 14, 2020
Titles are surprisingly important for your comic! We don't often realise that when we first start them, but a title is one of the very first ways people come across your work. You have to sell it to them and give them an idea of what to expect in only a very few words. You can take a lot of different approaches to that, like teasing and intriguing them with a title that suggests something interesting or mysterious, character names are great for that. You can be completely literal and obvious. You can use a pun… you can take an existing popular title and alter it in a slight way… There are so many things you can do!
Aug 10, 2020
DD member Furwerk Studios posted in our forum about how annoying it was that movies try and do an 80s retro thing often get things totally wrong and end up looking dumb because of it: Not just superficial looks-wise but stylistically too in terms of the kinds of shots they do, lighting and story structure. I thought that'd make an interesting topic for a cast! Why do people often mess up retro stuff? We're not talking about historical accuracy here, that's slightly different, what we're talking about is setting something in an era and getting the “feel” of that era right. It pays off hugely when it works, but when it doesn't it comes off as superficial, disappointing and ignorant.
Jul 26, 2020
It's just Banes, Tantz and me today, chatting about the important topic of continuity! How do you maintain it, what continuity errors have you made, what continuity errors have you noticed in media? What's the difference between character continuity, story continuity and chronological continuity? - Something you notice when you watch or read a series in chronological order that was were NOT produced or meant to be viewed that way.